Ho lavorato principalmente sul pianoforte e la sua timbrica.
Con EQs e Compressori vari ho "schiacciato" il timbro sulle frequenze medioalte/alte.
Ho usato le prime battute del pianoforte per creare un loop, dove velocità e timbro vengono modificati.
Il loop si alterna tra i canali ed è l'elemento portante e caratterizzante del pezzo.
 Dopo circa un minuto appare una fascia con funzione di bordone.
Altri elementi percussivi e di disturbo.

Dimenticavo.... remake/remix del brano dell'illustrissimo Marco Lucchi.

La Confessione (R/R "Soliloquy" by Marco Lucchi)

a collaborative work
https://soundcloud.com/marcolucchi/soliloquy
curated by Marco Lucchi

Soliloquy, Marco Lucchi (philippe neau Rwk2)

28 - 10 - 2024

Soundtracks 24

Inspiration No. 05

HIGHLAND

Corona

GAZA

Enjoy the accompanying visuals at https://youtu.be/g5eOaExNtYo

Above my head -
The burning summer sky,
Begging and walking.
 

Haiku featured in the collection "Fire on the Mountain: the Selected Haiku of a Wandering Zen Monk Taneda Santôka". Japanese, and English translated by Hisashi Miura and James Green.

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Haiku by Santoka Taneda: https://www.chzc.org/Nonin.htm

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF burninG [naviarhaiku567]

The Bry's Wile

miXture_01

MAGNETIC SERIES – Album – Format: CD, Digital – Releases September 20, 2024

“I’ve always had a deep connection with magnetic tape. Since the end of the ’80s, when I was just a kid, musical experimentation was inextricably linked to that medium, to the tapes that filled my days. Every recording, every edit, every sound etched onto those tapes represented my first naive steps into the world of music. It was a way to explore, to get to know myself and the sounds I could create.

Then, in the late ’90s, the introduction to Minidiscs and, later, HD recording changed everything. Daily interaction with tape seemed like a thing of the past, forgotten in favor of newer, more immediate, and versatile technologies. But that magic, that physicality, was hard to replace.

Over the years, I’ve watched with curiosity as magnetic tape made its return to the tables of ambient and experimental music creators. I realized that many had already rediscovered and embraced this medium, while for others, it had never really gone away. I, on the other hand, was much slower to return. But it was precisely through the works of other artists that I found the drive to immerse myself once again in this dimension, more convinced than ever.

Since 2020, after some attempts to incorporate tape elements into my compositions, I began to explore this path more seriously. I started creating tracks where the use of magnetic tape wasn’t just an accessory, but an expressive end in itself. “Magnetic Series” is not a concept album in the traditional sense, but rather a collection of tracks created between 2020 and 2024, united by a common thread: the manipulation of tape in various forms, from cassette loops to reel-to-reel, from slowed-down/speed-up tracks to entire mix passed through tape.

Beyond the allure of nostalgia and the fun that this medium provides, magnetic tape offers something unique: an intransigence that digital lacks. While digital allows you infinite possibilities, tape forces you to make definitive choices, pushing you into a creative process that permits no compromises. And perhaps it’s this very unyielding nature that makes it so fascinating and valuable.“

Music by: Matteo Mariano (macrogramma.com)
Mastereing: Andrea Porcu
Photo & Desig: Moreno Pirovano
Record label: Lᴏɴᴛᴀɴᴏ Series
Publisher: ROHS! RECORDS

Cat.#: LONTANO-S-CD47
Release date: 20/9/2024
Format: CD, Digital

Copyright © 2024 ROHS! RECORDS, All Rights Reserved

Magnetic Series

Tape In E Flat Lydian

kontakt@ulrich-langenbach.de / Siegen, Germany,

Ulrich Langenbach is a German artist and composer, improviser, artist and sound researcher / e-cello, viola, guitar

Ulrich Langenbach is a visual artist and improvisational musician whose work is characterised by a continuous investigation of unintentional aesthetics and interdisciplinary approaches. His artistic practice includes installations, texts and performances, which invite the viewer into an immediate and impartial confrontation with space, material and sound.

At the centre of his visual art are extensive installations that challenge your perception with minimalist forms, materials and structures.

His text works combine literary precision with visual openness and often pose questions around the meaning and function of language.

As an improvisational musician, Langenbach is devoted to non-idiomatic music, a way of playing that moves beyond established styles and focuses on the moment of sound occurring. His performances emerge in the space between intention-free experimentation and intuitive expression, and lead to unique soundscapes that deliberately leave behind traditional genre boundaries.

His multi-award-winning work, which has been shown in numerous international galleries and museums, throws new light on the disciplines of art and music and offers pioneering impulses. It stands for the power of having no intention and for liberation from conventional expectations. It invites you to experience space, sound and text in a new dimension.




collaborations with: marc schaffroth // markus reineke // kersten ginsberg // martin hoggeboom // trampelfäd // aoki satoru // paul mimlitsch // darren bourne  // michael banabila // woodwo // lijel // michael göring // barbara weiss // stefan strasser

GAZA

Ulrich Langenbach

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