12"LP | DL

Minihi - Recaptures

FRAGMENTS - Nouvel EP "Landscapes"
Sortie le 7 avril 2014

Fragments : Sylvain Texier / Tom Beaudouin / Benjamin Le Baron

Titres enregistrés et mixés par JB Deucher au Studio Microbes (Villetaneuse)
Guitares additionnelles sur "Echoes" et "Paperclouds" enregistrées par Amaury Sauvé au studio La Senelle (Laval)
Prises additionnelles par Fragments
Mastering par Damien Tillaut

Echoes

'Dance, Aurora' is from the album 'Music to an unborn film'. More information here: http://bit.ly/TcoJCq

Petur Jonsson | Dance, Aurora

*FREE DOWNLOAD* - Experimental ambient number that begins with an ominous tech house bassline, and unfolds into a quite angry sounding electro house synth. This track attempts to depict the reaction of those within Gaza, who are assessing the damage caused by the total destruction of their homes, their neighborhoods and their entire nation.

GAZA DESTRUCTON EP (Ambient Mixes)
https://www.youtube.com/playlist?list=PL0FhJzR6hLovQ_oKp0gLR0BCUBy7my6Sa
https://soundcloud.com/the-newsical-professor/sets/gaza-destruction-ep-ambient-mixes

This is a remix of a tune from my recent 20-track album, 'Relocation EP'.
ORIGINAL MIX: https://soundcloud.com/the-newsical-professor/unexpected
12" MAIN ROOM PROGRESSIVE HOUSE MIX: https://soundcloud.com/the-newsical-professor/unexpected-12inch-main-room-progressive-house-mix

I hope you enjoy listening!

-----------------------------------------------

Music Software: Ableton Live 12, Landr for mastering
P + C Damien Hughes, aka The Newsical Professor

This track is available to use royalty-free, by YouTube, TikTok, Instagram, Twitter, Reddit and Facebook video creators, in their videos. Full terms here: http://youtube.com/post/UgkxfMAwp1dpacDVXzFzK1Q48fQ1CzcsA6p0?si=GScD7l2En1hejZ7S

YOUTUBE
The Newsical Professor (Music-Only): https://www.youtube.com/@TheNewsicalProfessorMusic
The Newsical Professor (Music & Politics Blended): https://www.youtube.com/@TheNewsicalProfessor
Undistorted Journalism: https://www.youtube.com/@UndistortedJournalism

OTHER SOCIAL
TikTok: https://www.tiktok.com/@thenewsicalprofessor
Twitter: https://twitter.com/TheNewsicalProf
SoundCloud: https://soundcloud.com/the-newsical-professor

Unexpected (Gaza Assessment Ambient Mix)

On our way to Aldebaran we find some rest in a hidden city of Calhendra the night was quiet and full of dreams,distant galaxies

Galaxyan Dream

My official remix of Max Richter's wonderful Path 5.  Taken from the Sleep Remixes EP released by Deutsche Grammophon.

Sleep Remixes

Max Richter: Path 5 - Digitonal's Theo In Dreamland Mix

Taken from the upcoming album 'Transient Accidents' on Fluid Audio...

- All tracks produced, mixed and arranged by Sara Galán and Edu Comelles. 

- Album recorded during the first weeks of August 2015 at Espai Rambleta in Valencia, Eastern Spain.

- Mastered by Jaume Muntsant.

www.fluidaudio.bigcartel.com

Cello & Laptop - On The Verge

"Cycle 2" taken from Matt Dunkley's debut album “Six Cycles"  released 11th March 2016.

iTunes: http://po.st/6CyclesiTunes
Rough Trade: http://po.st/6CyclesRT

"Six Cycles" is the much-anticipated debut from one of the world's leading orchestrators, arrangers and conductors.

Having worked on films such as 'Inception', 'The Dark Knight' and 'Black Swan', and with artists such as Patti Smith, Nick Cave, U2 and Kronos Quartet, as well as a successful composer for film and television, it was only a matter of time before Matt Dunkley released his own album.

Dunkley reveals, "the inspiration for the six pieces that comprise 'Six Cycles' all derive from disparate sources, whether it a piece of poetry, a painting or the emotion of personal loss. Initially they seemed to be unrelated, but as I listened to them as a whole, a sense of them belonging together slowly emerged, forming a true "cycle". I want the listener to discover their own world within my music, hence the willfully enigmatic titles."

Recorded with the renowned Babelsberg Film Orchestra, the result is a rich and nuanced cinematic soundscape, replete with stirring builds of Wagnerian grandeur.


Cycles 

Matt Dunkley - Cycle 2

first excerpt from upcoming 'elephant' by Dag Rosenqvist.

