abdelrhman mohamed

Abdulrahman Mohammed & Mohab Omer - Lama Talakayna مهاب عمر و عبدالرحمن محمد - لما تلاقينا

abdulrahman mohammed & mohab omar-creaziness - Craziness 
عبدالرحمن محمد و مهاب عمر- أصابك عشق

أصابَكَ عشقٌ أم رُميتَ بأسهمِ 
فما هذه إلا سـجيّـةُ مُغـــرَمِ
 
ألا فاسقِني كاسـاتِ راحٍ وغنِّ لـي
 بذِكـرِ سُــليـمــه والكمانْ ونغِّـني 
 
فدَع عنكَ ليلى العامريةِ إنني
 أغارُ عليها من فم المتكلمِ 
 
أغارُ عليها من أبيـها وأمِـهـا 
إذا حدّثاها في الكلامِ المُغَمغَمِ

عبدالرحمن محمد - أصابك عشق

بِرُوْحِي فَتَاة بِالْعَفْاف تَجَمَّلَت وَفِي خَدِّهَا حَب مِن الْمِسْك قَد نَبَت
وَقَد ضَاع عَقْلِي وَقَد ضَاع رُشْدِي وَإِسْتَبَدت وَأَقْبَلَت
وَلَمَّا طُلِبَت الْوَصْل مِنْهَا تَمَنَّعْت

***

بَلِّغُوْهَا إِذَا أَتَيْتُم حِمَاهَا أَنَّنِي مُت فِي الْغَرَام فِدَاهَا
وَأُذَكُرُوْنِي لَهَا بِكُل جَمِيْل فَعَسَاهَا تَحِن عَلَي عَسَاهَا
وَبِحَق الْوَفَاء أُعِيْدُوْا عَلَيْهَا ماعَرِفْتم مِن عَذَابِي فِي هَوَاهَا
وَإجَلُبُوْهَا لِتُرْبَتِي فَعِظَامِي تَشْتَهِي أَن تَدُوْسَهَا قَدَمَاهَا
إِن رُوْحِي مِن الْضَّرِيح تُنَاجِيْهَا وَعَيْنِي تَسِيْر إِثْر خُطَاهَا
لَم يَشُقْنَي يَوْم الْقِيَامَة لَوْلَا أَمَلِي أَنَّنِي هُنَاك أَرَاهَا


عبدالرحمن محمد - بروحى فتاه

Mohamed Kelany_El Nas Betes2alny

ازاى بالسرعة دى دة انتى مجرمة :)

حبيتك انا - عبد الرحمن محمد

عبدالرحمن محمد - قولو لها

احمد عزت - فينه ياليل

كان و كان _ محمد حماقي

This work is a derivative expansion of the 1912 public domain song “When Irish Eyes Are Smiling” by Chauncey Olcott, George Graff Jr., and Ernest Ball. The original verses and chorus are public domain. All newly added verses, the bridge, the refrain, the outro, and the full expanded lyrical arrangement created in 2025 are original works by Lance Thomas Davidson and are protected. The audio recording, performance, arrangement, and production are separately protected. All rights reserved 2025 by Lance Thomas Davidson.

[Verse 1]
There’s a tear in your eye,
And I’m wondering why,
For it never should be there at all.
With such pow’r in your smile,
Sure a stone you’d beguile,
So there’s never a teardrop should fall.
When your sweet lilting laughter’s
Like some fairy song,
And your eyes twinkle bright as can be,
You should laugh all the while,
And all other times smile,
And now smile a smile for me.

[Chorus]
When Irish eyes are smiling,
Sure, ’tis like a morn in spring.
In the lilt of Irish laughter,
You can hear the angels sing.
When Irish hearts are happy,
All the world seems bright and gay.
And when Irish eyes are smiling,
Sure, they steal your heart away.

[Verse 2]
For your smile is a part
Of the love in your heart,
And it makes even sunshine more bright.
Like the linnet’s sweet song,
Crooning all the day long,
Comes your laughter so tender and light.
For the springtime of life
Is the sweetest of all,
There is ne’er a real care or regret;
And while springtime is ours
Throughout all of life’s hours,
Let us smile each chance we get.

[Chorus]
When Irish eyes are smiling,
Sure, ’tis like a morn in spring.
In the lilt of Irish laughter,
You can hear the angels sing.
When Irish hearts are happy,
All the world seems bright and gay.
And when Irish eyes are smiling,
Sure, they steal your heart away.

[Verse 3]
When the soft evening light
Fades to silver at night,
And the stars gather over the lea,
There’s a warmth in your gaze
That outshines heaven’s rays,
Casting gentle enchantment on me.
For the charm of the isle
Lives within every smile,
Like a blessing the angels bestow;
And with joy in your eyes
All the sorrow soon flies,
As the heart learns the peace it would know.

[Verse 4]
When the pipes on the hill
Sing their melodies still,
And the winds whisper sweet through the glen,
There’s a truth soft and clear
In the laughter we hear
That brings comfort to women and men.
For the old Irish way
Turns the darkest of day
To a dawn full of promise anew;
And with laughter so fine
Like a bright ruby wine,
Every heartbreak finds healing in you.

