Um, excuse me?

The highs and mids in the first mix were harsh. I'm learning.

Pancho & Lefty (Remastered)

No Chill Hill

Here’s The Outgoing (samples of NASA’s Spooky Sounds)

This is a track I made for a friend's painting of a bouquet of flower in a bear skull.

Carnivora Floret

This is a live recording captured direct from the mixer at a gig I played at an unofficial SXSW party in 2019. It's a recording of Bach's Goldberg Variations Aria split into two channels, and run through two different effects pedal chains. The effected song was then captured and manipulated further in two loopers live. That's the section you are hearing.

Goldberg Variations Aria

This is another track from the Austin set during SXSW, captured direct from the mixer. It's a recording of Bach's chorus "Nach dir, Herr, Verlanget Mich" split into two channels, and run through two different effects pedal chains. The primary effect you are hearing is a reverse delay.

Nach Dir, Herr, Verlanget Mich

This is another track I ran through the rig (two channels of effects pedals I refer to as The Last Working Juke Box in the Milky Way) live at a private party. Please do enjoy it.

Cello Suite No. 1

Yet another piece of ambient classical music created live with lots and lots of effects pedals.

Der Herr Denket

Cello tones are mellow tones. I learned that they are great for listening intently, but as background support music to an even where the main attraction is people talking to each other, the frequency range tended to wash out in the room. This was captured direct from the mixer.

Cello Suite No. 5

What if Woody Guthrie had a delay pedal, and Pete Seeger had a synth? That's what I'd like to know.

Until Such Time