Weird_001

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Armand Van Helden - You Dont Know Me - DJ Jackum Party Garage Bootleg

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⬇ Hypeddit Free Download 
https://hypeddit.com/juniorsenior/moveyourfeetbvrnoutclubedit

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Junior Senior - Move Your Feet (BVRNOUT Club Edit)

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a delcious mash, been popping off in my sets recently. grab it here: https://hypeddit.com/wbblbeats/dontmercydubfreedownload

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Don't Mercy Dub [FREE DOWNLOAD]

still supergroovin.
free dl: https://hypeddit.com/pauly/kriskrossjumppaulyflip-1
get the .wav: https://itspaulytime.bandcamp.com/track/jump-pauly-flip

KRIS KROSS - JUMP (PAULY FLIP)

My bootleg of the Funk classic 'Cross The Tracks', perfect for festival dancefloors

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Maceo & The Macks - Cross The Tracks (We Better Go Back) [Fizzy Gillespie Remix]

This year LSE is celebrating its 130th anniversary, and how it has shaped history and driven change across the world. Much of LSE’s history is linked to the United States, from philanthropic support from the US in LSE’s early days to famous alumni and American directors of the School.

To talk about the LSE’s long and close relationship with the United States, in October 2025, the Phelan US Centre spoke to Professor Michael Cox. Professor Cox is a Founding Director of LSE IDEAS, LSE's foreign policy think tank, and was its Director between 2008 and 2019. He is also Emeritus Professor of International Relations at LSE and has been writing a history of LSE.

This episode was produced by Chris Gilson and Avan Fata.  

Further reading and resources

•	Cox, Michael, John Ikenberry, and Takashi Inoguchi (eds), American Democracy Promotion: Impulses, Strategies, and Impacts (Oxford University Press, 2000)
•	Cox, M., & Stokes, D. (Eds.), US Foreign Policy (Oxford University Press, 2026)
•	Celebrating LSE's 130th anniversary

Take the Ballpark Listener survey and enter the prize draw for £250 in vouchers!

The Ballpark will be ten years old in 2026, and we want to hear from you to make the podcast even better, so we’re running a listener survey until 2 February 2026. 

•	Fill in our listener survey – it only takes 15 minutes – here: https://forms.office.com/e/Vcj8V8uGM1 
•	Voucher prize draw terms and conditions are available here: https://www.lse.ac.uk/united-states/the-ballpark/ballpark-listener-survey-prize-terms-conditions-2025

LSE: The Ballpark | LSE at 130 and the United States with Professor Michael Cox

The Great Passage is an anime about a young man who steps up to take over a project to edit a new dictionary, eventually becoming a full-fledged lexicographer. http://waywordradio.org

1672-The-Great-Passage

In a nod to The Family Guy’s character Stewie Griffin, the A Way with Words family’s Quiz Guy John Chaneski presents a puzzle about voiceless labial-velar approximants. Inspired by Stewie’s habit of pronouncing Cool Whip as “Cool Hwip,” John has come up with several two-word phrases containing one word that begins with W and second word beginning with WH. For example, if the clue is I was in a contest, and I made a very high -pitched sound with my lips, and that earned me first place, what’s the two-word answer? http://waywordradio.org

1672-Word-Quiz-Stewie-Wh

(FR)

Qu’il s’agisse de structure, de résurgences, d’associations, de sémantique ou de rythmique, tous ces aspects musicaux présents dans cette création acousmatique se développent pour se défaire, évoluent pour se conclure, se détruisent pour finalement se reconstruire. Cette pièce fonctionne en quelque sorte comme un chantier semblant parfois incontrôlable et insensé mais qui finit tout de même par aboutir, sous la forme d’un ralentissement conclusif. Des matières entrecoupées et réassemblées se mêlent à des morceaux d’archétypes, se mélangent à des mélodies triturées ou se juxtaposent à des poussées d’énergie contradictoires. Puis cet ensemble très diversifié se craquelle, se décompose en petits bouts de sons pour enfin clôturer sa progression d’une manière abrupte et décisive. 

(EN)
Whether it concerns structure, resurgences, associations, semantics, or rhythm, all these musical aspects present in this acousmatic creation develop only to unravel, evolve only to conclude, destroy themselves only to ultimately rebuild. This piece functions somewhat like a construction site that at times seems uncontrollable and senseless, yet nonetheless manages to reach completion in the form of a conclusive slowing down. Interrupted and reassembled materials mingle with fragments of archetypes, blend with twisted melodies, or are juxtaposed with surges of contradictory energy. Then this highly diverse whole begins to crack, breaking down into small bits of sound, finally bringing its progression to a close in an abrupt and decisive manner.


Deconstruction

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