Lono Brazil - Enfermo Del Amor (version Del Alma del Disco)

The Backroom

Desires

House Party (Com'art Edit)- Fred Wesley

Returning from the Italian excursion of Vol. 13 before the U.K. pulls up the proverbial drawbridge, Neil Diablo delivers another To Rack & Ruin winner live and direct from the Northern powerhouse. Showing some love for the finerhalf of the county, Neil presents the best the North East has to offer, enlisting ‘Our friends from the north’Yorkshire's Craig Bratley and Newcastle's James Hadfield to do the damage on this slick split 12".
After a relatively quiet 2016, Mr Bratley shuffles his Magic Feet into the studio and sticks his fist directly into the mainframe, coming back with a pair of strangely psychedelic body movers to decorate the A-side. 'Ani Kuni' bursts out the blocks in a swell of fizzing sequencer, throbbing bass and tonking mid tempo percussion, sparking away wildly like a Tesla toothbrush. An East-meets-West affair, the track marries the thrusting electronics of Krautrock with lightly spiced Indian vocals and hippie guitar licks, conjuring visions of Maharishi Mahesh Yogi gurning away at a Faust show. Bratley retains the propulsive percussion for A2 number 'Acid Mother', syncing gurgling synth bass beneath loose funk guitars and warbling lead lines as we're slowly sucked through the wormhole. As the track chugs ceaseless through Baldelli's cosmic terrain, rhythmic chants and rubbery bass solos reverberate through the vacuum, locking us into their other worldly gravity. Resistance is futile.
We head up the A1 for the flipside, hooking up on the toon with Elizabeth Collective mainstay James Hadfield, who serves up two reheated treats tastier than your last parmo! Wielding the white stiletto and sweet sequinned shimmer, Hadfield lets loose his disco juice on "Love And Affection", chucking some dreamy Gamble & Huff vocals over a dope and dusty groove. Crackling like a campfire cookout, this infectious cut spits out slick bass, dubbed out guitar and precise percussion, keeping your body in motion while the piano noodle and soulful vocal swirl through your brainspace. Things take a turn for the technologic on "Silent Builder", those organic disco licks replaced by swelling sine waves, soaring siren calls and military breakbeats. The punchy bassline provides a steady hand as the track gradually pulls itself apart, unravelling into squelching synth wobbles, oddball samples and proggy solos.
Wonderfully wonky, this is music for whenthe walls start to melt. Four freaky cuts from two top talents - To Rack & Ruin for the win.

To Rack & Ruin Vol. 14

RR015 - Craig Bratley - Acid Mother

UN*DEUX - Tools For Fools EP 
LOW BITRATE (112kbps). Buy Record:
Vinyl : bit.ly/2lGfhrM
Itunes : apple.co/2lkIeqD
Junodownload : bit.ly/2kW5b7E
Traxsource : bit.ly/2mT0IPg

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B2. Groovy Vapes

The Silver Rider makes his solo debut on Lovedancing, the house-centric sister label to Sleazy McQueen’s famed, Whiskey Disco. After previously appearing as a remixer for a recent Closed Paradise outing on the label, TSR returns to Lovedancing with a stacked up 4-tracker entitled Farm to Tables. Having recently relocated to his family’s cattle ranch in rural Texas, the Rider has been living the country life, driving tractors and raising crops all the while, finding time to keep producing the disco-house jams he’s known for.

Artist: @silverrider
Label: @whiskeydiscomusic

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SB PREMIERE: The Silver Rider - Love Will Guide Our Hearts [Love Dancing]

After Sur Le Port - La Cariole

Jacques Renault - Back To You (Paradis Remix)

The https://soundcloud.com/new_world is upon us once again. It has been seven years already, since Markus Gebauer debuted on Riotvan under the guise of his New World moniker. That's quite a while in the realm of those sometimes short-term goings-on of clubculture. Yet, Gebauer kept himself busy meanwhile with his alter ego Interviews, reviving the erstwhile identity now that times are calling for a New World more than ever. And that's both, very generally speaking and particularly regarding his slick and classy approach to Neo-Disco-affairs. Interestingly, the lion's share of this EP had been laid down already five years ago, in an ahead of the curve nature that it couldn't sound more up to date right now in 2020. 

Take opener "Glances" for example. Suspense-packed arpeggio meets a groove-laden bass, gets kissed by some smooth melodies and far-out pads and evokes an immense open-air-hymn potential. Here's a little advance notice: that tune might not leave your head for the whole rest of the summer. "Enough!" in its seductive nonchalance seems to be cut from the same cloth. Another Indie-Disco sureshot filtered through shades-lenses. But "Enough!" - seriously? The hereby summoned feelgood-vibe will surely leave you wanting more. And more you shall get. "Fade Out" opens up with a rather straight beat-pattern, but again, the synth-arrangements, the melodies and harmonies are pure bliss. And then there is "Poéme", that Frankophile floor-enchantment, shaped out in sophistication and elegance, throwing in some subtle Depeche Mode-references and taking the French leave as one of the strongest clubtracks in this batch. Closing things up is https://soundcloud.com/the-juan-maclean, giving "Enough!" a makeover that aims for the dancefloor as much as, let's say the hammock, infusing both, an irresistible groove and a laid back, almost Dub-like attitude.

B2. Groovy Vapes

UN*DEUX

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