Loving the creativity on this one super refreshing sound.  I’m a college radio promoter and would love to know if you’re interested in college radio support.

🌐 NEKONFESEBLA & TRANSVERBUM — The Double Album by DANZDAS

🔥 Punk Rock • 🌫 Techno Echoes • 🌌 Dubstep Currents • 🗺 Esperanto Voices

Nekonfesebla & Transverbum — the new double album by DanzDas, led by Mirko — is a project born in a suspended point between Vienna, Prague, and a dream that refused to end.
It lives between the borders of the real and the possible, where invisible cities, shifting maps, and underground currents connect worlds that don’t exist.
📍 Origin Story

It all begins inside the Museum of Globes and Esperanto in Vienna, in front of the monumental Globus Blaeu, glowing like a private sun.
There, Luccio and a Viennese stranger start speaking in a spontaneous blend of Italian, German, English, and Esperanto, as if the globe itself were whispering the words.

The continents seem to tremble.
A deep hum rises from the floor.
A shared hallucination? A revelation?
Maybe both.

From that moment, the idea becomes clear:
Create a band that belongs to no place, no genre, no identity.
A band… Nekonfesebla — “the undefinable, the unconfessable.”
🌍 The Triad

    🎤 Luccio (MB – DanzDas) — the visionary who listens to maps and writes like receiving transmissions.

    🎛 The Viennese — who denies seeing the globe move, yet dreams of it every night.

    🔊 The Prague Producer — who turns metro noise, steel bridges, and city ghosts into seismic basslines.

🔊 The Sound

A language that didn’t exist yet — waiting to be spoken.

    🚋 Electronic drums echoing Vienna’s trams

    🌉 Dubstep basslines vibrating like the steel of the Vltava bridges

    ⚡ Distorted guitars played by sleepless spirits

    🌀 Esperanto-filtered voices speaking of dreams, streets, stars, and wandering maps

The mission becomes almost mystical:
Create a sound that speaks to everyone.
A neutral, universal sound.
A sound that belongs nowhere because it belongs to all.
🤝 Undersound Collective

This journey became real thanks to the vision and support of the legendary Collettivo Undersound, founded by Marco Mario Farinato.
Their ability to turn ethereal ideas into tangible frequencies made Nekonfesebla possible — a sonic language that now resonates beyond borders.
**🎧 Listen. Drift. Decode.



9 Vortex de Estrelas

🌬️ SPINNING MAPS — EP Presentation

🎸 Open‑D Groove • 🌍 Nomadic Folk • 🌀 Microtonal Desert Echoes • 🔊 Organic Techno‑Pop Pulse

Spinning Maps is an EP built on movement — circular, hypnotic, alive.
It opens with a deep groove in open D, driven by a constant, warm, almost‑fretless bass line that loops like a wheel turning under the horizon. The track unfolds in a bright D Mixolydian mode, expanding into a wide acoustic landscape where every instrument breathes like wind across sand.

At the center of the journey, a santur improvisation in the Hijaz scale rises and coils, weaving microtonal ornaments that blur the line between tradition and dream.
Around it, layered dobro and banjo patterns create a desert‑folk resonance, shimmering like heat over stone.

The rhythm flows with a steady Istanbul‑style pulse — organic percussion, soft techno‑pop textures, subtle electronic sparks.
The result is an uplifting nomadic energy, emotional and cinematic, a sound that feels both ancient and futuristic.
🌀 The Poetic Core

The EP carries a lyrical monologue that moves like a glitch refusing to break:

Spins, pins, running circles,  
hopping like a glitch‑hopper out the frame…

It’s a voice caught between repetition and awakening —
a traveler stepping in and out of the same story until the rhythm finally holds.

The poem becomes a manifesto:

“I’m alive — and that’s enough.
The rest is noise.
The rest is story.
The rest is music.”
🌾 What This EP Is

    A circular groove that never stops moving

    A microtonal desert ritual shaped by santur, dobro, and banjo

    A cinematic folk‑techno hybrid rooted in Istanbul rhythms

    A glitch‑poetic reflection on repetition, survival, and awakening

spinning around instrumental

⚡ Album Presentation — The Throne of Broken Frequencies
Mario & Collettivo Undersound

For this album we dove into the early versions of Suno, discovering how those first models relied on simple, repetitive chord patterns.
🎛️ We rebuilt those sonorities locally, then corrupted them with lyrics and visions of a world far darker than this one.

This morning’s depression unexpectedly opened a portal:
💾 the producer dropped a rare glitch‑gem, immediately embraced by DJ_Murphy, who gleefully distorted almost the entire sound library.
The result echoes the atmosphere of Wim Wenders’ Until the End of the World:
🌍 an aphonic planet suspended between a slow, bureaucratic, obsolete present and a future so free it can’t be imagined.

Philosophical ghosts wander through the tracks:
📜 Plato’s Critias, the Atlanteans, forgotten civilizations whispering through broken circuits.
Every song is wrapped in a mystical drone —
🕯️ religious, dark, Blade Runner‑like,
📡 inspired by Philip K. Dick and the static of dying radios.

