ROBOTALCO VIOLENT DUB FinalMaster Vinyl

ROBOTALCO SATURDAY LATIN JAM FinalMaster VInyl

ROBOTALCO PASTEL FinalMaster VInyl

ROBOTALCO DREAM OF DREAMS FinalMaster VInyl

A2 Conk Fight

A1 Preen

B1 Mechadance

Out now on Vinyl, digital coming very soon!
4 fresh tracks

Vertigo Inc - Hydra

Qui Volé (Flabbergast Rmx)

First of a series. Features lucid-dreamy, cloud-watching house from Japan’s Thrushez(Ume Records) and Italy’s Robotalco (100% Silk), 
Wickedly weird modular tone poetry from Montreal’s 3rd Kind, and shapeshifting electromagnetic dub techno from OACEM (Montreal via Morocco). Bonus tracks by Vertigo Inc and newcomer MSD.
OACEM’s tracks stretch out like long meditations, shifting tectonics and tones that demand attentive listening.
Thrushez weaves effervescent and soft focus house that sounds and feels like yearning. Robotalco’s Karuta is like a half-remembered dream, a consciousness drifting between memories and melodies. 
3rd kind blends ghostly, improvised vocalizations with fractured and halting modular rhythms - technoid freejazz for a mutant future.

4 - Robotalco - Karuta

3 - 3rd Kind - First

A rare and unexpected resurfacing of the captivating West Coast-based producer Ruoho Ruotsi, who released 9 records on his De’fchild imprint between 2005 and 2011, collaborating with Thomas Jirku and Hollis P Monroe among others, before vanishing into life’s many responsibilities. Ruotsi’s sonic jaunts draw upon the visceral aesthetics of dub, techno, garage and impractical melodic leitmotifs from experimental electro-acoustics, fusing them into imaginative new musical opportunities. His music has been described as “vaporous”, “aching and expansive”, “a wicked dub abstraction” or as “Jamaica-meets-Detroit with jazz legend Eric Dolphy.

    Each track on Prelude is a unique spatial tapestry. “Prelude a L’apres midi d’un Buzz” meanders through an impressionist landscape, the chugging beat a tense counterpoint to the drifting, breathing melodic formations that fold in and out on themselves. “Na me U Dey follow talk”,(“are you talking to me”) in Nigerian Pidgin, is an exercise in psychedelic vocal experimentation tied to a dub backbone, "the cacophony of everyone talking and no one being heard." “La Brume Sur Buri Buri” hangs an understated rhythm in riveting suspended meditation, the melodies and textures recalling cloud formations and rolling fog unique to the Bay Area. The name is a reference to the https://en.wikipedia.org/wiki/Rancho_Buri_Buri.

B1 La Brume Sur Buri Buri

A rare and unexpected resurfacing of the captivating West Coast-based producer Ruoho Ruotsi, who released 9 records on his De’fchild imprint between 2005 and 2011, collaborating with Thomas Jirku and Hollis P Monroe among others, before vanishing into life’s many responsibilities. Ruotsi’s sonic jaunts draw upon the visceral aesthetics of dub, techno, garage and impractical melodic leitmotifs from experimental electro-acoustics, fusing them into imaginative new musical opportunities. His music has been described as “vaporous”, “aching and expansive”, “a wicked dub abstraction” or as “Jamaica-meets-Detroit with jazz legend Eric Dolphy.


    Each track on Prelude is a unique spatial tapestry. “Prelude a L’apres midi d’un Buzz” meanders through an impressionist landscape, the chugging beat a tense counterpoint to the drifting, breathing melodic formations that fold in and out on themselves. “Na me U Dey follow talk”,(“are you talking to me”) in Nigerian Pidgin, is an exercise in psychedelic vocal experimentation tied to a dub backbone, "the cacophony of everyone talking and no one being heard." “La Brume Sur Buri Buri” hangs an understated rhythm in riveting suspended meditation, the melodies and textures recalling cloud formations and rolling fog unique to the Bay Area. The name is a reference to the https://en.wikipedia.org/wiki/Rancho_Buri_Buri.

A2 Na Me U Dey Follow Talk

A rare and unexpected resurfacing of the captivating West Coast-based producer Ruoho Ruotsi, who released 9 records on his De’fchild imprint between 2005 and 2011, collaborating with Thomas Jirku and Hollis P Monroe among others, before vanishing into life’s many responsibilities. Ruotsi’s sonic jaunts draw upon the visceral aesthetics of dub, techno, garage and impractical melodic leitmotifs from experimental electro-acoustics, fusing them into imaginative new musical opportunities. His music has been described as “vaporous”, “aching and expansive”, “a wicked dub abstraction” or as “Jamaica-meets-Detroit with jazz legend Eric Dolphy.

   Each track on Prelude is a unique spatial tapestry. “Prelude a L’apres midi d’un Buzz” meanders through an impressionist landscape, the chugging beat a tense counterpoint to the drifting, breathing melodic formations that fold in and out on themselves. “Na me U Dey follow talk”,(“are you talking to me”) in Nigerian Pidgin, is an exercise in psychedelic vocal experimentation tied to a dub backbone, "the cacophony of everyone talking and no one being heard." “La Brume Sur Buri Buri” hangs an understated rhythm in riveting suspended meditation, the melodies and textures recalling cloud formations and rolling fog unique to the Bay Area. The name is a reference to the https://en.wikipedia.org/wiki/Rancho_Buri_Buri.

A1 Prélude à l'après-midi d'un Buzz

Transcendent Eccentricity.
Montreal
http://unfulfillmententertainment.bandcamp.com
www.unfulfillment.org

Hi! I'm Leon and I run this label. Because this account has used up its available space and I can't pay for two pro accounts, please follow https://soundcloud.com/leonlouder for newer releases and updates. Thanks!

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