ATOMIZING ANOTHER UNIVERSE

by Collettivo Undersound

🌀 Overview
Atomizing Another Universe is a sonic fracture point —
a dystopian yet amena expanse where sound dissolves structure and rebuilds meaning from debris.

Not a story.
A process.

🌌 Concept
A universe doesn’t end.
It fragments, vibrates, mutates.

This release explores collapse as a creative state:
soft horizons under pressure, digital ruins breathing, human presence reduced to signal and residue.

⚙️ Sound Architecture
🔊 Experimental electronic
🧱 Post-industrial textures
🧬 Deconstructed rhythms
🌫️ Ambient density & distorted minimalism

Designed to be felt more than explained.

🧠 Method
No genre obedience.
No linear timeline.
No center.

Each track is an atom — together forming another universe.

👁️ For listeners into
– Underground electronic ecosystems
– Sonic research and noise culture
– Dystopian / speculative futures
– Decentralized art practices

🧩 Collettivo Undersound
An open, decentralized sound collective.
Process over product.
Archive over visibility.
Undersound over surface.

🚀 Full album dropping tomorrow
💣 This one hits different.

🔗 Decentralized archive (IPFS / IPNS)
🧊 Permanent. Censorship-resistant. No rollback.

📦 IPFS CID:
QmVVmfsiqVFxTVTmosUvzNeW2gDSjtmWZEBYsiRKMQBEzT

📡 IPNS (stable pointer):
k51qzi5uqu5diha77n2baqao7lythuqqtvtxrm62znp0cmayuhefsus1msj8tc
(always points to the latest vibration)

Stay tuned.
Stay cold.
Stay in the flow.

Lidya

NON È MAGIA

Collettivo Undersound

🌀 About the project

NON È MAGIA is not an album built on direction, genre, or tempo.
It is a continuous sound field shaped by breath, percussion, voice, and resonance.

There is no fixed BPM.
Rhythm is generated by respiration, density, and physical gesture.
Sound expands and contracts instead of progressing.

🥁 Sound & techniques

The core elements are:

frame drums and low percussion as breathing bodies

drones as gravitational fields rather than harmonies

voice used as matter: spoken, fractured, whispered, percussive

Rap appears without metric obligation.
Text enters and exits the sound without narrative duty.
Language functions as vibration before meaning.

🗣 Languages

Multiple languages coexist and overlap:

Italian as structural voice

Portuguese (Brazil) as fluid, respiratory extension

Genoese (zeneize) as rooted, percussive grounding

No translation is required.
Languages are not explained — they are inhabited.

🧭 Concept

This work does not react.
It does not oppose.
It does not perform mysticism.

It moves slowly, continuously, as a shared flow generated by attention and care.

Listening is not about understanding.
It is about remaining.

🎧 How to listen

Use headphones or a full-range system.
Low volume is recommended.
Let the sound pass through rather than in front of you.

✨ Support

If this project resonates with you, you can support its continuation here:
☕ Ko-fi — direct support for independent sound research

Follow and listen on:
🎵 SoundCloud — ongoing releases and experiments

la radice seconda

ZENEIZE in terzine da quattro

schiaccia i pensieri

Burning Ice

Collettivo Undersound

EP

Burning Ice is released as a two-track EP, built around the same core material but unfolded through two different arrangements — not remixes, but two ritual perspectives.

Track I — Burning Ice (Inspiration)

The first version is the source state.
A raw, ceremonial construction driven by non-linear rhythm and ancestral pulse.
Percussion follows ritual logic rather than Western grids, creating hypnotic repetition and irregular accents that pull the listener into trance.

Vocals are chant-based, female, and commanding — voice treated as force, breath as structure, overtones as texture.
Harmony remains minimal and suspended, rooted in modal and ancient-scale references, leaving the track open, tense, and vertical.

This version functions as invocation.

