Techno

Belfast (30 Something)

Belfast (ANNA Techno Remix)

My present to all my listeners and followers, kind of mad and slightly dark for the Christmas time but nevertheless, Merry Christmas *<:D !

Support the original mixes here:
http://www.beatport.com/track/the-evil-id-original-mix/4433111
http://www.beatport.com/track/mpx309-original-mix/1375189


Joris Voorn vs. Max Graham - The Evil MPX309 (Tempo Giusto Hybrid)

Extreme Trax - Final Fantasy (Original)

6. DON’T LIE 
TO YOUR MIND
💿💿💿

DON’T LIE

Output  -------------------     SamplerRemix

Kay D. Smith  Marc Tall Pres. Passive Resistance - Praiseworthy Tunes (Hoipolloi Remix)

2017 marks a milestone year for us at Bonzai, we're 25! To mark this momentous occasion we've got some amazing surprises that are coming your way over the next 12 months. We kick off the celebrations with a tantalising remix of an absolute classic from an absolute legend, Jam El Mar goes to work on one of Bonzai's most famous releases - The House Of House by Cherrymoon Trax. First released in 1994 on Bonzai Records - catalogue number for the trainspotters is BR 94054 - THOH fuelled the beginning of a new wave of harder edged sounds and tracks that build and build with epic climaxes. Cherrymoon Trax were a veritable who's who in the Belgian electronic music scene, borne out of the phenomena that was New Beat, a collection of artists including Bjorn Wendelen, David Brants, Eddy Weyns, Franky Kloeck, Ilya Depuydt, Kris Vanderheyden, Nico Deleu, Pascal Quatretemps, Peter Schiettekatte, Philip Dirix, Youri De Pauw, Yves Deruyter got together and the rest is history. Although the group members have changed over the years the legacy remains. While all this was going on, Jam El Mar aka Rolf Ellmer - alongside his long time friend and studio partner, the late great Mark Spoon aka Markus Löffel, were taking electronic music to new heights as Jam & Spoon with the likes of Follow Me and Stella among many others. So we just knew that he was the perfect candidate to get this party started in style. Keep an eye out for more info as each month we will have a new classic remixed by the cream of the electronic music crop.

The remix delivers a solid techno fuelled ride filled with nostalgia and a burning dancefloor agenda. We're taken deep with this one and from the intro we're locked on. A steady pulsing bass note and percussion hit combo trails a fading in "the house of house" vocal. A hypnotic synth pluck comes in before the monster kicks take hold with a powerful bass landing on the beat. The classic synths that we all know join in and, while slowed down still carry the same obsessive, infectious groove that digs deep into your soul. After an intense build up we find ourselves completely spaced out as those synths work their magic. A superb tribute to a much loved classic that will keep the legacy stronger than ever.

The House Of House - Jam El Mar Remix

The House Of House (Jam El Mar Remix)

Y-Traxx - Mystery Land (Spektre Remix) (Kraftek)

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse. 

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.

Buy all

Adam Beyer, Layton Giordani & Green Velvet — Space Date (Pleasurekraft Remix) — Drumcode — DC207

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’. 

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Luca Agnelli — Apollo — A-Sides Vol. 8 — Drumcode — DC211

Rebūke joins the Drumcode family with a blistering three-track EP.

We got our first taste of the Irishman’s exhilarating talents when he debuted on Truesoul back in April with ’50 First Raves’. His unique alchemy of house, techno and rave has seen him become one of the breakout stars of 2019 and ensured he’s stayed firmly on the radar of Adam Beyer.

Inspired by his experiences at Drumcode’s now-legendary party at Space Miami during WMC, Rebūke’s DC debut encompasses all the dynamic energy of his previous contributions, with peak-time pounding effect. ‘Rattle’ leads the trio, a cut voraciously track I.D’d by Rebūke’s fanbase and highly anticipated across the industry after a high-impact play during Radio 1’s Weekender in Ibiza. The track pops with the producer’s trademark rubbery rhythms, pin-sharp drums, intermittent rave horns and a wicked acid line, culminating in a high-octane trip that’s one of the most thrilling we’ve heard on DC this year. ‘Operator’ spits fierce drum sequences before a tweaked-out bass melody grows with undulating intensity giving the track it’s shining character. ‘Metal’ builds with intergalactic stabs and claps before a menacing low-end melody enters the fore and his signature percussion gives the track an otherworldly tribal crunch.

Rebūke — Rattle — Drumcode — DC212

Border Country

Border Country (Adam Beyer & Bart Skils Remix)

TU | www.trueunderground.one electronic music news and entertainment! A true desktop magazine experience on computer, mobile, tablet and VR.

Pre-order A Copy: https://www.beatport.com/release/dreams-umek-version/2802135

1605241 - Dreams (UMEK Version)

Premiere | Quench - Dreams (UMEK Version) 1605

out on nein
https://neinrecords.bandcamp.com/album/bird-lagoon

KIMSHIES - BANOFFEE

DAVE CLARKE - WISDOM TO THE WISE  (A. MOCHI RE-EDIT) (PREVIEW)

Underworld are Rick Smith and Karl Hyde. Their peerless first album - dubnobasswithmyheadman - was released to universal acclaim in 1994. In the thirty years since that mould breaking debut, the band have established their reputation as one of the most groundbreaking and important electronic acts of all time, one that constantly pushes creative boundaries, twists genres and refuses to stay still. In those thirty years, their music has soundtracked approximately 100,000,000 nights out, and the mornings after. In the past year alone, Underworld have played live in front of over half a million people all across the globe.

Border Country (Adam Beyer & Bart Skils Remix)

Underworld

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