Name: DJ Spence End of the night in Buffalo 2025 by Spence
Duration: 1 h 23 min 35 s
Description: Last bit of the @groupwork_fyi party on a wintery night

Love this one! Hear it a lot! Do you have an ID here?

IBU 600 from Imaginary Friend crew - very special guest mix and refuge debut. check out more bits here: https://soundcloud.com/user-785368649

PLO_radio // drizle.FM - Ep:003 PLO man, IBU 600 - 13.12.23

upsammy at Praia - Waking Life '24

Horny Music For Ambient People w/ Marco Caizzi & Sandra Mason 28-11-2024

@adobeprincess

For Q&A with adobeprincess... please visit our website

(((((pipipi.life)))))

adobeprincess - -9˚C

Last bit of the @groupwork_fyi party on a wintery night

DJ Spence End of the night in Buffalo 2025

Nathan Melja invite le producteur et DJ Gi Gi pour une heure de mix d'ambient techno colorée et dreamy

Rinse Radio France

Nathan Melja Invite Gi Gi - 31 Janvier 2025

@ion_ny

https://www.instagram.com/besos.ion

pi/live: ion at Mansions 01-24-2025

Palm Reader 13: Luke Mele 
“bluff, salt, foam” 

Aired on VPN Radio, virtualpublic.net, on 09.11.25
Recorded in Luke's record loft in Echo Park
@lukemele 

TRACKLIST:
Arild Anderson - Wood Song
Steve Tibbetts - Night Again
David Sylvian & Holger Czukay - Premonition (Giant Empty Iron Vessel)
Hosono Haruomi - Sand Storm Edit
Bill Laswell - Káshí
Tokio Hasegawa - Nami
Azimuth - Azimuth
Terje Rypdal - Autumn Breeze
Benjamin Lew & Steven Brown - Au Sujet D'Un Paysage
Ditto - Western
Sam Gendel & Josiah Steinbrick – Mouthfeel
Jon Hassell - Brussels
O Yuki Conjugate - Sunchemicals
Ultrafog - Charisma
Martha and the Muffins - Garden In The Sky
Tim Timmermans & Skipper Wise - Five Mountains
Daniel Lentz - Postludium
Laure Boer - Constellations
KWALK - B side

Palm Reader 13: Luke Mele

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

RA.1009 Shinichi Atobe

Bringing back a bit of summer with the first recorded interview from this past @dimensionsfestival in Tisno, Croatia. This was my second year hosting talks at the lovely Haze stage and the first guest in our little series is Australian DJ and Animalia label boss, @kia-sydney.

A longtime lover of dance music who started DJing in 2015, Kia’s sets travel from dark and driving to playful and euphoric with complete ease — she’s an artist who refuses to limit herself, and her sound only benefits from not being boxed in, while her label’s exports are as adventurous and exciting as she is. More than just a creative outlet, music is a form of personal expression for Kia, and she is an expert in crafting not only DJ performances, but mixes that are often akin to a diary. As always for these live talks, rather than honing in on one topic, we’re exploring each artist’s journey and the musical pursuits that make them who they are.


DJ Spence End of the night in Buffalo 2025

Spence

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