This is awesome, vocals, bass, guitar, drums all of it! Keep hustling and working hard!

Brother, I'm from Colombia. Thank you for sharing such excellent talent with us. Please, I'd like to contact you to make a business proposal.

My Sweet Possession

About "Shadows of Silence"
Silence is a weapon. This is the sound of it backfiring.

"Shadows of Silence" was not written; it was forged out of necessity. It is a direct response to the creeping chill of censorship, the hypocrisy of a two-tiered media narrative, and the corporate-approved consensus that now masquerades as public opinion. This track is a line in the sand against the digital book burning and the slow, quiet erasure of inconvenient truths.

The song tells two stories, not as isolated incidents, but as archetypes of our time. First, the truth-teller silenced by the mob and their corporate enablers ("In Charlie Kirk's Name"). Second, the forgotten victim whose tragedy doesn't fit the preferred narrative (Iryna's story). These are the shadows—the censored voices and the ignored lives that the establishment wishes you would forget.

We didn't need a ballad; we needed a battering ram. The sonic architecture of the track—a furious, syncopated fusion of hard rock and alternative metal—is intentional. It’s the sound of frustration given a voice, of apathy being burned away by raw, defiant energy. The tension in the verses mirrors the simmering anger of the unheard, and the explosive, anthemic chorus is the cathartic release we are all denied.

This track is a rallying cry for the politically homeless, the silenced majority, and anyone with a moral compass that still points true. It’s a challenge to the gatekeepers and a reminder that truth doesn't need permission to be spoken.

Play it loud. The shadows hate the light.

(Verse 1)
In the land of the free, where voices once rang, 
They silenced a man with a bullet's cruel bang. 
Charlie Kirk spoke truth, but the mob cheered his fall, 
Indoctrinated hearts, no mercy at all. 
Like Rome's leaden plates poisoning minds from within, 
They celebrate death when opinions don't win. 
Amazon's gatekeepers axed the track, 
"In Charlie Kirk's Name"—called it wack!. 
Free speech on the pyre, burned by corporate might, 
While the powerful hide in the dead of the night.

(Chorus) 
Wake up from the circus, the bread's turning stale, 
Megacorps are feasting while our freedoms fail. 
A.I. steals the jobs, leaves us footing the bill, 
But we'll band together, shine light on the hill. 
No more apathy, no more turning away.
Release the Epstein list, bring back the day. 
From riots unspoken to voices suppressed, 
It's time to fight back, put decency to the test.

(Verse 2) 
Iryna fled war, sought safety ashore, 
But on a Charlotte train, fate closed the door. 
Stabbed in the shadows, no help from the crowd, 
She collapsed all alone, her cries not allowed. 
Where are the riots, the headlines that scream? 
For George Floyd they burned, but for her, just a dream. 
If races were flipped, the MSM would ignite, 
But white refugee blood fades out of sight. 
Peaceful protests whisper, ignored by the press, 
While lockdowns and layoffs sparked the hot mess.

(Bridge) 
It's not about money, we've got truth on our side, 
Respect and decorum, let justice be our guide. 
Corrupt politicians, hiding in plain view, 
Get 'em out of office, start something new. 
From Epstein's dark web to the A.I. machine, 
Raping the land, turning hope to a screen. 
We're in the empire's twilight, dry as a bone, 
But united we'll rise, no longer alone.

(Chorus)
Wake up from the circus, the bread's turning stale, 
Megacorps are feasting while our freedoms fail. 
A.I. steals the jobs, leaves us footing the bill, 
But we'll band together, shine light on the hill. 
No more apathy, no more turning away— 
Release the Epstein list, bring back the day. 
From riots unspoken to voices suppressed, 
It's time to fight back, put decency to the test.

(Outro) 
So here's to the fallen, Charlie and Iryna's light, 
We'll sing through the censorship, into the fight. 
No more killing dissent, no more biased divide—
Get off the couch, let the moral compass guide.

(End )



Shadows of Silence

Buy on Bandcamp

Never Alone

No Cure for the Night

A mirror shatters across heaven and hell, and AxAxC™ stands in the fracture.
TENƎT · DEIFIƎᗡ · REDIVIDƎЯ. 
From the haunting lull of Palindrome to the apocalyptic anthem REDIVIDƎЯ, this album blurs every boundary between melodic melodies, deathcore, ambient metal, and cinematic rock.