The instruments come from a world of survivors fused with future tech:
🪗 jaw harps
🎸 fretless dobro
🥣 pan‑shaped guitar hybrids
🎷 mutant saxophones
🧬 bizarre synthesizers built on ancient binaural circuits

At first we wanted to sing in a futuristic language,
🗣️ but no one would have understood it —
so we chose English, the lingua franca of broken frequencies.

Neon serpents coil around the throne.
📡 SOS beacons pulse in the fog.
🪨 Cracked ground vibrates under the weight of forgotten signals.
This is not an album.
It’s a transmission.

Good luck listening —
💀 if you manage to. LOLK

Lines in the Sand”

Don t tell me

Quasimodo

🧬 La Radice del Sound — Log 0x1999

We call it the root of sound — not because it’s pure, but because it’s where it all began.
Back in 1999, before plugins had souls and synths had GUIs, we were already hacking sound.
No DAWs. No presets. Just raw bash scripts emulating synths, bending waveforms like broken mirrors.
We weren’t producers. We were terminal shamans, writing loops in ASCII, glitching silence into rhythm.

🎛️ Our path was never linear. It was a hybrid ritual — half hacker, half musician,
a communion between code and chaos, between the machine and the myth.
We didn’t compose. We summoned.

This album presents some of our earliest steps into the LOFI dimension —
not as a genre, but as a frequency field.
Among these: the original recording of “Caro Bigi”, untouched, unpolished,
just as we imagined it —
🧠 human. LOL.

No filters. No AI polish.
Just the raw signal from a time when sound was still a question,
and we were already answering it with cables, scripts, and broken speakers.

Welcome to Collettivo Undersound.
This is not nostalgia.
This is source code.

Caro Bigi

Open Up Your Way

Notte su notte, a pagare sto prezzo...

Mundo

UR Body


## 🧬💥 SOTTO I NEON ROTTI DEI BAR DI PERIFERIA 💥🧬  
🎧 *A collection of glitchy emotions*  
👾 Mario & COLLETTIVO UNDERSOUND 👾

🛠️💿 Tonight we hit a milestone: **555 tracks** forged in sweat, bash scripts, and emotional overtuning.  
🌀 **222 songs published on Ause** under the alias *Mario Marco Farinato* — distributed guerrilla-style via **Advice Music**, **Mirko Bolzonoi**, **Emil**, and **Slade**.  
We’ve dodged every censorship attempt, every algorithmic chokehold.  
This isn’t just music — it’s a **ritual archive**, a **sonic insurgency**.

🎛️🐋 We’ve sung with whales.  
🌕🐺 We’ve howled with wolves.  
🎸🎙️ We’ve recorded charangos live at Sagarnaga Festival in Nantes.  
🧳🎶 Our guitars carry **44 years of nomadic sound** — collected, glitched, and transmuted.

💻🧠 Over the past 6 months:  
- We’ve built **222 bash scripts** to bypass software limits.  
- We’ve mastered tracks in seconds.  
- We’ve designed covers with one click.  
- We’ve hosted our entire archive on **IPFS** — decentralized, immortal, unkillable.

```bash
collettivoundersound@collettivoundersound-System-Product-Name:~$ ipfs repo stat
NumObjects: 310806
RepoSize:   81.9 GB
StorageMax: 100 GB
RepoPath:   /home/collettivoundersound/.ipfs
Version:    fs-repo@18
```

🕒 At **3:33 AM**, after backup, the music flows like a dream through our node.  
We’ve built a **Napster that can’t be shut down** — no censorship, no edits, no gatekeepers.

🧬 This album is a portal.  
A doorway.  
A glitch in the matrix.  
A love letter to the broken neon of forgotten bars and the emotional frequencies that still hum beneath.

🔗 Welcome to the future.  
🔊 Welcome to Collettivo Undersound.  
🫂 Good listening.  
💾 If you want to know more about IPFS, check out **IPFS Desktop** and join the decentralized wave.



Burning Inside for You

## 🇮🇹 Introduzione (Italiano)

🎛️ **Siamo SGLL666**  
Collettivo undersound di hacker, musicisti e spiriti liberi.  
Usiamo l’AI, ma non ci facciamo usare.  
Produciamo musica, la puliamo, la sigilliamo, la archiviamo.  
Abbiamo creato un sistema che elimina i metadati compromettenti, firma ogni traccia con un codice ritmico, e restituisce all’artista il controllo sul proprio suono.  
Non vendiamo l’AI. La suoniamo.  
Se sei qui, forse vibri come noi.

---

## 🇬🇧 Introduction (English)

🎛️ **We are SGLL666**  
An undersound collective of hackers, musicians, and free spirits.  
We use AI, but we don’t let it use us.  
We produce music, clean it, seal it, and archive it.  
We’ve built a system that removes compromising metadata, signs each track with a rhythmic code, and gives artists back control of their sound.  
We don’t sell AI. We play it.  
If you’re here, maybe you vibrate like we do.

9 Vortex de Estrelas

Undersound Label

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