Down To The Water's Edge

Oddball pop moves, weird waves, rythme noir, schizophrenic folk, Lasik lounge lizards, rural romantics, sizzling saxuals, psychedelic motivationals. Midnight Sun blues.

M August - Midnight Sun

This man does not really need an introduction... All the way from Sidney Australia, it's Planet Trip label boss: Mike Who! I'm very happy with his all styles all smiles contribution for the podcast. The first hour you'll hear me, after that Michael will take controle. 
This is btw the last podcast, thanks to everyone who has/or still listens to Four Waves!
This is Mike Who: https://soundcloud.com/mike-who

Four Waves W/ Mike Who

A survey of some of my favorite songs from 80's Africa, many modern classics and some obscure gems to boot.  I'll make pt. 2 if y'all dig.  xo, JAZ

My Favorite Songs From Africa (pt. 1)

B.P.T. Radio 050: Trujillo

@mlle_elle

https://undertheapricottree.net/mademoiselle-linda/

Apricot 36: Mademoiselle Linda

This month we welcome Mari*, a driving force behind much beloved online radio station Worldwide FM. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Mari, people might know you for being one of the driving forces behind Worldwide FM. Can you tell a bit about what you do there and how you ended up with that position?

M: I am “Head of programming and A&R” at Worldwide FM. I oversea programming, produce special guest shows and develop relationships with artists and labels. I’ve been working in radio for about 20 years. Starting with college radio in Boston, and subsequently I worked in New York and then Tokyo and now I’m based in London. So, I’ve always worked as a radio producer! From 2005, I produced Gilles Peterson’s daily show for 7-8 years on J-WAVE, one of the biggest FM radio stations in Japan. I also produced music events for the radio show and brought him over to Japan a couple of times, and this is how I started working with Gilles. 

MFM: How's the online radio scene in Japan actually?

M: Unfortunately, Japan is super behind with anything got to do with playing music online due to the strict and old school music copyright laws. Even Japanese radio stations are not broadcast outside of Japan. People still love tuning into AM/FM radio which could be a good thing, but it’s hard for music to be heard outside of Japan if the copyright law is too strict. Japan is probably one of the most complicated places to start an online music platform which people can tune into for free.

MFM: It seems that the pandemic brought many new online broadcasting stations, likely due to a lack of a stage for artists. How do you feel about this development?

M: It’s great that people realised there is so much potential in online radio stations during the pandemic. Hopefully, listening to radio will stay part of people’s life. Now the norm is back, people are getting busier and artists are back in the studio and touring. It is impossible to run a station in the same way as it was during the pandemic, so stations need to keep up and make relevant adjustments in their programming to fit into this changing world. Continuation is key to success, and also “sustainability” is another essential element to be considered, especially for independent online radio stations.

MFM: How important do you believe online radio is in the current field of music? What do you believe should be its main purpose?

M: With online radio there are so many possibilities and more freedom of expression, whereas traditional radio has to deal with regulations and politics. Online radio can build a strong sense of community as most of them were started out of sheer love to support music and culture. The interesting thing is that online radio can build a community that is Worldwide! Also, online radio could be a good start for young DJs and a place to develop young and up and coming artists as the presenting skills you need are much less on online radio than the traditional radio. There isn’t any format how online radio should be or sound like so there are more possibilities to create something new. I hope to continue searching and developing the unique and engaging platform where people feel welcome and part of by tuning in from any part of the world.

MFM: As a host yourself, what do you seek for in a show? 

M: I like to insert unique content in my radio show which is not just about presenting new music. I like to have some humour and personality in my show, and make people feel great with my music tastes. I don’t have much to say about other people’s show but being original is very important, people follow personality, great content and like to enjoy a show.

MFM: Any future plans at Worldwide FM you'd like to share? A scoop maybe?

M: We are building a new studio which will allow us to do more including live sessions! I cannot wait!

MFM Mix 042: Mari*

Üllar Siir - Season For Surprise

@curiousaboutmusic

Curious Music crosses boarders with this Coastal Guide through unpredictable landscapes. 

I had the pleasure of meeting the Pembrokeshire native at this year's @westivalrecords and am fortunate to present his guide through uneven paths of Synth, AOR, Folk & More!

Coastal Cruising - Curious Music (#10)

Faking Jazz Together 🎷

For us, Norm is the ultimate definition of a selector, and many in the community will agree. Needless to say, we were incredibly excited when he joined TNP as a resident. His new show “Faking Jazz Together” is an excellent addition to his other projects, which include(d) Memorabilia, Bayetë and Native Dance.

Norm’s ability to unearth the warmest, sweetest and deepest sounds is unprecedented. The first installment of his residency stole our hearts: a jaw dropping, incredible selection of lush music that we didn’t know we needed to hear. We recommend you to listen to this one eyes closed, shoes off, laying in the sun. 

Words from Norm: “This opening Faking Jazz Together show connects the dots between songs cleverly juggling with chords voicing and offbeat progressions. Spanning from major studios productions, One-Hit-Wonders and confidential amateur acts, these titles share a charming perspective of these codes while treasuring a genuine song writing. 

This is my fantasized outtake of what could have been a local fusion jazz program back then. It features biting AOR, hazy Chanson, fierce Boogie, Japanese Bossa impersonation and wistful Italian score.”

Artist: @memorabiliarecords

Faking Jazz Together w/ Norm

061022 restaurant recording by norm (@bayetecontact & @memorabiliarecords)

www.csnoord.com

cornerstore during service • #3 • NORM

Ongoing mix series exploring the outernational.

Apricot 36: Mademoiselle Linda

Under The Apricot Tree

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