Taken from Ryouko (@ryoukoproject) EP Travel Bag I, out April 18, 2021, via evo-natura (@evo-natura)

Read: https://bit.ly/3mS6u44
Pre-order: https://bit.ly/3sl9gQp

"Travel Bag I" is the beginning of a new adventure by the Singaporean artist Ryouko on evo-natura.

In this journey, you are going to explore the sensitive side of nature & drown in emotions that you haven't experienced before.

Mixed & Mastered by Ioannis Nafpliotis

Artwork by Karina

Released by evo-natura

Premiere: Ryouko - a stroll by the sea [evo-natura]

playing around with break mixing, spring reverb and routing 303 through the bs2 filter with midi sync for egregious levels of squelch.

(¬‿¬)

k2 cute springverb acidbrkB@158

Nointerp

In its fifth year, the traditional January 27th release spirals around Mark Vernon’s birthday. Interestingly, the "year one" occurred just a few weeks before we began communicating. As with many occasions, we can wonder whether it was precognition or coincidence...
[read more on Bandcamp]

Happy birthday to the sound wizard Mark Vernon!

--

Released January 27, 2025

Recorded, edited, and composed by Manja Ristić.
Field recording of popping algae made by Joana Guerra in Barreiro, Portugal.
Field recordings of bat swarms, various cicadas, and an underwater reef made by Mark Vernon in various locations in Thailand.
Instruments used include violin, EMS Synthi 100, JrF hydrophones, and JrF contact mics.
Locations include Montreal, Canada; Nazare and Barreiro, Portugal; Isle of Arran, Scotland; the islands of Vrnik, Mljet, and Silba, Croatia; Harrachstal, Austria; various locations around Thailand; Lago Miraflores, Panama; and Avala Mountain, Serbia.

--

Mastering: Goran Simonoski / La Plant Studio
Cover image: Žarka Radoja, the dunes of Lençóis Maranhenses National Park, Brazil
Cover art: Manja Ristić

--

For Mark

Bandcamp

genesis

[PCLEP 035] PYR

Tiser [PCLEP 035] Konstantinos Gkoumas  - PYR (2025)

SD_Crtyv

SD_Crtyv_rS

Live performance as part of TIME AS A SONIC GESTURE - a durational concert for headphones by Jacqui O'Reilly.

The very start of the recording features a live variation on first track (The Frequency of a Leaf) off my forthcoming album.

From Jacqui "The concept for Time as a Sonic Gesture, emerged in response to Katelyn Geard’s work, I Have Something to Say, (exhibited in GRAPHITE, at DRAW Space, April 2024). This work was described as a drawing ‘soft as a whisper’ in its reach beyond two dimensions.  Time as a Sonic Gesture plays with this notion of persistence of vision, to instantiate time as a trans-disciplinary gesture of collective presence in the making and sharing of art. Throughout the evening local guests artists Laura Altman and Alexandra Spence will improvise with O’Reilly and play solo, to unfold an experimental and immersive soundscape performance."

TIME AS A SONIC GESTURE is curated by Belinda Yee (@belindayee) as part of an ongoing series of performances looking at the relationship of drawing to sound. Photography by James Peter Brown.
https://drawspace.org/past-exhibitions-and-events/jacqui-oreilly

Live at DRAW Space March 2025

5G Live

Experimental multimedia performance group 5G embody the feelings of being submerged in disinformation and media exhaustion. Tapping into electromagnetic fields and subsonic frequencies, they fuse maximalist noise, synthetic rituals, and live video into a hypnotic experience. Raw paranoia processed through body, wire, and screen.

Many thanks to:
Gross Encounters, Noam Toran, Reem Saleh, Dirty Art Department, Sandberg Institute

5G:
https://soundcloud.com/javiermars
https://soundcloud.com/universalryan
Rupe Herrador
Marvin Heberger

— Documented by stray receivers

📍[OT301] — 27/03/25

5G Live

untitled (recorded live 21/09/2019)

@nemerov 

'The idea of the remix project sort of implied itself along the creation of the album: since I treated creating music as planning journeys in ‘cities’ that are made out of several dozens of sonic building blocks, I quickly realized that besides releasing music as ‘finished’ tracks, I very much wanted to share my experience of discovering such journeys with my fellow artists as well.

I believe this project opens up the structures and possibilities of ‘Automated Dances’, where each producer reacts true to their own artistic values and aesthetics. Exploring, experimenting and reconstructing is the very nature of what we do - with ‘AD Remixes’ we wanted to share the joy and excitement of all of these creative processes. At the same time, I consider ’AD Remixes’ to be a celebration of some of my dearest artists living and working in the cutting-edge electronic music scene today.

Let me thank all of you who contributed to this project, you are truly inspiring me to think and feel about music in many different ways. And obviously, a huge thanks goes for EXILES label-boss Erik: without your persistent help and support, this project would be a non-existent one.'

@imrekiss 

mastered by Roland Nagy
artwork by Hargi Csík

www.instagram.com/hellohargi/

Buy Remix Album

Nemerov - AD01 (Imre Kiss reconstructed mix)

Artist/composer
1/2 https://soundcloud.com/know-va

5G Live

Marijn Brussaard

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