Fascinating sounds here, Uli.  Always fun to have a new gadget to use.  Like this very much, my friend!

This is great electronic sound design. I love music that asks questions. Your music is my senior. I would love to absorb your creativity.

ONE STEP IN THE WAY TO OPEN SPACE

meanwhile in Africa
Oshe Baba is a Nigerian phrase meaning thank you Father 
Vocal snippet- Logic Library
synths- Omnisphere 2

Baba

Jennie Tidwell-Just a Simple Man(3).mp3

Landscape I.

A remix of the fantastic https://soundcloud.com/sven-noon/gryy, aiming I suppose to 'reveal' it more

A video... https://www.instagram.com/p/CkEWvppgGgl/

Sven Noon - Gryy (muterial gleam remix)

THE BOY - I WANT YOUR SEX

Everything by THE BOY

From 4th EP "Don't" OUT on major platforms NOW!
Click Link ( Spotify )↓ & Enjoy‼️
 : https://open.spotify.com/album/0r1WKfWAQlCI55UfL9RATt?si=911ctBvASKGmDX6P_nxeTg

I WANT YOUR SEX

Quiet Space

(Written by Terry Reeves)
Terry Reeves: Lead Vocal
Gary Reeves: Drums / Drum arrangement
Hans Albers: All instruments, backing vox, arrangement & production

Cover art by Jooinn.

This is a totally stolen idea gleaned from another one of those phone conversations with my brother Gary. We talk to each other every few days and normally end up sounding like two old men sitting on a park bench putting the World to rights.

I’m sure a lot of what we say has been said many times before (what hasn’t?) but one day, out of the blue, Gal says to me “ Sometimes I find things too difficult to deal with. I would love the opportunity to step off the world for just one second and clear my head a bit...” At the time I just accepted it as the type of thing we say to each other but two days after the phone call the idea of stepping off the world to escape the pressures of daily life returned when I was playing my guitar. The words “I’m stepping off, I’m stepping off” fitted with what I was playing and the start of a new opus was born.

Once a song seems complete, I generally record a quick demo and send it off to Gal to see if it has any potential. If he thinks it has, between us we try to put a better demo together to send to Hans.  If he thinks it’s any good, he’ll work on an arrangement and more often than not sends back something back that sounds way better than what we’d imagined.  

We might chip in a few ideas here and there (as Gal did with a totally new drum arrangement on this) but Hans is definitely the one that gives it most of it’s final shape and sound.  I love every step of the songwriting process.  It provides a kind of therapy and the creative process gives every day purpose and interest.  You could say it’s my way of stepping off the world for a short moment.
(Terry Reeves)

I’m stepping off the world
To give myself a chance
For a moment of reflection
Avoid the need to dance 
One thousand miles per hour
Never firmly on the ground 
Gravity with no connection 
Spinning fast head going round 

Stepping off, I’m stepping off
I’m stepping off, I’m stepping off
I’m stepping off, I’m stepping off
Stepping off the world 

No New Year's Revolution 
Rotating much too fast 
Survival of the fittest
Fittest days are in the past
Step off every Monday
Not back until Tuesday week
One moment makes a difference
Like a lifetime so to speak

Stepping off, I’m stepping off
I’m stepping off, I’m stepping off
I’m stepping off, I’m stepping off
Stepping off the world

Don’t want to give a reason
Good feelings are oppressed 
Try different constellation 
Laying down has more interest
Stepping off a single second 
With no single past regret
Not a care for single thinking 
Avoid joining one single thread

Stepping off, I’m stepping off
I’m stepping off, I’m stepping off
I’m stepping off, I’m stepping off the world
Stepping off the world, Stepping off the world, Stepping off the world, Stepping off the world, Stepping off the world, Stepping off the world...

