This track is one of the best stuff I ever heard on Soundcloud for years. Creativity at its best. Greetings from .epoh — move on, dude.

really digging the melody and the strings mate, great production! ;-) cheers

This is one of the best songs I’ve heard for month. THX!!!!!!!!!

We talk to Julia Schwartz and Klaus Merz, experts in flight dynamics and space debris, about Solar Orbiter's upcoming risky Earth flyby.

On 27 Nov, it will pass almost as close as the International Space Station in one of the closest flybys on record, which will see the spacecraft pass through two regions of hazardous debris.

Could Solar Orbiter swerve from collision, if needed? Has the recent 'fragmentation event' increased the risk?

ESAs riskiest flyby – Solar Orbiter vs Earth debris

Marble Haste

HMV – EALP 1334

India - Dagar Brothers - master Dhrupad singers (1968)

Wodurch zeichnet sich ein exzellentes Anti-Kriegs-Lied aus, das noch Jahrzehnte nach seiner Veröffentlichung die Kraft besitzt, Menschen zur Wachsamkeit und zur Friedensliebe anzuhalten? Der Autor Roland Rottenfußer beschreibt es so: Es sollte nicht beschönigen, wohl aber die Schönheit betrauern, die durch Orgien der Zerstörung verloren ging. Es sollte mitfühlend sein und zugleich schonungslos, detailgenau und dabei universell in seiner Botschaft. Statt gegen „Feinde“ aufzuhetzen, sollte es die Hetzer bloßstellen, die „Masters of War“, wie sie Bob Dylan in einem seiner Lieder beschrieb. Hannes Wader hat 1980 mit „Es ist an der Zeit“ eines der bedeutendsten deutschsprachigen Friedenslieder verfasst. Das eindrucksvolle Folk-Chanson, eine Frucht das ersten Kalten Kriegs, beweist auch in Zeiten neuer globaler Spannungen seine zeitlose Gültigkeit. Hören Sie Roland Rottenfußer's Text "Der wirkliche Feind", seine schonungslose Abrechnung mit den Schrecken des Krieges und den Lügen der Kriegsherren. Er ist im Rahmen der Kampagne #friedensnoten entstand. Roland Rottenfußer, er ist Journalist, Redakteur und Chefredakteur von "Hinter den Schlagzeilen" und "Rubikon". Gelesen hat Sabrina Khalil.

#friedensnote ist eine Kampagne der freien Medien, initiiert von Marcus Klöckner und Jens Fischer Rodrian.

#friedensnoten 04 - Der wirkliche Feind - Hannes Wader präsentiert von Roland Rottenfußer

The Drill Drop

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This song is a hypnotic journey into the underworld, abruptly interrupted by its own lack of cadence and resolution. Inspired by a surreal dream sequence of a fenced off forest and a hologram of plants rapidly sprouting their filament roots at my face (making me scream). This song is a warning to my future self to not allow myself to be stripped of my gifts by the music and creative industries; to stay rooted in my unique voice. Let go of the vined thresholds, ascend towards the gates of inner potential.

chords - Ebsus2, Fm

Lyrics:

verse 1:

tell me, are these dreamscapes in my head
dripping with some truth i’ve yet to have read?

they peel me so sweet as tangerines,
drip down my face with bleeding veins.

. 
verse 2:

I can hear you calling my name,
I can hear you, calling my song.

I can’t hear your face, so far away
I can’t see your name, may be a mistake…

.
refrain 1:

Yeah my name, it
might be a mistake...


and,
in my home, I
feel so out of place.

.

chorus 1:

All these vined thresholds
They hold me so close, smother my cradle,
[can’t leave me for dead.]

All my vined thresholds
I burst/burn through their fence, 
run towards the gates…
			refrain 2:
away from her gaze.
away from her, 	gaze.
pre-bridge:
i’m
refraining up hilled inclines,
back turned to green gate vines,
running towards the fenced woods, i’m
belting  like unsung  bassoons		[to unsleep.]

.

bridge 1:

I don’t wanna change,
blockage in the strain,
smartphone on a stage,
pumping me with rage:		[fear]

soil flatlined on blank skies,
rowed like corporate coke lines
sprout orange, yellow, red kale leaves
plants alien like Mc D’s

ivory roots of tendrils; i scream;
reaching at me through shiny coal screens.		 [pumped with rage, i mean fear, i mean—]

.

chorus 2:
all these vined thresholds
hold me so close, smother my cradle,
				can’t leave me for dead.
l
chant: 

Just let me know, always be there for
Just let me know, always be there for
Just let me know, always be there for you
Just sign your name so I sing through your throat.
[can’t leave me for dead.]//[ivory roots of tendrils; i scream;
reaching at me through coal screens.]

.
chorus 3/chant:

Just let me know, always be there for you
(all these vined thresholds)
Just let me know, always be there for you
(choking my mind-core)
Just let me know, always be there for...
(I can hear you calling my name, I can hear you, calling my song.)

outro:
think I can’t breathe by the way you choke, i
think I can’t breathe by the way you choke		me.

MUERTXS - EP

VINED THRESHOLDS

Xperimental trance electro blues

Equation

Asian Zen: Tibetan Bells & Singing Bowls, Yoga Class, Healing Reiki, Chakra Balance, New Age Instrumental Meditation Music

Therapy Healing Sounds of Nature to Find Your Inner Peace

Sunset mix of this classic - this is obviously a bootleg.  www.guyrichdj.com

Bicep - Glue (Guy Rich Sundown Mix)

Dizzy

Sounds channeled from Venus to the brain of Anonymous Human.

http://universalmindmusic.bandcamp.com

Dizzy

Universal Mind

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