hi yf du h 2

HYPEREMIA is a tribute to the contemporary club scene with a variety of experimentation and mixing of genres from around the world such as dancehall, reggaeton, baile funk, gabber, dnb, breakcore and various experimental beats.

Each soundtrack is a collection of signs, symbols, fantasies and ideas about the current club sound, filled with strong emotions and experiences that have accumulated over the past year in a limited space and partial loneliness.

This album is an attempt to return to the sound environment (both physically and mentally) and experience a strong shock and hard input from the fact that at last the long-awaited rough gigs have been delivered. Moreover, the entrance is so exciting that even organs or body cavities begin to fill with blood, bursting your soul and your mind, cracking your bones.
The desire to feel so strongly immersed in the sound environment has become a fetish, psychosis, a dream.

The only guest artist on this album is Elvin Brandhi. The track - Evil Gang was written by us in about one fleeting evening, in which I was lucky enough to meet her during our performances at the Nyege Nyege Festival 2019 in Kampala, Uganda.

Hyperemia

WULFFLUW XCIV - Forest Shatters

Taken from SBKT045: Skyshaker - Novox 10
Release date: 26th November 2021
Artwork by Sam Madhu
Mastered by Raphael Valensi

After a decade navigating ten communities surrounding ten genres of Black music, House of Vemanei founder Skyshaker shares their latest mixtape as an anthology reimagining select cuts from the SVBKVLT back catalog. Novox 10 is an ingenious take on the remix album as Sky LaBeija commemorates a decade of remixing under the Skyshaker alias

In their own words:

“Novox 10 is a vocal album of the voiceless. With the number 10 pronounced in your own native tongue, this is a collection of electronic music commemorating a decade of Black voices silenced by anti-black racism and xenophobia. The Black experience remains an inspirational cornerstone of popular music worldwide, yet Black artists with deeper skin color remain doubted, dismissed, and uncompensated. Popular music in Asia is no exception, as fair-skinned Asian artists rise to superstardom and financial prosperity off the backs of Black artistry and Black suffering. Novox 10 emerges in Shanghai as a navigation beyond that contempt into a place of autonomy, authority, and commitment towards the shaping of worlds in which Black people best fit.

As a retracing of steps through my own coming-out process, Novox 10 revisits my utilization of diasporic sound as a means of creating surrogate family structures as an unhoused queer youth. After a decade of assimilation and traversing ideologies, skills I considered merely tools of survival are now celebrated as home-grown versatility that both saved my life and built a career unchained by genre. What began as a decision to rest as a songwriter for others has become a reclamation of my own voice, as a singer living with selective mutism. Novox 10 is my return to singing via songs unsung, at once mourning and recontextualizing the silence that came before.

With sounds lovingly gifted by their original artists, Novox 10 is an album within an album for voices not yet stepped into. A show of gratitude for all I gained over all I lost as a ghostwriter. It is more than an homage to the music of my childhood and the DJs that saved my life. Each song is a gateway to other bodies of work directing Black feminine bodies towards the same single truth: There is space to do all we intend to. Our only mission is to arrive and return there.”

Novox 10

Osheyack - Parataxon (Skyshaker Novox)

On The Cross

Into The Darkness // Industrialtechno // 160 BPM // Mythraxs // [Original-Track] // [FreeDL]

RestrictedXJunkieKid-TunnelVisionN1KOEDIT

On Vinyl/Download here: 
https://willmagid.bandcamp.com/album/alligator-spacewalk

Featuring: 
Sharlotte Gibson: Vocals
Aaron Leibowitz: Saxophones
Miles Senzaki: Drums
Molly Miller: Guitar
Kevin Wong: Moog, B3
Will Magid: Trumpet, Guitar, Strings, Percussion 


On Vinyl

The Crown

Read more here: www.localsuicide.com/lsd-exclusive-mufti-shout-edit/

Lust & Fury Edits -  Shout (Mufti Edit) [Ombra]

free dl/support

FINAL BOSS

It's a throwback to our very first EP series titled "Vernacular Tapes" & it's also kind of funny how it seems to fit these quarantine times so well..

Everything on this series is made internally, from the artwork by Marius Malus capturing a piece of our studio/home all the way to the 6 tracks from Vernacular Orchestra’s members solo projects.