STEPPING OFF THE WORLD - CRIPPLE CLUB & HANS ALBERS

SHE BLOWS HER OWN WIND
SHE CARVES HER OWN FATE
SHE’S A SELF-MADE CRAFTSWOMAN OF HER LIFE

SHE FLIES HER OWN WINGS
AND FEEDS HER OWN PLATE
SOMETIMES HER WORDS CUT LIKE A KNIFE 

SHE HAS BEEN AROUND
AND YET REMAINS BOUND
ANYWHERE NEW CAN BE FOUND

NEW YORK NEW YORK
KRISTINA WHY NOT
THE WORLD IS YOUR OYSTER YOU ROCK

A JUMP ON THE SIDE
A WALK IN THE WILD
WHO KNOWS WHAT WILL BE YOUR NEXT RIDE
IT’S ALL WIDE OPEN

SHE FLOWS WITH THE WIND
AND SWIMS IN THE COLD
SHE KNOWS HOW TO TAKE BY THE HAND

AND ALL THAT SHE GIVES
IS ALL THAT SHE’S GOT
A HEART OF GOLD AND OPEN ARMS
IT’S ALL WIDE OPEN

HER BODY’S GOT SOUL A YOGI I’M TOLD
THIS WAY SHE MIGHT NEVER GROW OLD

IT TAKES QUITE A STAR TO BE WHAT TOU ARE
FROM NICE TO LOU REED AT THE BAR
IT’S ALL WIDE OPEN
I MEAN WIDE WIDE OPEN


HERE SHE COMES THERE SHE GOES
WHAT WILL BE THE NEXT MOVE NOBODY KNOWS

WIDE OPEN - short version (Lyrics) song for Kristina

My Way Feat Emily Coy
Paploviante Bass, Music, Picture and Mix
Vocals Emily Coy
https://soundcloud.com/stemstore

My Way - Emily Coy And Paploviante

So In Love W/ UK Man

Composed Arranged & Produced
By Ian Greaves & Joerxworx
Joerxworx: flute and saxophone remix
@joerxworx

Critical Elements by IPG1 Feat. Joerxworx

Hey friends! The crew that brought you 'Land of Zed' is back to launch a new collaborative concept album adventure! After wrapping our last project, Uziel, Stonerjazz and I dubbed ourselves 'The Smoking Trout'. The 3 of us are just the founding members of this group. Like last time we plan to bring in lots of guest appearances.

This first track is an instrumental. There will be more world building and myth making on subsequent episodes... The Quest for the Holy Dumpling follows a traveling band of characters, some new and some that have already made appearances in other songs. For example Sally and Roberta are the 2 clarinet players that make a cameo in the final Zed song, Amanita Musaria. This track is their cosmic call to action to open the new album. Thanks for checking it out!

Uziel @user-455619833 contributed much of the instrumentation on the second half, including the 'clarinet' lead, the guitar sounding elements, and the percussion that kicks in during the final leg of the song... and also gets lots of credit for developing the mix.

Stonerjazz @user-911083679 contributed the trippy mellotron lead and other experimental melodic elements that you hear during the first half of the track.

I contributed the drums and synth elements that persist across both halves of the song, and finalized the mix.

Sally & Roberta's Cosmic Call (Smoking Trout: QUEST for the HOLY DUMPLING #1) w/ Uziel, Stonerjazz

Song about love as a shelter against inclemency of life (translated lyrics below).

By means of some weather sounds, I oppose precise dark parts to more colored ones, with serious work till 3:25 when I had fun jamming, so you can skip to 4:20 & enjoy great outro !!

Clarinet was borrowed from my sister for summer practice. Reed & keywork managing is difficult for a beginner, & home cohabitance was set on serious risk, but with painful effort I got something presentable, or so I hope, as not willing to repeat soon...

Pic: edited eyefish photo taken by my other sister during one of my hard summer rehearsals.

LETRAS / LYRICS

ENTRA SIN MIEDO / COME IN WITHOUT FEAR

Fuera hay truenos; / Outside there are thunders;
entra sin miedo. / come in without fear.

Fuera hay viento; / Outside there is wind;
entra corriendo. / come rush in.

Soy tu refugio protector; / I am your protective shelter;
entre mis brazos estarás mejor: / whithin my arms you’ll be better:
ven a buscar mi calor. / come to find my warmth.

Dentro hay fuego; / Inside there is fire;
entra a verlo. / come in to see it.

Dentro te espero, / Inside I wait for you,
entra sin miedo. / come in without fear.

ER22HC02 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Entra sin miedo (No clarinet was harmed)

G.O.M.D. |prod. Sahara II |

ripples

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HAPPY HOUSE

(Don't follow me here, best on my main page ;)

Thankyou for checking out and enjoying my tracks!

Henry Wadsworth Longfellow: "Music is the universal language of mankind."

Baba

Uli Stonedigger

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