The second album release from Terminus Void, Origins Unknown, available now on Bandcamp and your favorite streaming service.

To purchase this album: https://terminusvoid.bandcamp.com/album/origins-unknown

Follow Terminus Void:

▪ www.terminusvoid.com
▪ http://www.youtube.com/terminusvoid
▪ https://terminusvoid.bandcamp.com
▪ https://open.spotify.com/artist/4sFGFbJT64mn7tbnodKRM8
▪ https://www.instagram.com/terminus_void/
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#ambientmusic #spaceambient #cosmicambient #cinematicambient #darkambient #downtempo

Ambient Space Cosmic Cinematic Dark Downtempo Music

Origins Unknown

Left Behind

05 - Terminus Void - Left Behind

Es dreht sich

Henrik Meierkord is a cellist, artist and composer from Helsingborg, Sweden who currently lives in Stockholm. He returns to Whitelabrecs following his ‘Cello Improvisations’ EP (2023) and the collaborative album ‘Inseln’ with Logic Moon (2022). He has also previously released music on labels such as Ambientologist, Audiobulb, Projekt records, Ella ruth Institutet and Subcontinental Records. Henrik began playing cello aged of 12, progressing to play in classical orchestras, onto performing in bands and then creating his own music. He has also collaborated and performed for artists such as Ossler, Pawel Kobak, Marco Lucchi, Meipr, Sole and Strulgattu.

Typically Henrik’s approach to composition tends to begin with the cello, before further layers of strings are added, such as double bass or violin. But often, he will create music intuitively and free from set rules; sometimes a piece of music can be started with a synthesiser or piano, or written purely as an experiment. In this album entitled ‘Proscenium’, Henrik gathered a collection of instinctive compositions, inspired by nostalgia and a longing for a different world. Fragile piano, emotive strings and earthy cello weave out dream-like sequences, expressing hard-to-recall bitter-sweet experiences.

The album was recorded in Henrik’s Soundbread  studio in Stockholm, including a West German cello from the seventies, a double bass and a violin belonging to his son. Whilst over a long period of time he’d gathered together numerous pieces of music, there is a thematic vibe present within these chosen tracks. ‘Proscenium’ is the view the audience have when watching an Ancient Greek theatre performance, or indeed the location from which the actors carry out their performance. Henrik felt drawn to a loose theme of Ancient Greek theatrical culture for the concept, and the artwork and track titles give listeners something in which to meditate, or a scene in which to place themselves if they wish. There is however no specific play or plot in mind. It could in fact be numerous stories collected together as many overlapping emotions, played back all at once, as if recalling centuries of moments emitted from a theatre stage.

Credits:
Written and Produced by Henrik Meierkord
Mastered by James Edward Armstrong
Imagery by Harry Towell
Art and Design by Andrew Heath

Proscenium

wlr154 Henrik Meierkord - Proscenium

encounter

bloodthirst

A rework of the original track Rotterdam inspired by an artwork by Michaela Rotsch

back to rotterdam

Another track, purely for enjoyment, but it sounds quite interesting.

The Water Diaries

Lo-Phi

Yıldırım Erşahin & Kadir Çetin - Feel It

Spirit

INDEFINITE PITCH   |   PREMIERE 008

Isostatic - Honeycomb Ripples
Cloud Forms [exo15 | Exosphere]

Written and Produced by Isostatic 
Mastered by Don Tyler at IO Mastering 
Graphic Design by Michal Karcz at Parallel Worlds

Released by Exosphere from Los Angeles, USA
Release Date : April 28 2020

Exosphere [Synphaera Records]
@synphaera
https://www.synphaera.com/exosphere
https://www.facebook.com/synphaera
https://exospheremusic.bandcamp.com
https://synphaera.bandcamp.com

Indefinite Pitch | Yantai
@indefinite-pitch
https://www.facebook.com/indefinitepitchblog
https://bandcamp.com/indefinite_pitch

Lo-Phi

Chris Boyd

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