Sons of Slough - Live EP
 Release Date - 17th June 2022

Vinyl: https://rubadub.co.uk/products/live-ep
Digital: f-e-l-t.bandcamp.com/album/live-ep

A1 – Snares and Temptations 
A2 – I Can't Hear the Stereo
B1 - Boxhead
B2 - Say It, Don't Do It

All tracks recorded 100% live by Duncan Gray and Ian Weatherall.
Originally released on Sprüngcartellwachs in 2001.

Remastered from original DATs.
Audio Restoration by Conor Walker at the National Library of Scotland Moving Image & Sound Archive.

Distributed by Rubadub.

Sons of Slough - Live EP (FELT002)

buy uu004: lnk.to/HdfKariV

distribution by prime direct distribution.
artwork by james lacey at pointless illustrations.

uu004

buy uu004

tristan arp (unknown artist 004) - symbiosis (a2) [uu004]

PSEUDUB004 is here :) 

This time we welcome the mighty @plebeiann, since hearing his release on Eternal Ocean last year we've been completely obsessed with his music and feel very lucky to be releasing this wicked dub. We also welcome one of the most exciting artists about currently in @juicy_chewlie who has provided a masterpiece of a remix <3 

10 of these will be cut as usual & full digi release x
Release date: 07/10/2022
Pre-order link: https://pseudonymrecords.bandcamp.com/

PSEUDUB004

PSEUDUB004- Plebeian - Holistic / Paradiso [PREVIEWS]

💳 Buy: https://controlfreakrecordings.bandcamp.com/album/teleportation-feat-cinna-peyghamy

📓 Info:
Artist: https://soundcloud.com/soreabuk
Label: https://soundcloud.com/controlfreakrecordings
Release Date: November 11, 2022
Format: Vinyl/Digital

Soreab returns to Control Freak for a full length white label release - a masterclass in organic, dubbed-out, dancefloor psychedelia, featuring live recordings by sound artist and modular percussionist Cinna Peyghamy, following a recent collaboration with Azu Tiwaline. 

As a DJ, producer and co-founder of Baroque Sunburst, Italian-born Soreab has been a mainstay of London’s underground electronic music scene for over 5 years. On ‘Teleportation’, he manipulates and twists Cinna’s deft percussion work into a distinct range of UK styles, ranging from 170bpm euphoria to subby, half-time explorations from the school of FWD and Plastic People. 

On the B2, Jay Duncan (Phantasy Sound / Intergraded) takes a decidedly minimal tack with her remix of ‘Untitled 1’, with deep, dubby chord stabs and immersive rhythms for late night dancefloor revelations. 

For Fans Of: Om Unit, Shackleton, Al Wootton

👀 Want more music?
Bass, Breaks & Garage: https://bit.ly/3SqQc1D
Progressive & Tech House: https://bit.ly/3QlxQNB

➡️ Submissions: hurfyd@gmail.com

💾 Pssst...
Do you ever find yourself wanting to download a bunch of your purchases at once on Bandcamp? I developed a Chrome Extension to add bulk download functionality to Bandcamp. Install Batchcamp here https://bit.ly/3vFXUeb — hope you enjoy! 🥰

Teleportation (ft. Cinna Peyghamy & Jay Duncan Remix)

Soreab - Untitled 1 (feat. Cinna Peyghamy)[Control Freak]

Valencian producer Pépe's (@pepmanpepe) love of iridescent melodies, velvety pads and complex rhythms has seen him skilfully combine house, bass music and breakbeat in recent years. His music is globally reaching, having garnered attention from top artists including Ben UFO, Peggy Gou, Shanti Celeste, Moxie, Mount Kimbie and Disclosure.  

His heartfelt, mercurial and emotive sound is ever present on his new album for Lapsus, which also incorporates a lush sonic forest, resplendent in detail and jam packed with influences. Album Reclaim' opens the door to experimentation and sound design, while embracing the braindance and hyperpop sphere with surprising maturity. It is an amalgamation of electronic sounds and pulsating structures in which orchestral sounds, folk music, ambient textures and a strong vocal presence, both synthetic and authentic, sparkle. 

Reclaim' imagines a post-human future, where nature once again reclaims lost ground and is free to flourish and take root around manmade structures. Pépe exhibits his personal reverence for the work of Antonio Cortés Ferrando, the architect behind the Espai Verd building, which broke architectural and urban planning norms by using computation to create structures that promote the organic growth of foliage. It is a building designed for the future, where flora cultivates indefinitely.

In Pépe’s own words, "At a time when we have witnessed how nature strives to regain ground, once humans are removed from the streets, it is important to start thinking critically about new techniques in the creation of art and design, and imagining a future where posterity is embodied in the rejuvenation of a greener world".

Reclaim

Pépe - Reclaim [LPS35]

Days seemed to pass by in a blur; they no longer knew what date the calendar showed or what time the clock struck each hour. They extracted fragmented voices from the haze; noticed a change of light in the room; an all engulfing silence slowly taking over, but life was now indistinguishable from dreams and imagination. Like a series of over exposed photos left to wither and fade in a drawer or the fuzzy static that flickered on the TV, they were hovering high above, no longer playing a role in their own life, only watching it play out from the darkness...

London's Control Freak Recordings have got a debut outing on their hands for their first release of 2023. It comes courtesy of Memory Play, the guise of Dialogue co-founder and one half of production and live duo ASYTRYD, Jo Kašpar. The first of two EPs (the second of which will be landing later this year on the label), these three rich techno mutations give us a window into Jo's skilled and meticulous approach to sound designs. Generated on his hardware set up and honed during a three month residency, the music begins his journey into a more personal and conceptual sphere, where he can express himself freely and use performance as a 'method of healing'.

