ishumar

OULH N’AHAGGAR
Paroles: Danna Bay & Aneslem El Hassen,
Musique : Bay Danna
Chanté par: Danna Bay et Benkhridla Hachem
Arrangements: Moussa Melloul

Oulh nahagar iharwane ayatma
Swartilla agadam swadegh inna
Iharwane samed astar na anyalla
Oulh n’Ahaggar améra yéré tinossane
Oulh nahagar iharwane ayatma
Oulh n’Ahaggar enta estarha
Tarha douyen imagharen win ibda, waren la ahouskin seled enta
Oulh nahagar iharwane ayatma
Oulh n’Ahaggar eghriwan as tarha
as tarha…. as tarha…. as tarha

LE CŒUR DU HOGGAR
Le cœur de l’Ahaggar est grand mes frères
Tout le monde reconnaît sa grandeur par la grâce de Dieu
Le cœur de l’Ahaggar est ouvert à tous
Le cœur de l’Ahaggar est grand mes frères
Le cœur de l’Ahaggar est amour
Nos ancêtres nous ont laissé cet amour, notre plus beau trésor
Le cœur de l’Ahaggar est grand mes frères
Le cœur de l’Ahaggar appelle le monde à l’amour
à l’amour…. à l’amour….. à l’amour

Oulh N'Ahaggar par Danna Bay - Groupe IMZAD

Buy: https://tamikrest.bandcamp.com/album/chatma

'Chatma' is the new album by Tuareg rockers Tamikrest. The album is a fully persuasive sonic document and is filled with sober reflection, moral indignation, musical experimentation, cultural celebration - and the kick of rock and roll. 'Chatma' translates as "Sisters" and the band have dedicated the album, in their own words, to "the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers."

www.tamikrest.net/
twitter.com/Tamikrest
www.facebook.com/tamikrest
www.glitterbeat.com
twitter.com/Glitterbeat_Rec
www.facebook.com/Glitterbeat 
www.youtube.com/user/glitterbeattv

Chatma

Tisnant An Chatma

Tamikrest - Tisnant an Chatma

Tinariwen ASLER 2014

This is my way to pay tribute to one of the most inspirational bands "Terakaft".

Love Terakaft on facebook: https://www.facebook.com/terakaft.official.page?fref=ts

-------
Face: www.facebook.com/undnu.music
Label: https://soundcloud.com/genre-no

Terakaft - Alghalem (UNDNU's Cameltoe Edit)

IMUHAR

(Omar Moctar)
Matinfa tenassé in mouhague tigrawe tickma
Matinfa tinassé in mouhague tigrawe tickma
Ayitma yofa nikare nigrassidane yalla yicknane
Matinfa tenéssé n’mouhar tigrawe tickma
Imuhar tigrawe tickma n’taguilwene ahische rawane
Matinfa ténéssé n’mouhar tigrawe tickma
What good is calm to the Imuhar(1)
who are living in misery? 
In misfortune? 
My brothers, we must awake and understand that we have
gained nothing
What good is calm to the Imuhar living in misery?
In misfortune? 
The lives of the Imuhar are complicated, it is the way these
times are
What use is calm to the Imuhar living in misery? 
In misfortune?

Imuhar - Bambino

Mohamed Ag Itlal aka Japonais Her Tenere Malulet

ⒶⓈⓈⓊⒻ Ⓓ ⒶⓁⓌⒶ - ⓇⒶⒹⒾⓄ ⓈⒺⓈⓈⒾⓄⓃⓈ

Mohamed Ag Itlal aka Japonais- Ahoulkamin Houlane- Guni

Barcelona

Tudo O Que Você Podia Ser (Beno & Gaspaz Muniz Edit)

Tenere Taqquim Tossam(Tinariwen)

Timoudda

Alah fal manin ad man nassan

The Sahara Sessions was recorded deep in the desert. Sheltered only by an animal-skin tent and the vast canopy of midnight stars, Etran Finatawa played their guitars and sang straight from the heart. Each poignant song and every slap of the calabash drum articulating the deep-set divisions in the Sahel region that are threatening their Nomad way of life.

Read More/Buy Album: www.worldmusic.net/saharasessions

Simmering political troubles and excruciating economic hardship pose a dangerous threat to the nomadic way of life and the rich cultures of Niger. Divining their solution to these issues, Etran Finatawa celebrate their diverse heritage and call for its preservation to be a priority for Nigeriens and listeners the world over.

The Sahara Sessions opens with ‘Matinfa’, a gently rippling introduction peppered with traditional percussion; tendé, calabash and azakalabó (a calabash drum that floats in water) drums are all heard. The song title translates as ‘What Is This For?’ and is the first signifier of the album’s intent to comment on the tumultuous status of the Sahel region today. Although Niger has displayed a firm opposition to separatism that plagued neighbouring country Mali in 2012, the troubles have inevitably caused insecurity in the Sahel region and the threat to the countries rich and varied cultures is a very real concern. Etran Finatawa’s members are of Tuareg and Wodaabe heritages – neighboring tribes that both live as nomads. Water shortages and land disputes have led to deep-set economic issues that cause conflict and misunderstanding across communities. The work Etran Finatawa do to promote unity and understanding is invaluable. 

