Biocenose conta uma história em quatro faixas com ritmos e sonoridades distintas que juntas formam o conceito de comunidade, com diferenças que constituem vínculos e se dialogam. Com este lançamento encerramos a nossa série de capas feitas exclusivamente pelo artista Gabriel Engster @a.la.gabs.art que trouxe um pouco da sua criação  visual contribuindo com o catálogo da Bioma Rec // O EP traz um pouco das identidades e linguagens sonoras dos artistas/produtores brasileiros Guaraci, Zero Bala Sounds, Dallanoras e MEANDROID & Xico. É um convite para o ouvinte passear pelas geografias da terra, expandindo para o entorno da nossa órbita terrestre, trazendo sutilezas, densidades e reflexões.

Biocenosis tells a story in four tracks with distinct rhythms and sounds that together form the concept of community, with differences that constitute bonds and dialogue. With this launch we end our series of covers made exclusively by the artist Gabriel Engster @ a.la.gabs.art that brought a little of his visual creation contributing to the Bioma Rec catalog // The EP brings a little of the identities and language musical  of the Brazilian artists / producers Guaraci, Zero Bala Sounds, Dallanoras and MEANDROID & Xico. It is an invitation for the listener to walk through the geographies of the earth, expanding to the surroundings of our Earth orbit, bringing subtleties, densities and reflections.


[BIO0022] _ BIOCENOSE by Guaraci, Zero bala Sounds, Dallanoras and MEANDROID & Xico

Artists Producers: 
Guaraci
https://soundcloud.com/guaraci_uirapuru
Zero bala Sounds
https://soundcloud.com/zerobalasounds
Dallanoras
https://soundcloud.com/dallanoras
MEANDROID & Xico
https://soundcloud.com/xicosgroove
Label: Bioma Rec
https://soundcloud.com/biomarec
Arte: À la Gabs
https://www.instagram.com/a.la.gabs.art/

free download

Guaraci - Chuva em copo de leite, Deleite (Original Mx)

La plataforma NLB da a conocer la primera parte de un compilado que reúne a más de 32 artistas mexicanos, que rescatan los sonidos más esenciales de nuestra cultura americana mezclados con la electrónica global.

Un trabajo que contó con la curatoría de Diguital Trip, quien logra plasmar en distintos momentos la diversidad de sonidos, ritmos y colores de la escena actual de música electrónica.
credits

Diguital Trip - Mi Hayhu

Follow Roni Iron > @roni-iron | Ehran Yilmaz > @erhanyilmazedits  | Magupi > @magupi
Bandcamp: https://ohxalarecords.bandcamp.com/album/after-dark
Beatport: https://www.beatport.com/release/after-dark/3759288
Spotify: https://open.spotify.com/album/4ADJj7l05Q7vlM38zwHkzI?si=FPSCJqZdSvSTmjxz-w5W3A

Roni Iron, also known for his nostalgic covers of well-known Greek songs and classical poems, is a music producer and a DJ based in Nafplio, Greece. He creates and performs electronic dance music, including techno, progressive, lounge, house music and amalgamations of other styles. Starting his career 20 years ago, inspired by the vinyl discs of that time and synth music, Roni Iron began creating his own hybrid of electronica, downtempo and desert house music. 

"In the bad phase of the cornet and the quarantine, I created these songs wanting to give the world a little energy, to feel a little that it is at a nice party and listening to good dance music!"

Written and Produced by Roni Iron 
Remixes by Erhan Yilmaz and Magupi 
Artwork by Renato Rocha aka Cohra_ 
Mastered at Ohxala Records Studio 
[OR66]

After Dark

Roni Iron - After Dark (Erhan Yilmaz Remix)

Oumou Sangaré - Yala [unintended remix]

Peggy Lee - Fever (Rheda Andrews's Touch)

"Aura EP" is a preview of the music contained in "Aura LP", a full length album to be released next September by Shika Shika by Argentine artist Andrés Oddone.

On this first EP, Andrés brings together his musical family (@ChanchaViaCircuito, @klikandfrik, @MrBorchi y @Relo) for a series of unique remixes of the track Aura taken from the album.

The music from the "Aura" project was created with materials recorded on two of Andrés' trips to India, mainly to the provinces of Karnataka and Kerala. It is an album of sound images, but it is also a sample of the concepts that were born by his own perceptions of those places.

Download / Buy via Bandcamp: 
https://shikashika.bandcamp.com/album/aura-ep

Music, production, mix and mastering: Andrés Oddone
www.facebook.com/andresoddone
www.twitter.com/andresoddone

Remixes
Chancha VÌa Circuito: @chanchaviacircuito
Klik & Frik: @klikandfrik
Borchi: @borchiofficial
Relo: @relo

Design
Treska: www.facebook.com/treskaDG

Correction of text in Spanish - Blanca Quiriarte: www.facebook.com/bquiriarte
Translation to English - Meg Escudé: www.facebook.com/meg.escude

Special thanks to the people at BangaloResidency, your love and support are memories that I will treasure forever.

Christoph my friend, thank you for all.
------------------------------------

EP release date:
18 July 2017

Aura 

Download

Aura (Chancha Vía Circuito Remix)

It is said that the Holy City of Benares (बनारस), India, is so ancient that it is held by the Gods themselves and that its visitors leave a part of their soul while passing through. What they bring back in return is unclear, but those who have been there could tell you that it has something to do with…magic!
For his first release, producer David Mears presents his debut track, “Varanasi”, as well as two variations. The first one is a an orchestral piece combining originals sounds from his personal footage shot in Varanasi, hang drum tunes (played by him), poignant cellos and clarinets. The second, “Sian Rava”, tells the story of a farmer meeting his past lives in the deep forests of Northern Thailand.
To complete this exciting yet intense musical journey, we cross mountains, jungles, oceans and continents to finally reach South America where the artists, Gama (Brazil) and Barda (Argentina), offer us their own reinterpretation of Mears’ pieces: as the first reshapes “Sian Rava” in order to plunge even deeper into the dark meanders of the soul and the latter turns “Varanasi” into a joyful chant led by the artist Gus’ voice, bringing the EP to a bright and colourful ending.

Follow the artists: 

David Mears: 
@david_mears
fb: www.facebook.com/davidmearsfacebuk

Gama:
@gvmv
fb: www.facebook.com/gamineaofficinalis
bc: gamv.bandcamp.com

Barda:
@enlabarda
fb: www.facebook.com/enlabarda
bc: barda.bandcamp.com

All tracks composed, produced and mixed by David Mears 
Remixes by Gama and Barda ft. Gus 
Artwork: Lotte Ahoi 
Mastered by Pobla

David Mears - Sian Rava

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Tatacoa

original music - https://www.youtube.com/watch?v=5tVwSZ6dsFI
Amadou et Mariam, de leurs noms complets Amadou Bagayoko et Mariam Doumbia, sont un couple de musiciens et chanteurs maliens. Tous deux aveugles, ils se font connaître au début des années 2000 où ils acquièrent une notoriété et une sympathie auprès du public français

Unofficial remix
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Oumou Sangaré - Yala [unintended remix]

[unintended remix]

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