Beautiful work! I love your musical philosophy, at least as far as I can understand it based on the  write-up in your artist description. Eager to hear more

Sky high

who am I, who are we, where are we going?

some instruments, including synth and the pulsating synth bed, mix: tea are sea @tea_are_sea
other instruments, narration, mix: sonic structures and silent stretches
method: some back and forth, with stonerjazz and re-evolution café orchestra sometimes listening in and edging on
narration: the thirteen canto poem finds its way into sound, a canto at a time
image: copyright jo richter, using a detail of my photo of a magazine depiction of the phaistos disc as one element among others

info: there is one more version of this canto to emerge from other collab partners. LOOK FORWARD!

poem / copyright jo richter

How long he stayed, he could not tell.
He worked ferociously, sounding all
existence that had touched upon him into
being: the smell of meadows, the curl of
ripples, the calm that centers in a storm;
the timbre of voices, the straight lines of buildings,
the aloofness of announcers on the radio.
His desk was cluttered, his mind strove clear.

When he did not write, he‘d read up on
the origins of his ancient art: Vergil and Dante,
Marlow and Shakespeare, Homer and Joyce,
Ovidus, Cervantes, Rabelais and Wieland.
He felt the linguistic seeds, blown from foreign
stems, grow filaments deep in his native soil, he
saw them ripen, flower profusely, yielding
their beauty to ever-changing mentalities.

And as his insight widened and he gained
perspective, the rows of encyclopedias
and dictionaries that lined his shelves
slimmed down, as he gave up consulting
English for French and German, these for
Latin and Greek, those for Persian and Sanskrit,
until he only referred to Indo-European roots.
His desk turned clear, his mind became uncluttered.

Eventually, he also slept and dreamt
whenever the veil sank upon him.
Guarded by the spire‘s safe walls, he would
awaken slowly, remembering outlandish
lore, scribbling notes and poems of bizarre
truthfulness and penning recollections of his
archetypal ties. Some of his realistic verse de-
rived from fragments of prolonged poetic trance.

His muse meanwhile taught him to cook, the
art of mixing individual ingredients to bring about
a taste all of its own that nourishes both mind and
physicality. The painters tend to fixate on surface
and colour, she said, the musicians on timing
the process, whereas the poets never get anything
done, enchanted by words like ‚ginger‘ or ‚yeast‘.
All of their dishes taste awful.

canto iv

Departure Canto iv with Tea Are Sea

ねぎ（Negi) (featuring 弦巻マキ)

Nouvelle version de ' Cendre des villes ' c' est un  instrumental  avec environ 3 violoncelles et 2 violons par Rosin dust  , une basse fretless, des  congas,  des  percussions

cendre 2 instrumental

Cendre instru'   (avec Rosin dust )

The DRUMAX PROJECT present track number 36 ! Have a peaceful time ! Merry DRUMAX ;-)
@joerxworx > Composition, Instruments, Arrangement, EWI Soprano, Mix
@docfritz > Rhythm Design, Drums, Artwork, Final Mix
© 2023 by joerxworx and docfritz / DRUMAX PROJECT

XMAS

DRUMAX No. 36 // XMAS

Cast of Characters:
J.J. Terrell–@j-j-terrell –piano, synth, and composition

mistermark-- @user-432503709 -- Mark—synth effects, synth flute, lyrics, and vocals

TexMex Shaman–@texmex-shaman –Stephen– electric and acoustic guitars, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four-string Fender P bass
  
  This is a song that JJ created late one Saturday night on the piano, drums, bass, and guitar. You can hear his Grateful Dead influence if you're familiar with the band. He then presented it to the rest of the Eclectic Collective so we could do our thing with it. Josh replaced JJ's rough bass with his interpretation of the line as soon as Ken replaced the drums with his interpretation of the beat. Interestingly, Ravel's Bolero had a lot to do with the inspiration for the second part of the song. After the rhythm section was done, we turned it over to Stephen, who came up with some really subtle, yet very necessary guitar lines. 
  We then turned it over to our relatively new collaborator, Mark, who came up with the lyrics and vocals. He was also instrumental in getting the arrangement to fit right with the vocals. This is a lyrical and vocal songwriting debut for Mark, who was inspired by his very first listen to JJ's rough draft. Thus, this song is extra special for him.  
 We all hope you enjoy listening to this as much as we did creating it.
  Mark's lyrics are about our Earthly relatives in the far distant future. At that point life on earth would have just about reached its limits, and so mankind embarks on a journey through space to find another place to call home.

Lyrics:
Part 1:
All you know, all you love is here today
Feel the sun, see the flowers embrace her rays
And you know, all we have will fade away
And now its time to go… away…
Part 2:
Here we are, flying high, flying high above the moons of Mars
And beyond another sunrise greets a world once again,
a million miles from where we are
To embrace the flowers of Jupiter, once again…
On and on we sail away, searching for another day,
the universe an endless sea
And you know that somewhere out there,
a brand new world 
For you and me

Flowers of Jupiter-Eclectic Collective

This gentle piano piece delicately captures the essence of solitude and tenderness. Its gentle ambience creates a calming atmosphere, perfect for enhancing visual content with emotional and soothing melodies. The gentle, melancholic tone adds depth and emotion to the visual narrative, serving as an atmospheric backdrop.

Quiet Winter

reign of stars

The sum of the past is the present / The present is the sum of the past... Who knows life's infinite mysteries... #RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using a Polyend Tracker and/or Polyend Mini. With samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling #polyendmini The Lift Music Series are usually palindromic and can be played forwards or backwards – up or down.

Sum Past Is Present

🎻 A Grand Cinematic Journey Beyond Time – Orchestral Epic Music

🌕 Moonlit Escapes is a sweeping, emotionally charged odyssey through sound — a breathtaking blend of orchestral grandeur, epic rhythm, and cinematic emotion. 🎬✨ Towering strings, resonant brass, and haunting choirs rise and fall like tides beneath a moonlit sky, painting soundscapes of courage, wonder, and destiny.

Each piece unfolds like a scene from a timeless film — from gentle, reflective interludes to soaring crescendos that ignite the spirit. Perfect for storytelling, creative work, or simply losing yourself in a world where melody meets majesty. 🌌🏛️

Endless Sky

art which overwhelms the senses, makes no sense, is incongruous with the 'normal' thinking process, which transforms and transmutates the listener into something they were not during before, and creates a permanent evolutionary change.

 
"Music projects a living image into your existence, it is an expression of something beyond our own comprehension, seemingly existing as part of the moment only as color and feeling – something that Unearth Noise has been able to achieve with every single track that I've listened to. The name itself can allow you to vaguely imagine what you are about to fall under the spell of. " -Rolby Perez of Neitherzine (http://neitherzine.com/)

Neitherzine interview (pg.42): http://issuu.com/neitherzine/docs/issue_seven?e=4786980/4515658

Facebook. page:: http://www.facebook.com/pages/Unearth-Noise/448815395188765

Downloads available on Bandcamp page http://unearthnoise.bandcamp.com/

Also check out my cyber band Ancient Aliens @ http://soundcloud.com/ancient-aliens-1

and: http://soundcloud.com/shadowface-2 (bitzone/Catcherye/Unearth Noise collaboration)

who am I, who are we, where are we going?

Unearth Noise

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