[Verse 5]
When the shoreline of Clare
Meets the salt-scented air,
And the waves curl in ribbons of green,
There’s a magic so rare
In the hearts gathered there,
In the kindness that’s felt and that’s seen.
For the world feels at rest,
And the weary feel blessed
By a charm that no storm can undo;
And through joy or through strife
In the dance we call life,
Irish smiles guide the whole journey through.

[Bridge]
Oh the world may be wide,
But with you by my side
Every sorrow grows lighter than dew.
For the heart finds its home
Where the wild roses roam,
And the smile in your eyes shines it true.

[Refrain]
So let laughter arise,
Let it brighten the skies,
Let it chase every dark cloud away;
For the joy that you bring
Makes the whole valley sing,
And it carries our hearts through the day.

[Outro]
When the twilight grows low,
And the soft breezes blow,
May your smile light the pathway you tread.
For wherever you roam,
You bring Ireland home,
With a grace that the angels have read.
And when Irish eyes are smiling,
All the world’s gently led.



When Irish Eyes Are Smiling – Davidson’s Song

The Skye Boat Song is a late 19th-century Scottish song adaptation of a Gaelic song composed c.1782 by William Ross, entitled Cuachag nan Craobh ("Cuckoo of the Tree"). 
The 19th century English lyrics evoked the journey of Prince Charles Edward Stuart ("Bonnie Prince Charlie") from Benbecula to the Isle of Skye as he evaded capture by government soldiers after his defeat at the Battle of Culloden in 1746. From there he made his way to France, never to return to Scotland.
Sir Harold Boulton wrote the new lyrics to Ross's song, which had been heard by Anne Campbell MacLeod in the 1870s. She was on a trip to the isle of Skye and was being rowed over Loch Coruisk (Coire Uisg, the "Cauldron of Waters"), when the rowers broke into a Gaelic rowing song "Cuachag nan Craobh" ("The Cuckoo in the Grove").
It is often played as a slow lullaby or waltz, and entered into the modern folk canon in the twentieth century with versions by Paul Robeson, Tom Jones, Rod Stewart, Roger Whittaker, Tori Amos, and many others.
In my version I sing and play the guitars as well virtual Uillean pipes.
I produced this at my home with Band in a Box and Reaper.
Skye Boat Song on 1800-luvun lopulla syntynyt skotlantilainen laulusovitus William Rossin noin vuonna 1782 säveltämästä gaelinkielisestä laulusta nimeltä Cuachag nan Craobh ("Käki puussa"). 1800-luvun englanninkieliset sanoitukset kuvasivat prinssi Charles Edward Stuartin ("Bonnie Prince Charlie") matkaa Benbeculasta Skyen saarelle, kun hän pakeni hallituksen sotilaiden vangitsemista kärsittyään tappion Cullodenin taistelussa vuonna 1746. Hän jatkoi matkaansa Ranskaan, eikä koskaan palannut Skotlantiin.
Sir Harold Boulton kirjoitti uudet sanat Rossin lauluun, jonka Anne Campbell MacLeod oli kuullut 1870-luvulla. MacLeod oli matkalla Skyen saarelle ja soudettiin Loch Coruiskilla (Coire Uisg, "Vetten pata"), kun soutajat alkoivat laulaa gaelinkielistä soutulaulua "Cuachag nan Craobh" ("Käki lehdossa").
Sitä soitetaan usein hitaana tuutulauluna tai valssina, ja se liittyi moderniin kansanmusiikin kaanoniin 1900-luvulla Paul Robesonin, Tom Jonesin, Rod Stewartin, Roger Whittakerin, Tori Amosin ja monien muiden versioina.
Omassa versiossani laulan ja soitan kitaroita sekä virtuaalisena irlantilaista säkkipilliä.
Tuotin tämän kotonani Band in a Boxilla ja Reaperilla.

The Skye Boat Song (Music: trad./William Ross c.1782, Lyrics: Sir Harold Boulton 1870s)

This is the acoustic version of the song "Playing With Fire" from my album "It's Over". Enjoy!

Playing with Fire

Mohamed Hamaky -El Lo'a- محمد حماقي اللقا

Collection

لحظه تفاهم

الحب نبات

القصيدة الأصلية لـ: سعيد ابن احمد ابن سعيد
غناء: عبد الرحمن محمد

نص القصيدة:
يا من هواهُ أعّزهُ وأذّلني
كيفَ السبيلُ إلى وصالك .. دُلني
أنتَ الذي حـَلفتني وحـَلفتَ لي
وحـَلفتَ أنك لا تخون .. فـ خـُنتني
وحلفت أنك لا تميل مع الهوى
أين اليمين..؟ وأين ما عاهدتني..؟
تركتني حيران صباً هائماً
أرعى النجومَ وأنتَ في عيشٍ هني
لأقـُعدَنًَ على الطريق وأشتكي
وأقولُ مظلومٌ وأنت ظلمتني
ولأدعون عليك في غسق الدجى
يبليكَ ربي مثلما أبليتني

عبدالرحمن محمد - قولو لها

um-adeveloper

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