from 'Oscuras Flores' [CD|LP|DIGITAL]
Denovali Records · den369
available on all formats at http://denovali.com/mansur

MANSUR is the newly initiated project by Jason Kohnen (ex-The Kilimanjaro Darkjazz Ensemble) joined by Dimitry El-Demerdashi (ex-Phurpa) and introducing Martina Horváth on vocals. The sound of MANSUR navigates between the waters of musical fantasy and reality - it morphs and blends traditional instrumentation with modern day electronica.

After the debut record "Temple", the debut full length "Karma" and the live improv recording "Minotaurus" MANSUR returns with the fourth record "Oscuras Flores". "Oscuras Flores" (Dark Flowers), the title derived from a Federico Garcia Lorca poem, and conceptually inspired by the works of Vandana Shiva, "Oscuras Flores" is a musical testimony for a return to organic and a healthier symbiosis with our planet. A hommage to the natural seeds of life, Mother Nature and planet Earth…

Jason Köhnen: Bass / Electronics
Dimitry El Demerdashi: Oud
Martina Horváth: Vocals

Oscuras Flores

Salome

Mansur - Salome

from 'RAEON' [CD|LP|DIGITAL]
Denovali Records · den374
available on all formats at http://denovali.com/subheim

Exactly two years after the release of ΠΟΛΙΣ, Subheim returns with RAEON; a collection of eight new tracks for lonely evenings and long night drives. With RAEON, Subheim continues to expand into the sonic area he has steadily been exploring since 2015’s Foray, the album that marked a conscious shift towards moodier, lo-fi territory. While this new release feels like a natural continuation of the producer’s most recent work, it is also entirely stripped of any percussive elements with the focus being placed on space, ambience and melody. Each composition feels like a distant, fading memory that unfolds faster than you'd expect it to and dissolves into an echoing nothingness before you’re able to hold on to it for more than a few seconds. Much like a long-distance train passing by, the momentary flickering of city lights at night or a song you might hear in your sleep. Every piece functions as a different chapter of the same open-ended narrative; one where stillness, movement, darkness and light simultaneously coexist in harmony. Intentionally imperfect, naturally gritty, spacious as ever, the record balances between fragility and conviction, and once more reveals the deeply human side of its creator. In contrast to some of Subheim's darker material, RAEON is filled with an undertone of bittersweet hopefulness and a strong desire for new life. With the juxtaposition of nostalgic, synthesized, analog sounds and neoclassical elements, this mini-album strikes a near perfect balance between past and future, melancholy and anticipation. And while the closing track is almost ironically called “Forget”, its ending will surely leave you longing for more.

Raeon

Forget

Subheim - Forget

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In November, Berlin-based cellist and composer Anne Müller released her long awaited astral debut solo album 'Heliopause'. Named after the border of our solar system, the record crosses physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory. ⠀

'Heliopause' followed several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled '7fingers', appearances on Ólafur Arnalds & Nils Frahm’s 'Collaborative Works', Nils Frahm’s 'All Melody' and his acclaimed soundtrack for the film 'Victoria', Lubomyr Melnyk’s 'Fallen Trees', as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at  Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007. 

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after. Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics Deluxe Edition and Aventine)and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

“Müller is superb” — The Guardian⠀
“Once you’ve reached the edge of the solar system, why rush back to Earth?” — Pitchfork⠀
“A meditative collection of gorgeous cello pieces” — NPR⠀
“Plaintive, lyrical and sporadically sublime” — UncutMagazine ⠀
“A confidently bold and richly detailed effort” (8/10) — Exclaim!
“Heliopause is a work of some sophistication” — Electronic Sound Magazine

Heliopause

Aarhus / Reminiscences

Buy LP/CD/DL

Anne Müller - Aarhus / Reminiscences

Erased Tapes present 'Handfuls of Night' — the highly anticipated follow-up to Penguin Cafe’s much applauded 2017 album 'The Imperfect Sea' — inspired by the Antarctic, Arthur Jeffes’ journey following in Scott’s footsteps and our penguin friends that reside there.