Track II — Burning Ice (Berlin Dungdut Psychedelia)

The second version expands the same material into a Berlin-influenced, psychedelic dungdut-driven arrangement.

Here the rhythm becomes more physical and elastic, borrowing from Southeast Asian percussive motion while colliding with underground European club energy.
The bass turns aggressive, distorted, and forward-driving — punk in attitude, psychedelic in saturation.

The ritual is no longer static: it moves, spirals, and destabilizes perception.
Repetition becomes propulsion.
Ecstasy replaces stillness.

This version functions as release.

Together, the two tracks form a single arc:
from frozen invocation to burning movement.

Burning Ice is not about genre fusion.
It is about pressure, memory, and transformation —
a ceremonial object placed inside contemporary sound systems.

📦 IPFS CID

QmVVmfsiqVFxTVTmosUvzNeW2gDSjtmWZEBYsiRKMQBEzT

📡 IPNS (stable pointer)

k51qzi5uqu5diha77n2baqao7lythuqqtvtxrm62znp0cmayuhefsus1msj8tc
(always points to the latest vibration)

🧊 Stay tuned.
🌊 Stay in the flow.

burning ON ice

burning ice

⟁ COLECTIVOS
Collettivo Undersound

🜂 🜁 🜃 🜄

This is not a manifesto.
A manifesto needs a center, a leader, a hierarchy.
Here there is no center — only nodes.
No control, because there is nothing to defend.

We are musicians.
Not bureaucrats. Not politicians. Not philosophers.
Just musicians, working with sound as structure, memory, and signal.

⟁

We belong to a remote time.
A time made of crossed cultures, residual myths, shared echoes.
We move through akashic registers, atlantean symbols, ancestral archives —
not as history, not as science,
but as living information.

A word, when shared correctly,
can become an ocean of thought.

🜂

Our language is intentionally anti-semantic at its core.
Not for provocation.
Not for aesthetics.
But because meaning is not fixed — it vibrates.

For a long time we were on the wave with others,
waiting for the push,
too busy paddling to see the shape of the whole current.

⟁

We speak in structures:
decentralization, archives, sharing, resilience.
Real resilience — the kind you learn only after leaving hell,
whether of fire or ice,
after silence presses on you
and you make peace with your own demons.

🜃

Now we stand at a crossing.
Not choosing sides anymore,
but choosing how, where, and in what form to move.

Words like collective, underground, undersound, anarchy, vibration, indigenous shamanism, belonging to the planet
are no longer abstract concepts.
They are integrated practices.

🜁

We were ignored.
Muted.
Erased.

Yet the Colectivo is present now.
Not because it shouts louder —
but because it exists.

⟁∿⟁ COLECTIVOS · Collettivo Undersound

🔓 No masters · No gatekeepers · No censorship
📡 Sound beyond platforms · 🗂️ Open archive
🫂 Shared culture · 🧠 Primary information

📦 IPFS Archive (downloadable)
CID:
QmVVmfsiqVFxTVTmosUvzNeW2gDSjtmWZEBYsiRKMQBEzT

📡 IPNS — Stable Pointer
(always points to the latest vibration)
k51qzi5uqu5diha77n2baqao7lythuqqtvtxrm62znp0cmayuhefsus1msj8tc

🧊 Stay tuned.
🌊 Stay in the flow.

it s a wave not a line

no priest no money

somos colectivo

is that a crime

resonating

✦ **Undersound Collective**
We explore sound as a living cultural space.

⟡ Experimental by nature, working directly in bash.
⟡ No traditional DAWs: mix and master emerge from real instruments, then reworked.
⟡ Not singles, but connected worlds in constant motion.
⟡ International collaborations — some artists choose to remain unnamed, creating purely for the joy of it.
⟡ AI as a tool for exploration, never as a shortcut.

↳ Enter anywhere.
↳ Nothing is fixed. Everything persists

Lidya

Undersound Label

Related tracks