Choice EP (MP3)

PREMIERE: Memory Play - Protect Your Joy [Control Freak Recordings]

Kouslin returns to Livity Sound with a second collection of slippery club tracks after the 2020 Vision E.P. With an emphasis on head-twisting sound design and a detailed line in percussive programming, the London-based producer continues to reach into intriguing new areas without forsaking soundsystem-ready physicality.  

The tracks which make up the Patterns E.P. stemmed from a period of personal experimentation, where Kouslin returned to making music for its therapeutic benefits rather than a fixed purpose. The loops and sketches he returned to and expanded upon for this EP bristle with originality at every turn. 

There is a continued exploration of dancehall rhythms on ‘King’, while ‘Five Four’ toys with time signatures for a jagged, fast-paced abstraction of techno. ‘Why Don’t You Don’t’ is harder to pin down thanks to its knotty beat and mutant synthesis, and ‘Michael’ flips the script further with an unexpected swerve into pearlescent melodic lead lines – the perfect demonstration of the honest and instinctive approach Kouslin took when making these tracks.

Kouslin - Michael

In the year 2017, rogue agent Eliza Mitchell silently infiltrated government systems and databases across the globe using a mysterious audio file known as "Alert."

Now, she's back for one final mission, deep behind enemy lines - this time with the assistance of a small handful of embedded operatives. 

https://elizamitchell.bandcamp.com/album/alert

eliza - alert (ciel's pressure remix)

@pinky-4-prez
@pipipigroup

BC Pre-order: https://pipipi.bandcamp.com/album/oscar-huang-slipstream

"Music is meant to be shared" - this is the defining ethos of pi pi pi, a multidimensional platform manifested for the music lovers, listeners, and dancers of our known universe. Whether it’s taking shape as a digital haven of music sharing, a conductive frequency of electrifying amusement, or a side quest with a friend in a lucid dream, pi pi pi has existed as an amorphous zone of (un)reality to inject some spritely silliness and funny fun back into the seriously serious seriousness too often found encroaching the joys of danceable electronic music.

True to its inquisitive nature and quest for fluidity, pi continues to evolve into new & enticing forms - this time, expanding it’s amoeba into a label and connective energy accumulator to bring forth Oscar Huang's debut EP "Slipstream". This first EP release for both pi & Oscar is a collection of tender dispatches recorded amidst the tumultuous landscape of the pandemic, but centered on motion and transcendence in spite of that.

"Slipstream" accesses the mentality of a dreamer pushing beyond the confines of their reality, creating one’s own space for serenity, and the transportative realms music can truly take us to. Much of these visions revolve around Oscar’s upbringing in Pasadena, California, & the west coast’s affinity for smoked-out jungle, sunkissed breakbeat dexterity, and party starting Miami bass. Visions of sprawling canyon drives with friends, high speed velocity through pixelated raceways in Gran Turismo, and the fever pitch of raving in his adopted home of NYC serve as the sensory backdrop for Oscar’s fluttering dispatches from the depths of the hardcore continuum. 

“Adapting” kicks off with an elegantly smooth electro glide, refracting light amongst specks of morning dew or under the orange glow of fading sun - every aspect of it makes it easy to imagine the first sparks of movement igniting at the beginning of a rave, anticipating the joy of dances to come while hearing it. If “Adapting” summons the energy outwards, “Odolbos” conjurs the infinite source of energy within - cranking the velocity skywards, letting the tectonic sub resonance rumble, & throwing care to the wind even as you might find yourself lamenting a beautiful moment’s passing in time. A narrator’s voice in the distance echoes “& the only thing to fear, is that the magic would end…”, juxtaposed over a bass heavy embrace to remind us that the magic could never TRULY end. After all, anything that appears “finite” is simply our perception of a “thing” in an infinitely expanding universe, right? & the only thing to fear, is fear itself! The introvert's partyrocker anthem for the ages.

Raising the bpm way way way up is the rollicking junglist’s paradise of “Hashiriya'' - translating to “One who enjoys riding at high speeds”. Vroom vroom! With it's foot firmly on the gas & it's velocities aimed skywards, “Hashiriya” is a distillation of the most timeless elements of mid90s UK soundsystem jams, when the auras were potent & the genres as loose as the beat grids - just dreamtraveller pads, crooning vocal chops, & vibes (& pingers). Sharing some kindred smile energy directly with the flora-adorned dancefloors of Brooklyn, “No Phones on the Dancefloor'' is the extroverted UK to West Coast ‘lectrobreakz party banger we need as a society - gun fingers pointed towards the sky, backspins opening portals of time & space, and the most wiggly synth line that’s ever synthily wiggled through the fog & lights. 

~Tune in & zone out~

Written by: Kiernan Laveaux

pi pi pi premiere: Oscar Huang - No Phones On The Dancefloor (pi pi pi)

Prang (feat. Huerco S.)

TRICK2 - DJ Sports - Sourcecode EP
The second 12” on El Trick’s imprint is by his brother DJ Sports. 
3 cuts that stir up some trouble. 
Out January ‘21
Get it at www.safedist.ro

TRICK2 - DJ SPORTS - Sourcecode EP (Snippets)

unknown - untitled

a concept record label run by uu rhythm

releases previewed anonymously, artist info found in the record sleeve. quality of the music comes first.

contact: contact@unknown-untitled.co.uk

tristan arp (unknown artist 004) - symbiosis (a2) [uu004]

unknown - untitled

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tristan arp (unknown artist 004) - symbiosis (a2) [uu004]

unknown - untitled

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6302448

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