Using gut-stringed violins, viola, cello, bass, percussion, upright and grand pianos, synthesiser, harmonium and more, Arthur Jeffes and his cohorts have crafted a vivid series of panoramic sonic landscapes, that are as rich in cerebral poignancy as they are in emotional depth.

Handfuls of Night began life after Greenpeace commissioned Jeffes to write four pieces of music corresponding to four breeds of penguins, to help raise awareness for the endangered Antarctic seas . A fundraising evening at EartH in Hackney followed, where Penguin Cafe premiered the four songs named after their feathered counterparts to a sold out audience; the rousing contemporary folk inflected ‘Chinstrap’, the mournful and minimalistic ‘Adelie’, stoic and rhythmic ‘The Life of an Emperor’ and the wistful, string-laden ‘Gentoo Origin’.

“This record started with a core of pieces I wrote specifically about penguins in the Antarctic for a project with Greenpeace in autumn 2018. There are four native Antarctic penguin species – each with their own individual characteristics and natures. I carried on from there to envisage a whole anthropomorphised world, where these penguins had narratives and adventures that we soundtracked”, says Jeffes. But both the album and Penguin Cafe as a project have origins that reach further back:

“In 2005 I was asked to join an expedition re-creating Scott’s last Antarctic trip in 1911 for the BBC, using the same Edwardian equipment. I’m no explorer but I was keen, especially as there’s a family link – Scott was married to my great grandmother before she married my great grandfather. 

Antarctica by this stage being a protected environment, we swapped to the Arctic circle where we spent 3 months on the Greenland ice sheet, first dog-sledding and then man-hauling just short of 1000 km at 10,000 feet, across ice fields and glaciers. 

I had lots of time to ponder my life back home. It was then that I decided to get my Master of Music degree and focus on composing music, and also then that I realised that even in the most remote silent places, music can still be a huge part of one’s internal world and imagination.  Whilst on the expedition. I spent days playing things back in my head and also writing new things, which I would then try and write down at the end of the day.”

Handfuls of Night’s tones, textures and melodies evoke otherworldly expanses, which at different junctures are either foreboding, awe inspiring or peaceful. There’s subtly morphing rhythmic repetition throughout, somewhere between minimalism, krautrock and the piano-cascades of label peer Lubomyr Melnyk. Jeffes creates a kinetic, circling motion, which drives the album forward in the form of a musical trip that mirrors the physical journey it was inspired by.

Penguin Cafe was founded by Arthur Jeffes in 2009, after bringing together a talented and disparate group of musicians including members of Suede and Gorillaz, to perform his father Simon Jeffes’ legacy of world-renowned Penguin Cafe Orchestra music, ten years after his untimely death in 1997. A full biography is available here.
Handfuls of Night is out this autumn amid a string of UK live dates, before taking the album on a worldwide tour in 2020 with more dates to be announced.

· pre-order 'Handfuls of Sound' on LP/CD/DL: https://idol.lnk.to/HandfulsofNight

Handfuls of Night

At the Top of the Hill, They Stood...

Penguin Cafe - At the Top of the Hill, They Stood...

'Find Sound' is the debut record from Shards, a London based vocal group led by singer, composer and producer Kieran Brunt. Combining voices, synths and percussion, Find Sound is an astonishing exploration of the human voice; using the concepts of sound and light as simple metaphors for gaining understanding. The album’s pieces are intended to be miniature sonic paintings, with each adding to an overall picture of the emotional confusion of early adulthood: the uncertainty, the excitement, the terror and relief.

After collaborating with Terry Riley in 2016, Brunt was asked by the Barbican to form a choral group for Nils Frahm’s Possibly Colliding festival that summer. Following the success of the shows, Frahm invited Brunt to join him in Berlin to collaborate on choral arrangements for his recent album 'All Melody'. Shards have since gone on to collaborate with other notable artists, including Michael Price on his recent LP 'Tender Symmetry'.

