Composition pour le Naviar Haïku Music challenge 583.
Sur un haïku de Ōshima Ryōta:

out of the blue
of early morning light:
a paulownia leaf

www.naviarrecords.com/haiku-music-challenge/

Out of the blue

Disquiet Junto Project 0696: Chain of Layers

The Assignment: Make music change by altering its layers.

Step 1: Record 10 to 15 layers of continuous sound.

Step 2: Create a piece of music in which you only change the relative presence of those individual layers from Step 1 over time. Some light effects and panning are certainly fine, but the majority of the impact should be how the prominence of the individual layers changes.

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

Chain of Layers (disquiet0696)

The track I prepared probably does not correspond perfectly to the rules of the challenge....anyway.
Nothing experimental, it is a classic tonal track, totally instrumental, without samples and particular sound design.
Simple Euclidean sequencer in B flat/F key that drives percussive instruments (wood, metal).
I found an old piece (only the final master) in which each independent cell of the sequencer generates a new pattern and each pattern represents a different channel/layer (12 in total).
The variations of the layers are therefore given by the score.
This creates a game of interlocking pieces, in which the alternation/modification of the channels is given by the fragment/channel played.
The various patterns/channels are parallel (Pan and L/R).
For the continuity of the sound I created drones with  organ and double bass (long bow).

Canone XII (disquiet0696)

sound art for disquiet0697.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/



unmaking music (disquiet0697)

Disquiet Junto 0697 is the first in a series of three, where each successive prompt's response is a contribution to a trio created via asynchronous collaboration.

To get this one going, I decided to contribute a bass/arp layer. I recorded three tracks on a keyboard controller and played back the notes on a tabletop Moog Minitaur bass synth while sculpting the sound in realtime. I love the Minitaur’s monophonic analog sound so much, and it’s a joy to perform on.

There is minimal processing on the tracks (light sculpted distortion and chorus) and no reverb. It’s also in mono so easy to pan left in the next prompt! If anyone wants stems, please let me know.

The piece is in C minor at 80bpm. I tried to provide a foundation while leaving plenty of room for other people, hopefully I struck that balance. I can’t wait to hear what you do with it!

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

The Minotaur's Lament (disquiet0697)

Here's my musical resonance to this week's haiku from @naviar-records.

slanting sunlight rays
a warm hazy afternoon
the forest to hear

by: Marc Sheridan

https://www.naviarrecords.com/naviarhaiku592-slanting-sunlight-rays/

Thanks to Marco Sebastiano Alessi from Naviar records.

The forest (naviarhaiku592)

Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via XiiixxiQ 
Tempo : 120bpm.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Disquiet Junto | First Third - disquiet0697

disquiet0697 - first of three

Guthrie's Guitar

Harbinger

Dark Ambient Music inspired by the writings of HP Lovecraft and the Cthulhu Mythos cult. Be scared and enjoy!

CTHULHU MYTHOS - ORDOVICIAN

Electronic music, field recordings and weird electroacoustic sounds.

Chain of Layers (disquiet0696)

undermulden

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