Slow in the end

Paraply

train to elsewhere

Oversky

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
iTunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: Esquisses oubliées en trois mouvements :.
Composed and produced by Simon P. Castonguay
Piano - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Recorded by Benoît Parent
Mixed by Benoît Parent
Mastering by Pierre Duchesne
Cello - Anaïs Constantin

Tambour - Esquisses oubliées en trois mouvements

Made in Ableton 12 Standard with no external plugins

they found me

Taken from "Schneeland"
unperceivedrecords.bandcamp.com/album/schneeland

CD | DL

Himmelsrandt - I

Taken from my latest album "(For Now We See) Through A Glass Dimly", ‘Elegy (ii)’ features the elegantly dexterous vocals of Joanna Swan (Ilya) and the incisive strings of Christoph Berg (Field Rotation).
The album, as described by Hidden Shoal:
The 10 tracks that comprise "(For Now We See) Through A Glass Dimly" have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.
For more releases by Antonymes: https://antonymes.bandcamp.com/
This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Antonymes on Spotify: http://spoti.fi/2cAJxyL

Elegy (ii)

Third track of Manos Milonakis's remix release "Sólfar Reworked" by:

Luke Howard (www.lukehoward.com , @lukehoward) : 

Australian Music Prize-nominated composer Luke Howard has been described as “absolutely heavenly” (Mary Anne Hobbs, BBC Radio 6) and his music as “an ambient masterclass” (Musos’ Guide), but no words can fully capture the potency of Howard’s enthralling compositions. A pianist since childhood, Howard has scored films and performed with artists as diverse as Lior and Jeff Mills, capturing audiences with contemporary classical arrangements that curl and twist around the boundaries of a particular emotion. Though wordless, Howard’s songs perform a function unique to music as a medium – that of evoking without describing, bringing listeners to a feeling which defies articulating. 

Now signed to UK label Mercury KX (Lambert, Olafur Arnalds, Solomon Grey) and joined live by drummer and collaborator Daniel Farrugia, 2017 has Howard working across several projects: arranging the keyboard works of photographer William Eggleston, a pioneer of colour photography; a European tour beginning in the UK and ending with a performance at Germany’s legendary Elbphilharmonie; and a new record. 

Howard is one of Australia’s foremost practitioners of contemporary classical music. Having already accomplished so much and with more on the horizon, he is set to captivate audiences worldwide.

---
Celebrating Record Store Day and given the occasion of Sólfar EP’s 1st anniversary, Manos Milonakis invites friends, composers and producers to rethink-reimagine its’ 5 tracks. Sólfar EP was Manos’s second solo release, after Your Hand in Mine, which he recorded in Iceland with contribution of local musicians.

The 5 pieces of Sólfar EP have been reworked by:
Steve Gibbs, Fragile Balloon, Luke Howard, Hior Chronik, Ed Carlsen.

Sólfar Reworked is out worldwide on 22/04/2017, Record Store Day 2017, in limited handmade CD edition and digital.

You can find it at:
Thessaloniki: Lotus, Noise, Stereodisc
Athens: Underflow
Worldwide: www.manosmilonakismusic.com
Digital release: https://manosmilonakismusic.bandcamp.com

Sólfar Reworked

Ten (Luke Howard Rework)

Buy LP|CD|DL

Himmelsrandt - End of All Life

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

Fragile Window

DOWNLOAD
Bandcamp: http://bit.ly/2nrRo7g
iTunes: https://apple.co/2En47jt

STREAM
Spotify: http://spoti.fi/2FpEH3S
AppleMusic: https://apple.co/2BCAiZ6

WATCH VIDEOCLIP
Vimeo: http://bit.ly/2BCqu1p

'Tambour - Silhouettes'
Co-produced by Pietro Amato and mixed by Mark Lawson (Arcade Fire’s collaborators) - the eight minute piece in two movements juxtaposes an intimate, slow moving opening that is overtaken by a series of gripping, ambitious orchestral swells in the second half. Pairing delicate, melodic piano with lush string and horn sections, the track displays Tambour (Simon P. Castonguay) at his best: patient, carefully constructed arrangements that are at once full of life and vivid imagery…

Silhouettes

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Tambour - Silhouettes

In between composing, writing, rehearsing, and recording, I have been improvising a lot, and this track is the result of one of those moments. It is very different from what I am working on but, somehow, it holds my essence, and it makes me feel well. Instead of letting it disappear along with many other pieces that I never share with others, I have decided to publish it in celebration of #pianoday2018. I hope you enjoy it.

Composed, performed and produced by Sergio Díaz De Rojas.
Artwork by Seraphina Theresa (http://seraphinatheresa.com/home).

Free Download

Untitled (Piano Day 2018)

A couple of things I recorded last night at home, warts and all.

Forgotten Postcards

“Room for Hope is a song of love, loss, and emotional distance, and it is the second single from the upcoming EP Muted Birds. It is an intimate piece that sounds like it is being played right in front of you, with gentle vocals and subtle cello adding space and some soft sadness. The melody is purposefully repetitive. With every repetition something new is stored, and Room for Hope becomes a glimpse of something bigger that makes you feel calm within the emotional storm.”

I gave it to myself
Gave it straight
And I didn't hear the last
Things you said
Love had always left
Room for hope
You vanished from the sight
And I'm feeling cold
Nothing on my way
Only stars
And I didn't look to see
Where you are
Love had always left
Room for Hope
You vanished from the sight

Written, performed & produced by Anna Nischwitz
Cello arranged & performed by Christian Pensel
Mastered by Marcus Wüst
Artwork by Melanie Kretzer

Liebeskid - Room For Hope

Minihi - Lost Takeno

Unperceived Records is an independent boutique label focusing on unexpected, inconspicuous and detailed tones in varied genres such as modern classical, ambient, electro acoustic & more.
We value individuality as well as quality and texture in sound and everything around it. With our „handmade" mindset we strive to make each release a unique experience.

Himmelsrandt - End of All Life

Unperceived Records

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