FREE DOWNLOAD

Skwig - Sword Dance

MINI-MIX FOR INTERNATIONAL WORKERS' DAY - RADIO CYKLOPEN -

nadia tehran, dreamcrusher, karpe dm, else marie pade, gav v style, chris liberator & sterling moss, aphex twin, rmr, myself

MAY DAY

𝖙𝖗𝖆𝖈𝖐 @t5umut5umu
𝖒𝖆𝖘𝖙𝖊𝖗𝖎𝖓𝖌 @wimdehaen
𝖆𝖗𝖙𝖜𝖔𝖗𝖐 IG @psalmsofver

Bandcamp

T5UMUT5UMU - FTL

EG
As humans we all have different tastes. Same goes for music. I’d like everyone as individuals to appreciate the unique taste of an unknown world.

It is from this ideology the Mix Series “Fetishism” began.

Introducing the compilation “拝物性愛” as a commemoration of the 1st anniversary of the mix series ‘Fetishism”

Contributions from artists all across the world and those to contribute in the near future have come together for “Fetishism”

JP
人には様々な嗜好があります。音楽もまた然り。一人一人の嗜好を尊重し、知らない世界を知って欲しい。
そんな思いからMIXシリーズ”Fetishism”はスタートしました。 そのMIXシリーズ”Fetishism”1周年を記念したコンピレーション”拝物性愛”。 “Fetishism”に参加していただいた、また今後参加予定の世界中のアーティストからの曲が集まってます。

@ansystem
@tsumutsumu
@plvybxy（@agvarecords）
@gfxiii（@xenonymsss）
@jules-du-coeur（@Du-Coeur-Records）
@pobvio（@salviatek）
@alecpace（@earlyreflex）
@kojikoji39（@demiantokyo,@chemicalmonsters_tokyo）
@aggromance
@yikii
@ttristanafkap6r6r6k
@djkalpis（@chemicalmonsters_tokyo）

Mastered : @wrack90
Artwork : @kojikoji39

拝物性愛

Free Download

Yikii - The Agonizer 9000

nst 2020 tưng tửng

FREE DOWNLOAD ! 
TTristana (fka P6R6R6K) vit à Marseille. S’exprimant via des DJ sets et des productions, sa passion pour les musiques hybrides l’oriente vers des sons indisciplinés, des mélodies lancinantes et des rythmes bruts. Chaque set, chaque morceau produit, apparaît comme un espace expérimental, la tentative de créer un monde, une histoire, hors des schémas habituels de genre et de pensée, avec pour trame de fond la recherche d’une musicalité juste et cohérente dans sa complexité.
Mastering : Queer Ear Mastering
Visuel : Camille Soulat 
follow @ttristanafkap6r6r6k

TTristana - She Got The Burning Down [Les Disques du Lobby]

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

BURN THE EMPIRE

DIGITAL / CASSETTE

ANI KLANG - BURN THE EMPIRE (DANIEL RUANE RELAPSE)

TAR118

Derealisation, the loss of connection to one's surroundings, a feeling that reality is foggy, lacking depth, a world we can't experience. Through our dependence on digitally mediated lifestyles we have drifted into an infinite number of personalised unrealities such that, for most people, reality isn't objectively real. Perhaps this is an understandable response to the alienation, manipulation, and obfuscation of the so-called real world. It is a distraction, a necessary distortion. Can we be re-realised? Can the world that a person's mind resides in be communicated? Or will we continue our spiralling descent into ourselves? SHARED UNREALITIES is a response to fake everything and real nothingness, our lack of trust in institutions, and our need for connection in a digitised world without meaning.
[written in collaboration with DeepAI Text Generation API]

The mechanism resonates with illuminated soft orange glow of superheated metals. Liquid memories seep into fractal thoughts of a crystalline reality.  A forgotten technology teeming with life.

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
soundcloud.com/wearetar

SHARED UNREALITIES

personalbrand - "ECOCIDE"

hybrid electronics label & radio show
founded & run by @ancestralvision & @djnotsureyet

BOOKINGS & DEMOS: UNIZONECLUBNIGHTS@GMAIL.COM

UNZ020 @kmado
UNZ019 @kronombass @maxdahlhaus
UNZ018 @winebathory
UNZ017 @tcvbln
UNZ016 @nozagam
UNZ015 @steliosexe
UNZ014 @maxdahlhaus
UNZ013 [VA]
UNZ012 @miedototal
UNZ011 @tu_music
UNZ010 @m1ssjay
UNZ009 [VA]
UNZ008 @thirdworldlabour
UNZ007 @t5umut5umu
UNZ006 @ethnoservice
UNZ005 @teyalogos
UNZ004 @loser111 @xiaoquanxiaoquanxiaoquan
UNZ003 @oblinof
UNZ002 @djfofuxa
UNZ001 [VA]

T5UMUT5UMU - FTL

UNIZONE

Recent comments

Persephone Otherkin

TOMOYU

Related tracks