The album presents a collection of tracks: some fixed compositions developed and created by the band and others spontaneous improvisations that capture the spirit of the tent recordings.  Songs such as ‘An Mataf Germanawen’ (Union) and ‘Issuad’ (Let’s Come Together) patiently call for attention to be paid to the political situation.

Various guests also join then band on the album – arrangements that occurred organically and were spontaneously initiated. One of these, a Tuareg percussionist by the name of Ayouba arrived at the camp one night, revving out of the darkness on his motorbike. Before long Ayouba had set up his calabash drum and was spreading his contagious high-energy vibe like wildfire. His articulations can be heard on the three tracks ‘Matinfa’,  ‘Icheraid Azaman’ and ‘Toumast’. ‘Wa Oyan A Wa Imouss I Bastila’ is an excerpt from an improvisation with Abdourahaman Ag Ibrahim, a well-known local griot (praise-singer and oral historian), who came to visit the tent where Etran Finatawa were recording.

Etran Finatawa are as captivating as the horizon-stretching desert where the pitched their tent to record. Like the desert their music stretches out across the sands of time and culture.


Etran Finatawa: Icheraid Azaman

Get the album here: http://glitterbeat.com/glitterbeat_store/

Tamikrest means “crossing” in the language of the Kel Tamashek, a traditionally nomadic Saharan people that are commonly referred to as the Tuaregs. It is an apt name for a band that so successfully merges the values of their timeless culture with the sounds and visions they have encountered on a headlong journey to the concert stages and ipods of the world. 

Since the band emerged onto the international scene four years ago with their debut album “Adagh”, they have been in constant motion, moving between the Sahara and Europe as though these places were next-door neighbors. All the while, during this same time period, their homeland has suffered increasingly profound and catastrophic events. Originally hailing from Kidal, in the northeast of Mali, as the result of ongoing war, persecution and political collapse most of the band now lives in exile in Algeria. 

These last years have been intensely vivid for Tamikrest, defined as they have been by both tragic sadness (families and friends turned refugees, the brutal imposition of Sharia law in their hometown) and collective growth (their musical dreams building one upon another). 

Their new album “Chatma”, their third, deftly navigates these experiences and fashions them into a fully persuasive and poetic musical document. The album is filled with sober reflection, moral indignation, musical experimentation, cultural celebration and the kick of rock and roll.

“Chatma” is also Tamikrest’s first album to be wholly written around a defined theme. In Tamashek “Chatma” means “Sisters” and the band has dedicated the album in their own words to: “the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers.” 

The opening track “Tisnant an Chatma (The suffering of my sisters)” is a heartbreaking homage: « Who can estimate the suffering felt by the soul / of one who sees her sisters exhausted from waiting/ of one who sees her sisters exhausted from waiting between countries, in deep distress /and daily oppression? « 

Fittingly for an album so lyrically evocative, “Chatma “ also delivers Tamikrest's most wide-screen and wide-ranging sonic statement to date. The infectious, sing-along rock stylings of "Imanin bas zihoun", the acoustic seduction of “Adounia tabarat”, the Pink Floyd influenced montage "Assikal" and the lush, melancholy ambiance of the albums finale, “Timtar”, all add up to a sustained audio adventure. Echoes of dub, blues, psychedelia, funk and even art-rock are seamlessly weaved by Tamikrest into their increasingly individual take on the Tuareg musical tradition. 

And on an album where the title translates as "Sisters", it makes perfect sense that this time around we hear the full emergence of the haunting voice of female vocalist Wonou Walet Sidati in tandem with lead vocalist Ousmane Ag Mossa. A new guitarist, Paul Salvagnac has also joined the band, bringing with him fresh textures and possibilities.

Contemporary Tuareg music has produced several unforgettable albums in recent years and "Chatma" certainly deserves to be ranked with these. But one also gets the sense, when listening to “Chatma” that there is something uniquely innovative and exploratory about Tamikrest's musical quest and that at last they have stepped into a wide-open space of their own.
 
www.glitterbeat.com
www.tamikrest.net
www.facebook.com/Glitterbeat
www.facebook.com/tamikrest
www.twitter.com/Glitterbeat_Rec
www.twitter.com/Tamikrest


Tamikrest - Imanin bas zihoun

Tamikrest 
-Tarhamanine Assinegh- album:Toumastin 

Tamikrest -Tarhamanine Assinegh

This project is no more. Thank you for all listeners and supporters. If you like support my new Project: 
ALMA: https://soundcloud.com/almalive

Terakaft - Alghalem (UNDNU's Cameltoe Edit)

UNDNU

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Terakaft - Alghalem (UNDNU's Cameltoe Edit)

UNDNU

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MeisTheBase

~~ AntizénitH ~~

DJ Pepe Serna

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