Glass On The Surface

Found this on an old drive.  Made in June 2004, right around the time I met the lovely lady who became my wife.  No idea what gear was used...probably a Micro Modular, a JP-6, and some plugins.
 

Pause-Circa 2004

Coral Scar

Korg Arp 2600M. Reverb out is used to FM VCO2, via the S/H FM input. VC03 is an octave up, and FMed by noise, with the noise color slider set closer to Lo Freq.  ValhallaSupermassive is used for a bit of metallic reverb, to help glue the notes together (this is a monophonic patch).

2600M Steel Donkey

Sequential Circuits Take 5 and Korg ARP Odyssey in a live looping performance. ValhallaDelay used for tape echo and looping, ValhallaSupermassive used for reverb.

First November Snow

READ > https://inverted-audio.com/premiere-imaginary-softwoods-mr-big-volume/

Imaginary Softwoods returns to @fieldrecords with ‘The Notional Pastures Of Imaginary Softwoods‘ - an 11 track album of effervescent ambient and electronica. 'Mr. Big Volume' is powered by succulent pads and a heartstrings of emotions, making it an acute soundtrack as we slip into Spring.

The Notional Pastures Of Imaginary Softwoods

Imaginary Softwoods - Mr. Big Volume [Field Records]

As Bright Patterns completes its fourth trip around the sun, we welcome Imaginary Softwoods as the special guest for November. It’s been a dream of mine to have John Elliott on the show. He’s been a part of so many incredible projects: Mist, Outer Space, Organic Dial, Emeralds—not to mention all of the eternally awesome records that were released via his expert curation on Spectrum Spools. It’s a treasure trove. All that said, the vast output of John’s solo project, Imaginary Softwoods, sits firmly atop this immense pile of sonic wonder. So many of these cuts have been played on Bright Patterns over the last four years. It is a vibe I carry with me, one that’s deeply embedded in my relationship to music. The last time I heard a mix from John was 2017 and I still talk about how good it is. With all of the gratitude to everyone who listens, I hope you’ll enjoy this mix of what he’s been listening to lately. Designed as a bit of a balm for a world in pain, it covers contemporary selections with a few new age classics, reflecting the daily eclecticism of his auditory diet. It also ushers in a new era for Bright Patterns, where it will run from 9am to 10am ET with the same Thursday cadence as it has been, each month, since the beginning.

http://www.instagram.com/imaginarysoftwoods

Bright Patterns with Imaginary Softwoods @ The Lot Radio 11-09-2023

Taken from Opinion - YT (QTT21)
Available Friday December 11 on our Bandcamp: https://quiettimetapes.bandcamp.com/album/yt
50 copies on cassette

Opinion - Transcontinental

SH-101, through ValhallaDelay, reversed and sent through several ValhallaDelay and FreqEcho instances, then reversed again.

Descending II

A live improvisation by Cool Maritime & Matthewdavid's Mindflight.

Recorded July 16th, 2018 at the 3rd edition of the "Listen to Music Outside in the Daylight Under a Tree" series of outdoor environmental music concerts from Leaving Records and Tierra de la Culebra in Highland Park Los Angeles.

All genre ~ All welcome.

These events are currently on pause, but I look forward to the day they resume, and we can once again gather, listen and rejoice.

Cool Maritime and Matthewdavid's Mindflight Under The Tree 7.16.18

Intellijel Atlantis + Make Noise Maths. ValhallaDelay used for looping and reverse pitch shift looping. ValhallaSupermassive used for reverb.

Herald Of Manwë

I'm a guy from Winnipeg Canada with a bunch of synthesizers.

Pause-Circa 2004

unicity

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