the summer setlist

Endless Motion vol. 1

Buy on iTunes

This Is How We Walk On The Moon (Arthur Russell)

On Oni Pond

Head On (Hold On To Your Heart)

Man Man - Head On

Lead-off track from the new Generationals album, 'Actor-Caster'.

Ten-Twenty-Ten

Says She Loves Me on iTunes - http://www.smarturl.it/SaysSheLovesMe

"Aer" out now http://www.smarturl.it/Aer

Facebook: http://www.facebook.com/theaermusic
Tour Dates: http://www.freshaermovement.com
Twitter: http://www.twitter.com/theaermusic
Instagram: http://www.instagram.com/theaermusic
Merch: http://www.districtlines.com/freshaermovement
Tumblr: http://www.theaermusic.tumblr.com

Says She Loves Me Produced by Cisco Adler & Aer

Lyrics:

She always says she loves me when we're drinkin,
Won't admit it but it's true,
I think I've had enough of this one,
So baby what's your name where you from what's good with you,

When she's drunk she calls me a punk,
She blow my phone up, she don't know what's up,
When she drink that Jack,
she won't call back, and when she off that rum,
she acts so dumb,
She tells me grow up! I say you know what?
She won't let me finish, she starts to go nuts,

Stop throwing stuff, time to own up,
I'm so done baby I'm so done,
All i needa do is turn my back, and she'll be gone for good,
Finished packing my bags, going where I know I should,

It's only right for me to move on to what's next,
but when she texts me with those three words it gets me like,

She always says she loves me when we're drinkin,
Won't admit it but it's true,
I think I've had enough of this one,
So baby what's your name where you from what's good with you,

She's gotta quit showing off to all of her friends,
and go pick someone else who can handle her shit,
I'm so sick of this and I can't pretend,
but I'll be stuck with this girl like wet cement,

I don't want her following in my footsteps,
but I think my shadow needs it,
despite her good side, and some good sex,
I'd rather go through amnesia,
and forget all about it,
No reason to always get so dramatic,
I'm more manual, she automatic,
Oh,
Tryna get rid of her static,

I got smacked last night, it makes sense tonight,
well it's time to tell her I've had it cause

She always says she loves me when we're drinkin,
Won't admit it but it's true,
I think I've had enough of this one,
So baby what's your name where you from what's good with you,

Take my hand,
Let's start new,
I wasn't planning on it but I'm likin' you,
And we just met,
But I get you,
You seem like the type that got something to prove,

Come on and dance,
Let's see you move,
This ain't the first time that I noticed you,
Take off those heels,
Let's keep um new,
Now bring that body closer for a few,

She always says she loves me when we're drinkin,
Won't admit it but it's true,
I think I've had enough of this one,
So baby what's your name where you from what's good with you,

Says She Loves Me

[photo by Dusdin Condren: www.dusdincondren.com/]

Strand of Oaks - "Shut In" from the forthcoming album HEAL, out June 24, 2014 on CD/LP/ Digital on Dead Oceans.

iTunes: smarturl.it/strandofoaks_itunes
Amazon: smarturl.it/strandofoaks_amazon
SCD: smarturl.it/strandofoaks
Indies: smarturl.it/strandofoaks_indies

Strand of Oaks:
Artist Page: www.deadoceans.com/artist.php?name=strandofoaks
Website: strandofoaks.net/
Facebook: www.facebook.com/PopeKilldragon
Twitter: twitter.com/Strandofoaks

Strand of Oaks - "Shut In" from the forthcoming album HEAL, out June 24, 2014 on CD/LP/ Digital on Dead Oceans

TOUR DATES:
[all dates + tix links: <a href="http://bit.ly/SoO_tour" target="_blank">deadoceans.com/tour</a>]

6/26 – New York, NY @ Mercury Lounge
8/7 – Allston, MA @ Great Scott
8/12 – Pittsburgh, PA @ Club Café
8/14 – Cincinnati, OH @ MOTR Pub
8/15 – Bloomington, IN @ Russian Recording
8/16 – Goshen, IN @ Ignition Music Garage
8/18 – Milwaukee, WI @ Pabst Theater
8/19 – Minneapolis, MN @ 7th St. Entry
8/21 – St. Louis, MO @ Off Broadway
8/22 – Kansas City, MO @ Riot Room
8/23 – Denver, CO @ Hi Dive
8/24 – Salt Lake City, UT @ Kilby Court
8/26 – Seattle, WA @ Tractor Tavern
8/28 – Portland, OR @ Doug Fir Lounge
8/30 – San Francisco, CA @ The Independent
8/31 – Santa Cruz, CA @ The Crepe Place
9/3 – Los Angeles, CA @ The Echo
9/4 – San Diego, CA @ Casbah
9/5 – Phoenix, AZ @ Last Exit
9/7 – Dallas, TX @ Three Links
9/9 – Austin, TX @ Lambert’s
9/10 – Birmingham, AL @ The Bottletree
9/11 – Atlanta, GA @ The Earl
9/12 – Nashville, TN @ The High Watt
9/13 – Durham, NC @ Pinhook
9/14 – Washington, DC @ DC9
9/19 – Philadelphia, PA @ Boot & Saddle

HEAL

Shut In

Pre-order on iTunes

Strand of Oaks - "Shut In"

seventeen

Chance The Rapper - Brain Cells Live (5day)

Electro-Pop basically is Popmusic in which, obviously, electronic instruments like synthies, samplers and drummachines are used. Umbrella terms for various electronic styles of Pop are Synthie Pop or, like I mentioned, Electro-Pop, which for itself describe discrete genres in the context of electronic Popmusic.
Now, FUCK ART, LET’S DANCE! is Emo-Electro. Got me?If you think while listening to FALD! sitting around is a-okay, go ahead. But: That subtle twitching in your legs will become dancing steps – try to fight it – that modern electronic sound of “The Conqueror“ goes right into your veins.
You have to dance! I’m in love with that voice. Closing eyes and spinning around to this melody. This music is for up above and for below. For your dancing shoes and for your heart. These young fellas form Hamburg City sound international.

The Conqueror

FUCK ART, LET'S DANCE! - The Conqueror (Original)

'JUNK' written by me, produced by Harry Tarlton
Available on Spotify & Itunes here: https://awal.lnk.to/eVbZ8
www.viviennechi.com

'JUNK' by Vivienne Chi

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

The Lighthouse and the Whaler - Pioneers

Unuruu Unuu

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