Here, gods walk away from their creations. Lovers become their own demons. And freedom itself burns beneath neon light.

This is judgment.

DISTORT. DISTRUST. DESTROY.
#AXAXC #TENET #DEIFIED #REDIVIDER

Tracklist:
- Palindrome – 4:51
- Black Cube – 5:29
- TENƎT – 4:48
- Wounds – 3:57
- DEIFIƎᗡ – 5:44
- Mirror Law – 3:51
- Red Thread – 3:24
- REDIVIDƎЯ – 5:13
- DEIFIƎᗡ (feat. Choir From Pure Addiction) – 5:06
- Caesar’s Throne feat. Pure Addiction, Until Darkness Falls – 4:07
- Wounds (Succubus’ Cut) – 4:34
- DEIFIƎᗡ feat. Until Darkness Falls, Pure Addiction – 5:19
- Wounds feat. Until Darkness Falls, Pure Addiction (Band Cut) – 4:10
- REDIVIDƎЯ feat. Until Darkness Falls - 5:16

For fans of Sleep Token, Bring Me The Horizon, Slaughter To Prevail, Architects, and Five Finger Death Punch.
If you crave distortion that feels spiritual, this is your sanctuary.

© 2025 AXAXC Studios™ — All Rights Reserved.
AXAXC™, Distort. Distrust. Destroy.™, and the AXAXC emblem are registered marks of AxAxCStudios.

#AXAXC #AXAXCStudios #Deathcore #Metalcore #AmbientMetal #CinematicRock #Postcore #AlternativeMetal #PureAddiction #UntilDarknessFalls #SuccubusCut #MirrorLaw #Wounds #BlackCube #Palindrome #CaesarsThrone #DistortDistrustDestroy

REDIVIDƎЯ

Running From the Fire

Light at the End

🔥Links:
https://distrokid.com/hyperfollow/drayvenfall/home-inside-my-heart

“If it hurts, let it scream.”

Home Inside My Heart

29. LEGENDS OF THE TIME TRAVELLER

“Never Give Up (Six Years Strong)” is an uplifting, mid-tempo inspirational country (or contemporary Christian) ballad that chronicles a family’s harrowing journey after a loved one suffers a massive stroke six years ago. From the chaos of emergency brain surgery and a month-long hospital stay to the slow, tear-soaked victories of relearning to speak, walk, and live independently, the song honors unbreakable resilience, stubborn hope, and the quiet heroism of never quitting. With heartfelt verses, a soaring chorus, and a triumphant final message—“the story ain’t ended”—it’s a tearjerker celebration of beating the odds and choosing to keep fighting, one hard-won step at a time.

Never Give Up (Six Years Strong)

A haunting cinematic rock ballad that explores the fragility behind Hollywood’s glittering façade. Inspired by icons like Marilyn Monroe and Sharon Tate, the song paints a portrait of beauty, fame, and vulnerability — “glass hearts” that shine brightly but break easily under the weight of stardom. With lush strings, piano, and atmospheric synths, the track builds from whispered intimacy to a soaring, tragic chorus. It’s a legacy-driven anthem of glamour and heartbreak, echoing the timeless allure and cost of fame.

Glass Hearts in Hollywood

Mark Czopek is more than a band—it is survival carved into sound. Born from the ashes of unbearable loss, betrayal, and trauma, Mark Czopek embodies the refusal to let go of truth, memory, and identity. Fronted by songwriter and vocalist Mark, the project channels grief, rage, and love into a raw fusion of griefcore, metalcore, and myth-inspired storytelling.
Every song is an exorcism of pain: the death of Mark’s twin brother, the scars of adoption, the weight of abandonment, the chaos of addiction, and the haunting guilt of survival. Yet threaded through the heaviness is resilience—a voice that refuses silence, a fire that will not die, a phoenix that keeps rising even when its wings are scorched.
Mark Czopek is not polished for the mainstream. It is brutal honesty. It is myth and memory colliding. It is grief made eternal through music. This is not just art—it is a declaration: I will not be relinquished.

Light at the End

Mark Czopek

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