Name: Cassini Division : Eta Carinae Fugue by ultra eczema
Duration: 3 min 7 s
Description: Track from Cassini Division's upcoming LP on Ultra Eczema!

AUDIO VISIT TAPE CARD 
Tokyo Sept 2017 C-12 
Praat5383

Xilo Obachia Que Tentenna

iDEAL158
Edition of 200 copies
Available in December 2017

DAIJING & DAFELDECKER - DAUGHTERS OF THE BOTANIST (iDEAL158 7")

B2. BASSES TERRES -  Yōru No Satori Feat Mika Oki

Ohad Fishof
ALBUM 1
LP/CD (E239)

entracte.co.uk/projects/ohad-fishof-e239/

Release date: June 2019

•

Ohad Fishof is an interdisciplinary artist. He began his artistic career 
in the mid-eighties as the energetic teenage leader of the pioneering 
Israeli post-punk band Nosei Hamigbaat. His subsequent time-based 
art, ranging from dance pieces and performance acts (often in 
collaboration with his partner, choreographer Noa Zuk) to sound 
and video installations as well as recorded and live music, has been 
presented worldwide.

Soundtracks aside, ALBUM 1 is Ohad Fishof’s first solo album. Some 
of the music on it was originally created in the context of other art 
projects, and was then rearranged for inclusion here. Technically 
electro-acoustic, stylistically idiomatic and liminal, ALBUM 1 carries 
a strong sense of narrative and seems to be taking place somewhere 
in the fantasy territory of ethnographic fiction. Its echoes of exotica 
on one hand, and post-punk on the other, are shaped into idiosyncratic 
song forms, fronted by changing voice characters.

ALBUM 1

Ohad Fishof (E239; 2019)

Excerpt N°13.a (Dialogues Egoistes)

Track from Cassini Division's upcoming LP on Ultra Eczema!

Cassini Division : Eta Carinae Fugue

Released in collaboration with Vaagner / A Sunken Mall

The story of the Southerner who leaves the South will forever carry with it a certain poetic solemnity, as though the mystic doom of Faulkner, and his Yoknapatawpha County, follows them elsewhere, follows them everywhere. The cruelty of the Countryʼs history is embedded in their every move, their every utterance, their voice itself. One need only to sit with Rejoice!, the new album from Brooklyn-by-way-of-Nashville artist Jeremiah Carter, once, to comprehend the significance of such antiquities and their reflections both on self and world alike. The cinematic samples of stringed instruments on the opening Title Track, along with a great deal of the A-Side, paints a thousand overlapping landscapes, of plains, of prairies, of mountains. They clash at times, in prickling discord, like dragonflies disturbed in their hovering atop endless fields of cattails. But, at others, they mingle with Carterʼs gorgeous, lush synthesizers, graciously oozing a fullness both enriching and wholly melancholy. These tracks are simultaneously irksome and soothing, the A-Side echoing holograms of a similarly sad theme throughout—taking its time with us, for the benefit of our own self-reflection. The incorporation of the spoken word of Roberto Bolañoʼs “43. Like A Waltz,” on the track of the same name, humbly nods to timeless and scenic summers, or not summers—a beautiful forgetmenot.

Static and droning highs overtake the air on Side B, like a rainforest mist, the synths returning as sunbeams through the treetops. It becomes all the more warming and loving than its preamble. The glowing tones of “Perfectly Red Ochre,” and “Abandonment Veil,” beckon us away form the previous perils of dissonance. They hover like the haze after a much needed rainfall, as if to say, “See? this land is not doomed.” Organic instrumentation interrupts the drones on this Side—solitary acoustic guitar on “Over Your Cities,” and piano on closing track, “Silence Belongs To Us.” Itʼs Carterʼs reminder that a human voice lay behind all this, that someone is playing these instruments, composing these epics. By its end, Rejoice! has done what historians will forever aim, yet consistently fail, to do—it captures the soul of a land. It channels Carterʼs voyage from Southern States to Northern, with the conflicts of his past, and the landʼs, trailing behind him like a cape. He wears these sounds, and he wears them beautifully.

- JP Basileo

Order Tape / Digital

J. Carter - A Few Freed Memories That Lay Bare (ft. Kelby Clark)

'Sirene' taken from the full length 'Oehoe' released 5th June 2020.

Available on LP / CD / Digital formats from wheretonow.bandcamp.com.

Hand assembled, stamped and stickered LP version limited to 150 copies worldwide.

Mastered by Rupert Clervaux

Rutger Zuydervelt aka Machinefabriek needs no introduction - a hugely prolific electronic experimenter who has recorded for labels such as Type, Digitalis, Dekorder, Western Vinyl, and many many more, Where To Now Records are truly humbled to handle his latest collaborative work ‘Oehoe’. Produced in collaboration with viola / violinist Anne Bakker, a classically trained solo artist in her own right, and currently performing strings as part of Agnes Obel’s band, Machinefabriek here has sown a landscape of Anne’s raw violin, viola, and vocal improvisations into a stirring body of work which merges tradition, experimentation, and whimsical curiosity to create a distinctively unique album which is both deeply moving and playfully dissonant in equal measure.

Given that Anne’s improvised vocals are wordless throughout, it is to Rutger’s absolute credit that he has assembled and transcended these intonations to often devastating emotional effect. Anne’s vocal experiments exude a classical polyphonic antiquity, they lushly hover above her own Reichian minimalist string arrangements, and Machinefabriek’s deeply brooding, cacophonic synthesized soundscapes. Across these 10 pieces we delve into a world which seamlessly moves between a state of harmonious contentment; or a very murky calm, to moments of lively ecstasy, and deep deep down to a vast and brooding melancholy.

Machinefabriek with Anne Bakker 'Sirene'

snf09 : mark templeton "ocean front property" part 1

Enshrouded in high-pitched static and elusive fumelike oscillators come "Sundowning", a new mini-album signed by Preston Weippert's most prolific alias, aka Volunteer Coroner. Co-founder of the Colorado-based Trust Collective label, Weippert's music vectors a collection of desolate murals often painted with industrial-grade fuel. A low-resolution picture of oil fields burning from your window seat. Closed eyelids against the sun, into the red.

“Loss as gain- forever in blood”

EN17

Recorded during the Summer of 2020
Volunteer Coroner is P.W.

Sundowning

Volunteer Coroner - A Token Saved From A Previous Life

‘speeltijd’ Is a selection of music collected by Liesbeth Feys and ijf Boullet from over the last 4 years. Everything is played, sung or made with children. The mix contains echoes of forgotten theme parks, medieval markets, percussion workshops, school telly and heartbreaking children stories. You either love it or hate it. For us it’s some of the best and honest music ever made.

Liesbeth & ijf

https://socialharmony.bandcamp.com/merch/speeltijd

Cassini Division : Eta Carinae Fugue

ultra eczema

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