Each of the singers in Shards brings a very distinctive musical personality to the group, something which Brunt was eager to emphasise on their debut record. Rather than aiming for a seamless blend or absolute precision when recording, the differences between voices has been intentionally highlighted — celebrating their unique textures and inviting the listener to hear their minutest details up-close.

"The group ended up consisting almost entirely of friends and friends-of-friends. I also tried my best to ask people who weren’t just singers, but who do have other projects and musical interests. As such, we have people in the group who are also composers, instrumentalists, folk musicians and teachers. It’s a vibrant mix, and I’m constantly discovering new things about them the more we make music together.” — Kieran Brunt

Shards is Kieran Brunt, Lucy Cronin, Sarah Latto, Bethany Horak-Hallett, Kate Huggett, Chris Huggon, Jack Lawrence-Jones, Rose Martin, Augustus Perkins Ray, Oli Martin-Smith, Josephine Stephenson and Héloïse Werner.

· pre-order 'Find Sound' on LP/CD/DL: idol.lnk.to/FindSound

Released by:
Erased Tapes Records Ltd

Release date:
30 August 2019

P-line:
℗ 2019 Erased Tapes Records Ltd.

Find Sound

Unrest

Shards - Unrest

Berlin based cellist and composer Anne Müller shares a second piece, 'Drifting Circles', ahead of her long awaited debut solo album 'Heliopause'.

'Heliopause' follows several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled 7fingers, appearances on Ólafur Arnalds & Nils Frahm’s Collaborative Works, Nils Frahm’s All Melody and his acclaimed soundtrack for the film Victoria, Lubomyr Melnyk’s Fallen Trees, as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007.

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after.

Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics and Aventine) and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

A solo record in every sense of the word, Müller wrote, recorded, arranged and produced Heliopause. The album is named after the boundary where the sun’s wind ceases to have influence. It is ultimately, the border of our solar system. The name struck a chord with Müller since the two voyagers sent on an exploratory mission 42 years ago, recently crossed the Heliopause, entering into interstellar space and losing power from our own sun. Müller recognised herself in this moment, not only approaching the same age, but also breaking new ground; having relied on collaborating with so many other stars and now venturing into the unknown with her first solo statement; “Heliopause marks the end of a long journey but also the start of voyages to explore strange new worlds”

Both as the closing title track and album as a whole, Heliopause crosses these physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory.

· pre-order 'Heliopause' on LP/CD/DL:  idol.lnk.to/Heliopause

Drifting Circles

Anne Müller - Drifting Circles

To mark this year’s 88th day and as an acknowledgement to these unprecedented circumstances we find ourselves in, Piano Day founder, pianist and producer Nils Frahm releases a collection of eight solo piano pieces titled 'Empty'. 

Stream and download 'Empty': https://idol.lnk.to/nils-frahm-empty

Conceived of just before Nils broke his thumb and composed the similarly intimate solo piano album 'Screws', 'Empty' is a soothing vessel of eight simple and serene pieces originally recorded as the music to a short art film he shot with his friend and film director Benoit Toulemonde. Drifting through emotions from the stark and sobering opener 'First Defeat', to the gently euphoric 'No Step On Wing' and the contemplative but hopeful closer 'Black Notes', with its poignant minute of silence, 'Empty' is a comforting score for these turbulent times.

“When I came back from the hospital with a broken thumb and listened to the recordings, I felt they were unfinished. I decided to put them aside and started to work on my small album, 'Screws'. 

Many many other notes of the piano have been struck since these days, and before we all forget about this, I thought it would be a good moment to share these lullabies with you. I hope they help you stay all strong and calm in these days of solitude – despite the hardship, we can discover introspection and reflection unexpectedly. Who knows what it is good for.  
 
Much love, Nils”

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