Berdly's theme and its variation in his boss fight are an interesting contrast. Toby fox has the first note used as a pick-up to the 1st beat, while in the fight it is the down beat. It's a little disorienting to the listener being shifted slightly. If we consider the theme to be more in line with Berdly's personality, then the battle theme can be interpreted to be Berdly acting not completely in character, as he is manipulated by Queen. Queen's theme is very classical/baroque sounding, with a hint of carnival, and I thought it would be cool to have the Smart Race portion of the track start more action/cinematic, but slowly transition toward more classical style music.

The Berdly portion of the track is coincidentally waltz style again. Perfect, since I just arranged Empty Town, and I think I got the instruments to sound even more natural and expressive. That being said, I only spent 5% of total work time on Berdly, because Smart Race is crazy…

I usually slow the orchestra down when the original is a chiptune, because it's usually too fast, but in this case I wanted to challenge myself to make the orchestra play just as fast. I settled at a blistering 145 mph (I mean bpm lol), just slightly down from the original's 150bpm. And I still have instruments play 1/16 notes. It's absolute madness! I knew this was possible to pull off after hearing the boss music in Final Fantasy VII: Remake translated to orchestra with increased speed! As the first fight with Berdly takes place on bumper cars on a track, I had F-Zero GX in my mind the entire time arranging this.

Even at this fast pace, I wanted to bring out the "classical/romantic" sound as I previously mentioned really show Queen's manipulation. I didn't really notice that her theme actually plays in the intro. I just thought it was just some flourish until I listened closely with my headphones. My unique approach here is that I arranged the orchestra section first without any percussion, like I was simply creating Mendelssohn-sounding music, but then later dropped in the percussion layer. Hope you enjoyed this technique because I am proud of how much nuance I put in the "performance." Different parts don't just play in harmonic chords, they have their own counterpoint melodies. I also probably did the most amount of "air conducting" to the music, just standing at my desk and waving my arms to feel each section come and go with the right emotion.

Deltarune Orchestrated will be available on iTunes/Spotify upon completion of the album.

MP3 and FLAC available for Patrons. ► https://www.patreon.com/thesecondnarrator

Arrangement by Jeremiah Sun
Original Theme by toby fox

DELTARUNE Chapter 1&2 is currently free to download on PC and the Nintendo Switch!

Deltarune Chapter 2 Orchestrated

DELTARUNE Chapter 2 Orchestrated - Berdly & Smart Race

C-R-O-W-N-E-D - Kirby's Return to Dream Land [REMIX]

"The fluttering fiend reigns it's strength upon us once again! This time, the battle of the final judgement swelters in the eternal inferno itself. Think you can take the heat, and overcome death itself?"

i like how this came out, i loved the concept of this boss but was so disapointed by the difficulty, patterns and fight in general, and music for his fight in star allies

LUCKILY forgotten lands came out and MORE THAN MADE UP FOR ALL OF THOSE, IT MIGHT BE MY LITERAL FAVORITE FIGHT IN ALL OF KIRBY

fuckin love this character now, and i do like the remake of return to dreamland too. might as well make a kirby song

Vs. Morpho Knight - Kirby & the Forgotten Land (Cover)

theme of really cool bird x MEGALOVANIA

MEGALOVANIA created by toby fox
base FLP from Ecl1pse - Idk Y

COOLBIRDLOVANIA

Thumbnail made by Me (in MS Paint)
Original composed by Jun Ishikawa

Woah, a Non DR/Hiraeth upload, when was the last time that happened?

According to https://wikirby.com/wiki/0²_Battle, "Jun Ishikawa chose to base 0²'s battle theme on symphonic rock and progressive rock, genres which he felt were underrepresented in video games." I have heard my style being called symphonic rock before, so I wanted to do a reimagining of this theme if the game's audio hadn't been limited by its hardware.

I fucking love Kirby, btw. Peace.

Kirby 64: The Crystal Shards - 02 Battle (Zero Two Fight Theme) [Arrangement]

HOLY FUCKING SHIT PLAY MARIO & LUIGI BROTHERSHIP IF YOU HAVEN'T ALREADY, THIS GAME IS *PEAK!!!*

Am defo aware a LOT of the motif names will be extremely confusing. They're the names I gave the tracks for my gamerip release of Brothership's OST, which you can find the download links for over on my Bluesky and (now mostly inactive) Twitter! And until (or if) Nintendo ever gives these tracks official names, *these* will be the track names I work with for the sake of consistency on my part.
Bluesky: https://bsky.app/profile/mysteryman17.bsky.social/post/3lcjg3utlms2i
Twitter: https://twitter.com/MysteryMan_17/status/1864465287590105571

