Name: Flashpoint by Madeira
Duration: 4 min 20 s
Description: Original scores and sound design for investigative documentaries in the True Crime style. I work with textures and atmospheres that reveal what the camera cannot capture. Master + Stems (separated tracks) for fully customized editing. Here, music serves an atmospheric purpose — not a musical one.

When The Moon Breaks Up

This time, the most latest the three of us did.  Was almost finished last year. But needed a few more brushstrokes of bass, and some mastering. In our humble opinion a state-of-the-art Glitch n Dub, a track that we ourselves really enjoy listening, dreaming, and laughing too. 🙂‍↔️ 😄 Sometimes it gives us the spooks. 🫨

Plasmolysis

I drop the tape lines drawn by ghosts,
Quiet roots lift stone where no one toasts.

I gather names I left in old halls,
Dim bulbs hum out; my echo withdraws.

Signed vows drip down the windowpane,
Fine print runs off into silver rain.

I bless the crack where daylight slides,
No blame, just path where my weight resides.

I hold my worth above crowded rooms,
No empty thrones, no bargain fumes.

Those who scan for shine, step past;
My glow loves those who love it last.

Right on time—my slow-burn, fluent stride,
Hands off the clock; I walk, I ride.

I quit chasing doors that swing for show,
I love the handles that move and know.

Every soft no saves one soft life,
I cut one thread, unhook ten knives.

Calm leans down where the fever flew,
I clear that smoke; I keep what’s true.

I stack my days like steady stones,
No more masks that steal my tones.

Old stories pack their bags tonight,
I keep the lines that land in light.

If you feel my pace, you match my feet,
If not, no war; our routes don’t meet.

I leave like dawn slips out of black,
Clean break, no scorch, no looking back.

I let wrong tables lose my chair,
Empty space grows greener air.

Right on time—my golden inward beam,
No scramble sprint, no swollen dream.

I trust the pull that speaks low, clear,
No circus hook, no yarn of fear.

I tune my spine to quiet yes,
I walk through less and live in more.

My bones remember every wait,
Still I arrive through my own gate.

Love that left taught shape, not lack,
I pour that lesson; I never crawl back.

I hold my palm to my own face,
I love the lines, the woman, the grace.

I choose slow roads that match my eyes,
I read clean skies, not borrowed lies.

What rings true walks close, unshamed,
What drifts loose falls off unnamed.

Right on time—no late, no rush,
Just heartbeat tempo, holy hush.

I plant each no like quiet seed,
Roots learn the dark, then rise and lead.

The ones who see me, walk in tune,
We share soft streets and honest moon.

I stand with all my pieces near,
I ride my life without the fear.

Right on time—open, steady, wide,
I meet myself and stay beside.

Keep What's True

ASHLEYBROOKEXO - Lost Toybox True Crime Music

Composed, arranged and recorded by Phetrop/ Munich, Germany.

Instruments: Oberheim OB-X * PPG wave 2.3 * Roland Jupiter-6 * Sequential Circuits Pro-One * Roland Juno-60 * Roland JP-8000 * Yamaha DX7 * Waldorf Q * Waldorf Microwave * Waldorf Microwave XT * Kawai GMega * Roland TR-808 * Roland TR-909 * Yamaha RX5 * Novation Drum Station.
DAW: Emagic Logic.

Featuring Sylvia (Vocals)

Herbstschmerz

Nuit De Cendres-metal dark french

“A whisper from the void becomes the call no human was meant to hear.”

Transmission 27B

Original scores and sound design for investigative documentaries in the True Crime style. I work with textures and atmospheres that reveal what the camera cannot capture. Master + Stems (separated tracks) for fully customized editing. Here, music serves an atmospheric purpose — not a musical one.

Flashpoint

Hell on Earth

It REALLY helps me out if you share this with others! :) Thank you!

This is the music from the ”Star Wars: The Last Jedi Trailer” re-orchestrated by me with the purpose of eliminating disturbing background noise such as the blastershots, explosions and voiceover while still keeping it as close to the original as possible (with small edits). :)
This version was entirely made by me in the total work time of about 6.5 hours.

(Okay, the lightsaber in the beginning is SFX, but it works as a riser and is therefore considered by me as a musical instrument! :P)

Original music and pictures belongs to Disney

If you want to use this music in one of your youtube videos/other content, please credit me in the video or at least in the description! I don't own the rights to the original music, only this version of it, so I can't really protect it and keep anyone from using it. But I'll be happy as long as I get credit :)

Software I used making this:
DAW: Logic Pro X
Sound Libraries:
East West Quantum Leap Series: Symphonic Choirs Gold, Solo Violin, Stormdrum 2, Symphonic Orchestra Gold
East West Hollywood Series: Brass Gold, Orchestral Woodwinds Gold, Strings Gold
As well as Logic’s stuff
Movie Editing Software: iMovie

Hardware I used making this:
MacBook Pro 15' Retina late 2013
Yamaha P45
Audio Technica M50 Monitor Headphones

Audio from the original trailer I used as reference: https://www.youtube.com/watch?v=Q0CbN...

Star Wars - The Last Jedi Trailer Music (No Voiceover, SFX etc.) - Reorchestration

Orange Song 1

Composer and sound designer focused on scoring investigative documentaries and suspense-driven series. I work with atmospheric layers, urban ambiences, functional noises and specialized FX (wooshes, risers, glitches). Delivery includes Master + Stems and a complete Sound Design Toolkit, ready for immediate synchronization.

🪐 Universo Candura — More than music, it’s an experience..



Flashpoint

Madeira

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