CANT BE ARSED

Hold you in my heart (till I can hold you in my arms) Eddy Arnold (1947)

THE MONKEY LOVERS
Daryll Kirkland: Main Vocal, bass, guitars
Sally Barker: Main Vocal
Bridget McMahon: BV’s
Dan Britton: Mandolin
Roger Wilson: Violin
Lee Spreadbury: Piano
Carl Dawson: Producer, Electric guitar
Howard Smith: Lap Steel
Damon Clarridge: Drums
Craig Marshall: Mastering

I'll hold you in my heart (till I can hold you in my arms)

Recorded for FAWM 2022: https://fawm.org/fawmers/simonwaldram

The lyrics this song are from an Eileen Carney Hulme poem:

http://famouspoetsandpoems.com/poets/eileen_carney_hulme/poems/22703

Belonging

Chris Conway - Through The Looking Glass

Improvising on my tenor sax, processed by Efx Fragments using the preset “Alternate Scan“ from VAST, processing the 2 Macros in LogicX. Some extra reverb (B2) was added on the dry sax signal and on the Fragments signal.

Buy VAST

VAST For Fragments – Alternate Scan TS

Steve Parker - Live At SoundHive Social - December 2023

Red Is The Color

8 Sound Of Silence

This is what I was up to yesterday!! In the studio with the fabulous Neil Segrott and Neil Rabjohn putting the cajon and bass parts on to my warbling! Great fun and now we have a demo CD to get some gigs!

The first three tracks are, of course, by the wonderful Joni Mitchell and the last track, Narcissus was written by me after a chat with a psychiatrist who was telling me that narcissist people are the most poisonous and how to recogise them

02 Free Man In Paris

Free Control - Stars

 I am a pro musician active in many genres of music - singer-songwriter, jazz, electronic music, Celtic, new age, ambient, and world music. My Soundcloud is a place to park latest mixes of pieces I am working on. I "organise" a monthly improvised electronic music night Quadelectronic at Quad Studios, Leicester. I have released over 80 albums, solo and in various groups. My electronic music, often featuring the theremin, is often focussed on ambient dreamscapes, largely tonal but sometimes just crossing over into atonal/textural soundscapes and is usually born out of a longstanging love of improvisation, perhaps springing from my ECM style jazz & free jazz background. 

Chris Conway - Through The Looking Glass

unclechristo

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