Name: It'll All Be Okay My Darling by Úna Keane in 18 piana
Duration: 4 min 1 s
Description: "It'll All Be Okay My Darling" is a piece of music that gets up close and personal whilst also conjuring up wide cinematic landscape. Written in tempo rubato, with tonal influences from both the traditional Irish music and classical genres, this is music that is imbued with space and room to breath. From Úna's forthcoming Piano Solo Album which will be released in Spring 2017.

18 piana

"It'll All Be Okay My Darling" is a piece of music that gets up close and personal whilst also conjuring up wide cinematic landscape. Written in tempo rubato, with tonal influences from both the traditional Irish music and classical genres, this is music that is imbued with space and room to breath. From Úna's forthcoming Piano Solo Album which will be released in Spring 2017.

It'll All Be Okay My Darling

“The sheer beauty of Úna Keane’s music is a testament to the wonderful mysteries of sound. Minimalist, free-form – and with a definite Irish tone – these compositions take us to that deep sonic space explored by only the very best of musicians” – John Kelly

“Úna’s free-flowing minimalist compositions carry the listener to magical places…never forced, never hurried – these gorgeous motifs gently envelop you and provide comfort in a crazy world” - Carl Corcoran, The Blue of the Night

Úna Keane is a Pianist + Composer from Dublin, Ireland. Her latest project is an Album of Piano Solo compositions which combine free-form minimalism & classical cross-over. Her use of repeated motifs and cyclical patterns results in music that gets up close and personal whilst also conjuring up wide cinematic landscape. Written in tempo rubato, with tonal influences from both the traditional Irish music and classical genres, this is music that is imbued with space and room to breath.

The Album was conceived and composed over 3 trips to Paris between 2015 / 2016 while staying at Le Centre Culturel Irlandais, and includes a commission from CCI to compose a piece of music after a Séamus Heaney poem. Back home in Ireland, 2 x week-long stays in a rented cottage in the wilds of the Beara Peninsula & long walks in Dublin’s Phoenix Park with her Irish Terrier Indie provided further inspiration. Recording took place at The Live Room in Rathmines in 2016, working with long-time collaborator Ben Rawlins. 

This record talks to the idea of how we owe who we are to all those who have gone before us. How they paved the way. The thread between past, present and future. It’s ultimately a record about connection.

To date some of Úna’s work has been broadcast on BBC Northern Ireland & RTE, and her compositions have been performed at The National Concert Hall in Dublin, as well as on random pianos wherever she finds herself. Her track "My Panacea" was included on Nils Frahm's 2017 Piano Day Playlist, and "Behold the Beauty (of Land and Sea)" was premiered by RTE Lyric FM especially for Piano Day 2017 on March 29th (the 88th day of the year).

"AS I WAKE, STILL I DREAM" will be released on Friday 5th May 2017, with an Album Launch at the Dublin Unitarian Church.

My Panacea

Written, conducted, mixed and mastered by Francesco Berta between April and May 2017.

Download + Sheet Music

A Beautiful Place

The Call

A humble tribute to the victims of hurricane Harvey...

The Flood

Score video here:
https://youtu.be/8bww_kpwkRs

PDF score is also available, please email me if you would like a copy.

YouTube

The Interims (Score Video in Description)

TAKEN FROM THE ALBUM 'ONLY SILENCE REMAINS'
RELEASED 20.05.16 via GIZEH RECORDS
LP/CD/DL
www.christineott.fr

Only Silence Remains

Danse Avec La Neige

Drowning Love (oboreru Knife) Piano Full Song 溺れるナイフ 溺れるナイフ

Drowning Love (Oboreru Knife) 溺れるナイフのテーマ ふたたび

「溺れるナイフ」オリジナル・サウンドトラック

kouooikakete

kissnoaji

tsubaki no sisen

ukigumohe

chiisana inori

suisei

hutatabi

Úna Keane is a Composer & Producer from Dublin. Since the release of her piano solo LP ‘As I Wake, Still I Dream’ in 2017, she’s been steadily building a following on the ambient, neoclassical scene. A classically trained pianist with a background in tech, she blends piano, electronics, movement & film.

Sophomore instrumental album ‘In the Deep’ was released at the end of 2019 with shows at D-Light Studios in Dublin and SJQ in London. Lauren Murphy, reviewing for The Irish Times drew comparisons to the work of Ólafur Arnalds and Max Richter, citing her use of looped tracks and field recordings, while RTE 2FM's Dan Hegarty heralded it as a "stunning piece of work that will have you floating from tears to joy". Of her work over the past few years, Tony Clayton-Lea has named her "probably one of the best exponents of instrumental music that comes from a quiet, calm place". The album was recorded in an old Victorian Railway worker's cottage in Dublin 8 on her 100 year old Steck Baby grand Piano using a Tascam hand-held recorder.

At the end of 2020 she put out critically-acclaimed Live Album 'Collaborations' on her UKM label. Recorded at Dublin's Pepper Canister Church on March 5th 2020 (a week before lockdown), it features some very special guests: Stephen Shannon, Liam Ó'Maonlaí, Lōwli, Gareth Quinn Redmond & Ronán Conroy. Named Irish Album of the Year by Broadsheet.ie, it garnered a glowing 8.5/10 review from Hot Press and 4 stars from The Irish Times. It features work from her last 2 LPs, as well as some new work and in-the-flow improv. The concert was recorded, mixed and mastered by Adam KJ, and Úna & Adam co-produced. A Limited Edition Vinyl Pressing of ‘Collaborations’ is now available.

As for 2021 / 2022: She's been working from her home studio in Dublin on some solo, as well as on a couple of collaborative projects ; There's an EP of work for Piano + Electronics slated for release later this autumn, and a new studio album in the pipeline for 2022.


"Entrancing" - Hot Press

"Consistently beautiful" - Tony Clayton-Lea

"An intriguing artistic statement" - The Sunday Times

"Go see / hear her strange, soothing genius" - Michael Smiley

"A testament to the wonderful mysteries of sound" - John Kelly

"A stunning piece of work that will have you floating from tears to joy" - Dan Hegarty, RTE 2FM

"A simultaneously thought-provoking and mesmerising listen" - Lauren Murphy, The Irish Times

It'll All Be Okay My Darling

Úna Keane

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