Stream the full 20 minute composition by Simon Pyke, based on the soundtrack to the 'Universal Everything & You - Drawing in Motion' exhibition at the Media Space in the Science Museum, London. Read more at http://bit.ly/1fyaAGK

'Universal Everything & You' is available as an 180g vinyl designed by Matt Pyke (of the Universal Everything design collective), featuring a screen print on one side and one of four prints from the exhibition. Previously exclusive to the Science Museum shop and bleep.com, the release is now available on general release from,

Bleep - http://smarturl.it/m30lck
Amazon - http://smarturl.it/cym8he
Juno - http://smarturl.it/kbxqmv
Boomkat - http://smarturl.it/n88u15

The album is also available digitally on,

iTunes - http://smarturl.it/t7uqe0
Spotify - http://smarturl.it/82r1e4
Deezer - http://smarturl.it/q3nt1q
Rdio - http://smarturl.it/tjumdf

Universal Everything & You

Learn more at warp.net

Universal Everything & You (WAP360)

Announcing the onset of night, Driftmachine —a Berlin-based duo comprised of Andreas Gerth (Tied & Tickled Trio) and Florian Zimmer (Saroos)— have created Nocturnes, a psychoactive, dream-inducing stimulant of sorts: Evoking and maintaining a trancelike state, the duo’s six-part journey into the dark was originally inspired by reading The Rest Is Noise and listening to the music discussed in Alex Ross’ seminal book. The resulting soundscapes, written and recorded since 2012, redefine the lines between insomnia and slumber, between wraithlike dub grooves gone awry, the dancing flicker of a slack-joint bedside lamp, and eerie electronics.

Nocturnes is essentially comprised of six studies in precision: perfectly symmetrical structures that slowly spread their bass-heavy wings, sprawl like digital fungi, shift shape and – paradoxically – seem to drift and to obey the two captains at the helm. It’s an album of hypnotic and mesmerizing electronic landscapes based on various interlocked layers of rhythm. “Getting deeper into the world of modular systems introduced us to new ways of creating music,” they say, and it also allowed Gerth and Zimmer to redefine and rearrange styles and genres they generally feel drawn to – dub, riddims, anything with bass really –, so the heavy bass and percussive elements of Nocturnes don’t come in the colors you’d expect them to: Driftmachine’s palette stays true to the colors of night, a massive scale of gray.

With its meticulously displaced details and intricate harmony layers, Nocturnes also evokes the electronic avant-garde of the mid-70s, think Cluster during the band’s Zuckerzeit era. Nocturnes keeps the balance between intense, dramatic metrics and rather complex, modulated melodies. Also nodding to Krzysztof Komeda’s compositions (especially his score for Rosemary’s Baby) and the haunting, uncanny vibes of Raime, Nocturnes won’t let you sleep: “To us, the album sounds like staying awake the whole night; it unites all the different moods one might go through.”

All songs produced by Andreas Gerth and Florian Zimmer. Mastered by John Tejada.

Buy Vinyl or Digital

Driftmachine - Call Mr Moriba

Follow @gaelabakarova @florian-meindl

Bandcamp https://flashrec.bandcamp.com/album/remixes-part-1
2x12" splattered vinyl LTD200 https://www.decks.de/track/florian_meindl-remixes_part_1/cmh-gm

On this Remix album, 10 visionary producers are taking Florian Meindl's latest tracks into various directions on a journey.

Umwelt delivers a hard-hitting synth treatment, while Shaleen injects a housy, sexy touch into the mix. 
Volpe channels the essence of Detroit influenced Techno, Beau Didier unleashes a relentless hardgroove rework, and Decka infuses dub techno vibes into the composition. 
Janzon's exceptional vocal work shines through and Schott keeps it classic and pounding as well as GAEL with her dark vibe, while Garb adds a mesmerizing psy-techno leaning touch. 
Cri Du Coeur and Erratum have reworked their sound deeply into the realms of distortion, creating a completely new vibe.

Also available on limited edition splattered 2x12" vinyl.

PREMIERE | Florian Meindl - Melting Iron (GAEL Remix)

Memoria

From the album EARS released April 1st 2016 on Western Vinyl

iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Existence In The Unfurling"

Studying under Robert Ashley and Terry Riley at the fabled Mills College Center For Contemporary Music before graduating into the margins of the '70s bay area new music scene, Ms. Brouk blazed her own trail well outside of the musical establishment to create uncompromising electronic and acoustic work of sleek beauty and primal power. Describing herself as less a composer than a channel, she took her cues from the frequencies of the natural world and the talents of collaborators like Maggi Payne and Bill Maraldo. Hearing Music collects for the first time the deepest cuts from her beguiling and rare cassette releases and her archive of previously unreleased recordings.

Available on CD/LP/Download: http://numerogroup.com/products/joanna-brouk-hearing-music

Joanna Brouk - The Creative

A ray of light in the midst of a foggy night.

Releasedate: 19th of August 2016

Written and produced by Jan Harder
Mastered by Helmut Erler at Dubplates & Mastering
Distributed by Kompakt
Coverphoto by Hanna Sturm
Made in Germany, 2016

YES SET - Lazarus

from the album 'an act of love' available 2/17

An Act of Love

earthen sea 'exuberant burning'

Download: https://www.xlr8r.com/mp3/2017/01/alva-noto-xerrox-monophaser-2-some-chemistrys-kepler-452b-space-jam/

@somechemistry

[Via XLR8R]

Download

Download: Alva Noto - Xerrox Monophaser 2 (Some Chemistry's Kepler-452b Space Jam)

Track 9 from Endless Transmission LP Pre-order: https://blackacre.databeats.com/vinyl/acrelp010

Parabola

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

09 Leavaila Scheme

&dagger; | &spades; | &hearts; | &diams; | &Omega;	 <br>

Distributed by Morr Music

Driftmachine - Call Mr Moriba

Umor Rex

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