Cello by Aaron Martin
Saxophone by Lisen Rylander Löve
Mastered by Taylor Deupree

order here - https://dronarivm.bandcamp.com/album/elephant

Buy CD

Dag Rosenqvist - Come Silence (from 'elephant' CD)

Taken from my latest album "(For Now We See) Through A Glass Dimly", ‘Elegy (ii)’ features the elegantly dexterous vocals of Joanna Swan (Ilya) and the incisive strings of Christoph Berg (Field Rotation).
The album, as described by Hidden Shoal:
The 10 tracks that comprise "(For Now We See) Through A Glass Dimly" have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.
For more releases by Antonymes: https://antonymes.bandcamp.com/
This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Antonymes on Spotify: http://spoti.fi/2cAJxyL

Elegy (ii)

1631 Recordings is proud to release the original score for the indie documentary “The Man Behind The Microphone” composed by Tom Hodge and Franz Kirmann.

Directed by Claire Belhassine and produced by Claire de Lune Films and Roast Beef/Nutopia, The Man Behind The Microphone starts from a very personal story (the British director found out by chance in her early 30s that her grandfather was a legend of Tunisian music, the ‘Frank Sinatra’ of Tunisia) and turns into a family saga and a reflection on the nature of fame, culture, heritage and homeland.

Tom Hodge and Franz Kirmann have worked collaboratively over the past 10 years and have released three albums together under the guise of their post-classical/electronic moniker Piano Interrupted. This is their  second soundtrack together, having composed the score to BBC One series McMafia earlier this year.

The Man Behind The Microphone took several years to complete and Kirmann & Hodge were involved early on, sketching compositions loosely inspired by some of Hédi Jouini’s own music. Sometimes they would sample a small musical phrase from his old recordings or write harmonies and chords in a relative key to use as a starting point for their pieces. Their score echoes the melancholy and investigative nature of Claire Belhassine’s quest for her grandfather and the mysterious and fragmented aspects of the story.

Kirmann’s vaporous electronics and Hodge’s ghostly piano and clarinet lines are mixed with earthy analog synth basses and a string quartet provided by the London Contemporary Orchestra. The soundtrack is a melancholic and dreamy journey over 9 pieces, oscillating between post classical, minimalist and ambient music.

“There is a real sense of culmination about this soundtrack. In one way way it is our very first score, as it started long before McMafia. But even more so, you might say it is simultaneously our first and last Piano Interrupted record, or our very first collaboration even. Our album Two By Four was strongly influenced by our work on the prototype of this film and the sound of Papa Hedi. Yet because of the longevity of this film project, our combined musical voice has been profoundly altered by our work on our other two Piano Interrupted albums, as well as the four hours of score we wrote for McMafia. Here we are, full circle.”

www.1631recordings.bandcamp.com

The Man Behind The Microphone

Tom Hodge & Franz Kirmann - Ghost Of My Grandfather

Hallowed Halls was written as a homage to ancient or enchanting architectural spaces. When you walk into some buildings, the sense of history living within the walls and very fabric of the building is palpable. Generations come and go, lovingly maintaining their most cherished spaces to exist within a world they will never know. The piece combines the sound of an old orchestral keyboard instrument called the celeste with various synths and bell-like textures, and a repetitive groove built from a traditional Irish drum called the bodhran. Louise Anna’s voice is also used within the texture to create a sense of it reverberating within the space. The track has taken on a new significance recently, with all the concert halls, theatres and gathering spaces worldwide that lie dormant, waiting to be filled with life again.
credits

Written by Zands & Louise Anna Duggan
Produced & mixed by Oli Jacobs
Mastered by Guy Davie
Recorded at Real World Studios, UK
Cover Artwork by Melanie Kretzer

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Minihi - Hallowed Halls

"Phemie’s Walk’ was written in response to the final walk Louise had with her dad Chris. It was on a remote trail in the Scottish Highlands, and the walk itself ended up at a vista overlooking the dramatic landscape below. The beautiful, yet bleak surroundings coupled with the very real and raw emotion when one is facing their own mortality, made for an incredibly bittersweet and profound memory that we wanted to capture musically."
credits
released October 2, 2020
Written by Zands & Louise Anna Duggan
Produced & mixed by Oli Jacobs
Mastered by Guy Davie
Recorded at Real World Studios, UK
Artwork by Melanie Kretzer

Listen

Minihi - Phemie's Walk

Minihi - Lost Takeno

Recaptures

Minquiers

Arrow

Unperceived Records is an independent boutique label focusing on unexpected, inconspicuous and detailed tones in varied genres such as modern classical, ambient, electro acoustic & more.
We value individuality as well as quality and texture in sound and everything around it. With our „handmade" mindset we strive to make each release a unique experience.

Minihi - Lost Takeno

Unperceived Records

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