A huge thanks goes to Cosmic (https://https://twitter.com/cosmic_oof) for their help with this track! They provided valuable feedback for the track itself during the final mixing stages, and also helped come up with the name.
------------
YouTube Upload:
https://www.youtube.com/watch?v=5jMs__uaa5g

Loops:
Intro: https://drive.google.com/file/d/1HSXbhVVQXHLgssTIN-zbWAjLP9JJTDn7/view?usp=sharing
Main Loop: https://drive.google.com/file/d/1zIBBtJZ7CyLugL0g8gvRng-ZTAQbFwur/view?usp=sharing

Official MIDI Pack:
https://drive.google.com/drive/folders/1lQ5kBUwHKDInJDyzw3KF6pOYTZMl70gW
------------
Motifs:
-Final Gambit
-Fortress Zokket
-Beatdown of Brotherly Proportions
-Chase to the End!
-A Tragic Past
-The Soli-Tree
-The End of the World
------------
I genuinely really enjoy Mario & Luigi Brothership, honestly the best overall game in the series hands down imo! ...One missed opportunity, however, was in the music department. Among other areas that could have been a wee bit better, Zokket's battle later in the game doesn't have a unique theme, instead using the normal "major boss" theme (the track I call "Beatdown of Brotherly Proportions.") I actually wound up getting inspired enough to try to fix this issue myself, pulling a Bowser's Inside Story DX on this son of a bitch. (Getting this laid out structure-wise was admittedly a bit of a pain in the ass btw, figuring out the proper tempo and key for some of these motifs was pretty damn hard ngl lol.)
Knew from the moment I started making this track that "Fortress Zokket" was going to be my basis point of choice. Its jazzy nature was not only fun to fuck around with, but also puts it in line with the stylings of the actual battle themes in Brothership proper. Really glad I got an excuse to use my jazzy libraries again, including my recent *actually legal* acquistions of the ProjectSAM Swing libraries. And for once, my percussion track doesn't suck total ass! :D
Included "Beatdown of Brotherly Proportions" here to not only reference the major boss theme, but also to compliment the jazzy styling with the growling brass tidbit I borrowed specifically.
The more somber section with "A Tragic Past" and "Chase to the End!" was a bit of a happy accident tone-wise, but it wound up working out wonderfully, especially considering I was treating this as the "final" boss theme. By the point in the story you fight Zokket, the twist with him and Cozette has already been revealed to the player, so someone going into the battle fresh would expect this to be the ultimate conclusion to said twist. And of course, "The Soli-Tree" and "The End of the World" are quoted here to represent Reclusa, the *true* main villain of the story that has actually been the one pulling the strings.
Genuinely incredibly happy with how this turned out as a whole, and I hope y'all enjoy! :3
(P.S. The reason I also credit Takayasu Seo down below is cause, after doing some research to figure out what tf a music preparator is, I found out it's highly likely she could have made critical changes to the motifs and/or arrangements in Brothership proper, to the point she deserved credit alondgside Hideki Sakamoto for the OST.)
------------
Based on Motifs by Hideki Sakamoto and Takayasu Seo
Arranged by MysteryMa'am

Resist The Power of Glohm!

Created with Ableton Live 9 (incl. loops and samples), additional vst instruments, final mix with Cubase 10.5

feelin´ happy

♠ ♠ SPOILERS AHEAD ♠ ♠

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Hope you guys are ready to get THRASHED! Oh boy oh boy, I never thought that I'd be saying this in the year 2018, but the sequel to Undertale is released, and it is GREAT! Of course, I can't let this game get by without some remixing love! Lancer's theme is oune of my favourites from Deltarune, so I decided to cover that first. If you want more remixes from it, let me know! Hope you guys enjoy! If you did, feel free to leave a like or subscribe to the channel!

Before you ask, yes! You may use this in your videos! Just be sure to credit via a link to my channel or this video!

This Song on SoundCloud: https://youtu.be/0UFW9GKmjQY

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"Lancer" Deltarune Remix

The Snowdin battle theme

Artist - MyNewSoundtrack
Composer - Toby Fox

Blizzard Approaching

Music: SLAP THE NUTS GAIDEN ～TRANSCENDANCE～
Composer/Arrangement: dante
Artist: Coach

SLAP THE NUTS GAIDEN TRANSCENDANCE - SiIvaGunner King For Another Day

Crisis of the Red & Green DX (Boss) - Mario & luigi Partners in Time Arranged

The official Soundcloud account of the fangame: Undertale Yellow!

(Many tracks are missing, this is only the home for released tracks!)

Blizzard Approaching

Undertale Yellow

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