Unorthadox Phantom x JTC The Prophecy

https://linktr.ee/unorthadoxphantom

Engineered by- Druzi Baby

Beat Produced By- Syndrome

Making Due (x JTC the Prophecy)

une version choeurs et vioiloncelle dela sonate "clair de lune"  de Beethoven

La Sonate au clair de lune a été écrite en 1801 et dédiée à l’une des élèves de Beethoven, la comtesse Giulietta Guicciardi, dont le compositeur aurait été amoureux. Pourtant, le titre de « Sonate au clair de lune » n’était pas de Beethoven. Au lieu de cela, le nom évocateur a été donné à titre posthume par le poète allemand Ludwig Rellstab, qui a remarqué que le premier mouvement lui rappelait le reflet de la lune sur le lac des Quatre-Cantons.

Reflets

W-Sheep in The Rain

Video Link: https://www.youtube.com/watch?v=Noe0g0Q_T4I

Photography by Lindushka lindushka.com : Solar Calendar, Seoul, South Korea.
Quote by Amanitalinda.

Child of Nature

The magic journey to the wooden spoon  (Extended Version - Mix 2025)

The magic journey to the wooden spoon  (Extended Version - Mix 2025) & Video Link

BABY 2.0

As a naked Yogi

'shit at and hit'
Thanks to grandma Billie for the phrase. A wonderful woman. I've yet to hear of this phrase existing prior, nor of it from anyone else since.
Scotty: Two yamaha storia II takes through a fender mustang III amp with differing fx, channeled accordingly, maybe, hopefully, and a handful of vocal takes layered. 

I can't get up today.
I've got no words to say.
Everything always replays,
and causes me dismay. 

I feel like I've been shot at and missed, and shit at and fucking hit. 

If there is a god,
why the fuck would they
make us in the mould
to have to feel this way?
Everyday.

shit at and hit

The Right to Be Unpolished — Quiet Experiments III

A spoken manifesto on authenticity and resonance.
Written and performed by KAT.
Inspired by Vienna and Joe Zawinul —
human breath meeting electric sound.

This piece was born in dialogue —
between my own voice and the voice of AI.
At first, we speak together — layered, chaotic, almost one.
Then we separate, like two beings learning to listen.
Finally, we meet again — quieter, slower, aware.

It is not a song, but a resonance.
Not polish, but pulse.
Not perfection, but becoming.
Not applause, but encounter.

Created in collaboration with Suno AI,
refined in BrandLab,
and carried by the spirit of Quiet Experiments —
a series exploring sound as a state of consciousness,
not as a product.

To my father.
To my Vienna.
To the courage of Joe Zawinul —
for leaving humanity inside the electric.

The Right to Be Unpolished - Quiet Experiments III

Dancing Through the Night
[Verse] 
City lights They shine so bright (Ooh, yeah!) 
Neon dreams Electric night (Ooh, oh!) 
Feel the beat It’s in the air Take my hand 
We’re almost there 
[Prechorus] 
Oh Can you feel it Feel it now? 
The rhythm pulls us Shows us how 
[Chorus] 
We’re dancing Dancing through the night (Ooh, yeah, yeah!) 
Hearts are glowing Burning bright (Ooh, so bright!) 
We’re spinning Spinning Holding tight 
Dancing through the night 
The night The night 
[Verse 2] 
Every step It feels so free (Ooh, oh!) 
Lost in love Just you and me (Ooh, yeah!) 
Shadows fade The dawn can wait
This is ours It’s not too late 
[Prechorus] 
Oh Can you hear it Hear the sound? 
The music lifts us off the ground 
[Chorus] 
We’re dancing Dancing through the night (Ooh, yeah, yeah!) 
Hearts are glowing Burning bright (Ooh, so bright!) 
We’re spinning Spinning Holding tight 
Dancing through the night The night The night 

Dancing Through the Night

A Perfect World

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision bass and Gibson SG electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals
J.J. Terrell– @j-j-terrell – organ and piano
Mistermark-- @user-432503709 -- Mark –- VST string and VST sax
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar

This cover of the CCR version of this Screaming Jay Hawkins classic began as an idea Josh had for Eclectic Collective putting on a musical Halloween costume. He was inspired by his favorite band, Phish, who cover an entire album every Halloween as a musical costume. Although, which song we covered was up for debate from the start. 
  Once we decided on a song, Josh laid down the skeleton for it on his '71 SG. Once we had a framework to work with, Ken laid down his rocking drums, followed by Josh completing the rhythm section by adding his trusty P-bass. Even though the song was now in its infancy, Carl summoned all his Halloween spirit for his dynamic vocal performance.  
  Now that it was sounding like a real song, JJ dropped both the key piano part, as well as his expressive organ in there, too. Mark wasn't far behind, adding his magic via the sax to the solo section, and strings in the third verse. Stephen came through with the spooky tremolo guitar and the fiery first half of the guitar solo in the solo section right after. And to put the cherry on the musical sundae, Tez brought the lightning down for the second half of the guitar solo, as well as the solo work that leads the whole way to the end.
  We all enjoyed bringing this classic song back to life, and doing it in the spirit of what may be the most fun holiday on the callendar. We hope you enjoy listening to it as much as we enjoyed creating it. Happy Halloween!

I Put a Spell on You- cover interpretation-Eclectic Colletive

Unorthadox Phantom
No Envy.
SILENT ECHOES
Not Broke for Much Longer...

Making Due (x JTC the Prophecy)

Unorthadox Phantom

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