Name: Frank Hurricane excerpt by ultra eczema
Duration: 2 min 12 s
Description: excerpt from Frnk Hurrican's Pymp World LP

Love it! I'd love to play on my Radio show, is there a buy link? xx

Shelter Press is happy to announce the release of Perceptual Geography, Thomas Ankersmit’s latest record. The music was created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by - and dedicated to - the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

Ankersmit and Amacher first met in New York in 2000, and kept in touch over the following years. Her concerts and installations left a deep impression on him. Amacher, being close to the Tcherepnin family, also first introduced Ankersmit to the Serge synthesizer, developed by Serge Tcherepnin in the 1970s.

In the piece, Ankersmit explores different “modes” of listening: not just which sounds are heard and when, but also how and where sounds are experienced (in the room, in the body, inside the head, far away, nearby). So-called otoacoustic emissions (sounds emanating from inside the head, generated by the ears themselves) play a prominent role. When turned up loud, the material moves beyond the loudspeakers and starts to trigger additional tones inside the listener’s head; tones that are not present in the recorded music. Cupping the ears with the hands and slight movements of the head also help to bring these tones to life. Maryanne Amacher was the first artist to systematically explore the musical use of these phenomena, often referring to them as “ear tones”.

The title is a reference to Amacher’s essay “Psychoacoustic Phenomena in Musical Composition: Some Features of a Perceptual Geography”, and despite the all-electronic instrumentation, a dramatic sense of landscape and environment often emerges. There are sparks of fire, howling wind, distant thunder, a swarm of bats disappearing into the distance. Ghostly, floating tones are contrasted with highly dynamic sounds darting around the listener, and large, heavy waves rolling in slowly. “Ear tone” stimuli weave in and out of these textures, emerging from them. Once or twice, the music seems to completely freeze in time, but a slight movement of the listener’s head reveals changes.

For each live performance, Ankersmit tunes his instrument to the resonant characteristics of the performance space, so that the sounds activate the structure, traveling through the architecture and setting it in motion.

The record is accompanied by an extensive conversation between Ankersmit and Serge Tcherepnin, creator of the Serge Modular and friend and collaborator of Amacher.

This is a digital-only release (CD and download) because the “ear tone” material can’t be adequately transferred to vinyl.

Please play loud and use speakers, not headphones. 
credits
releases March 19, 2021

Music: Thomas Ankersmit
Mastering: Kassian Troyer
Design: Bartolomé Sanson
Interview editing: Michelle Arrouas

THOMAS ANKERSMIT 'Perceptual Geography' (EXCERPT) (SP130)

https://12thisle.bandcamp.com/album/brace-mend

Lucy Duncombe - Brace

From the album Andrew Pekler & Giuseppe Ielasi "Palimpsests" out on Shelter Press om October 22, 2021. Preorder: https://shelterpress.bandcamp.com/album/palimpsests

Bandcamp

Andrew Pekler & Giuseppe Ielasi - Simferopol

Troth ‘Oak Corridor’ Album Out 1st of November 2021.

Listen to 'Balancing Arc':
Spotify - https://spoti.fi/3A9TbSg 
Qobuz - https://bit.ly/3k44CVX
Tidal - https://bit.ly/3z6dSgE

Follow Troth:
@altered-states-tapes

Follow Knekelhuis:
http://www.instagram.com/knekelhuis_/
http://www.facebook.com/knekelhuis

Music video by Amelia Besseny & Cooper Bowman, recorded in the area of Newcastle, Australia.
© + ℗ 2021 Knekelhuis, under exclusive licence to Knekelhuis Records.

Oak Corridor

Balancing Arc

A1 - Troth - Balancing Arc

❊ Composed by Jihem Rita and mixed by Manuel Duval 
Vocals, acoustic and electronic percussion, rhythm box, organ, trumpet, harmonica and salad spinner played and recorded by Johann Mazé in Tabanac and Saint-Martory
❊ Violin on 'Hayton Fayon' played and recorded by Sourdure in Thiers
❊ Mixed with Manuel Duval at the Grange Cavale
❊ Mastering by Ernest Bergez (Sourdure)
❊ Artwork by Josué Confort ©

CD02_SPLIT

A1 - Jihem Rita - Hayton Fayon (avec Sourdure Au Violon)

This is a mixed down composite version of Browser Music 4.

The individual parts and instructions for playing them are as follows:

Open each link below in its own web browser tab or window and press play on each. The four parts are meant to play at the same time but don’t have to start together. You can stop / re-start individual parts and change their respective volumes as you wish. Like the components of a mobile sculpture, each part can be considered on its own or in any combination.

Part One:
youtu.be/4fE2awB7_d0

Part Two:
youtu.be/kT9ZastGvqE

Part Three:
youtu.be/Hzd_ydrGCqE

Part Four:
youtu.be/EpPkit3i8Vg


This is music without development, where nothing much happens (or rather: the happening is evenly distributed throughout). This is also quiet music – perfect for playing in the background on your web browser while you are doing something else on your computer. You can even listen to other music / watch other videos / make Zoom calls, etc. while playing Browser Music in the background.

Browser Music 4

release on 8 December 2023 : www.wabi-sabi-tapes.bandcamp.com/
@lalamina

For Bajo Tierra, the artist was inspired by the muted bubbling of swamps. Thus, at the start of each piece, the listener is led to observe the apparent, superficial calm of a multi-headed sound complex.

Lamina - Sous La Terre

excerpt from Frnk Hurrican's Pymp World LP

Frank Hurricane excerpt

Stefan Fraunberger - Elegie
from the album "Quellgeister#3-Bussd" expected October 2019.

Composed, performed and produced by Stefan Fraunberger. 
Recorded in September 2016 except B3 and B4 in September 2018 in the fortified church of Bussd. Bellows pumped / interpreted by Johanna Magdalena Guggenberger except on track B3 and B4 by Nicolai Guta.
Mastered by Neel at Enisslab Studio, Rome
Cover Artwork by George Sowden - Designed by M-L-XL
Supported by SKE / Austro Mechana

doser034LP - Morphine Records 2019
All rights reserved to the respective owners.

Stefan Fraunberger's Quellgeister#3 Bussd is Recorded entirely on an abandoned church's organ in the village of Bussd, Romania, the album is the third installment of the series by Austrian artist and composer Stefan Fraunberger. His research on the influence of nature on culture touches on time, periphery, memory, and transience as evidenced in his Quellgeister research. The album is an archeological sonic research on the deteriorating Organ discovered in the saxon church in Transylvania.

Stefan Fraunberger - Elegie (doser034LP preview)

Taken from album 'Forma' released as LP and Digital

Lucy Railton 'Forma' (excerpt) (SPGRM 002)

From ANM047 "Climat Avenir", by Simon Chioini — CD Digipack

Climat avenir ; portrait of unexploited lands, of deserted spaces, of a corrosive and venomous flora. Irked protagonists, roaming livestock, their acidic cries.
Beauty of the blue-green lakes, of the scintillating stars under clouds of bronze. The earth's foundational movement.
Crashing ice. Solar winds.
This work cycle is an imagined world voided of any human presence, or succeeding it. It is a prismatic composition: a vibrant landscape, a topographic map, an exploded geode.
Macro. Micro.

Music composition and mastering by Simon Chioini.
Photography by Violeta Mayoral. Sculptures by Lara Fluxà. Art Direction and concept by Violeta Mayoral and Lara Fluxà.

Frank Hurricane excerpt

ultra eczema

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