No Thumbs - Slug Birth & Tharqa (excerpt)

Grip Casino & Ezio Piermattei - Anulari in marcia (excerpt)

Triple Heater - Zampogna Glassata (excerpt)

http://thewordmagazine.com/music/exclusive-mix-80-indigenous-electronics-with-brussels-based-producer-empty-taxi/

Tracklist:
Field recordings in Indonesia - Wind / Fishermen
Ysmanto, Pakel and Kistam (recorded by Aural Archipelago) Ning Nong Ning Nung
Senyawa - Senyawa
Karinding Attack - Bubuka
Field recordings in Indonesia - Temple
Field recordings in Indonesia - Prai Jing dead ceremony
Cherryl Ong & Vivian Wang - Singaporous (live jam)
Samsara Portal Holistik - Ihnger 
Wukir Suryadi - Spatula Kayu II
Arnljótur - listauki
Zoo (Samasthamarta) - Giza
RIMU & BILI DANA KAKA Village - Indonesian field recordings Empty Taxi
AGF  - Time-Ish {mesh}
MORO - ARREPIENTANSE
Welcome to iqrit
Dear Viyan (feat. Viyan Peyman & Dilar Dirik) - Miranda De La Frontera
Umchunga -Turbulence I

Back from Indonesia I for the Word ~ oct 16

Gerard Herman
Die paste, die wrong 
LP (E208)

Release date: February 2017
http://entracte.co.uk/projects/gerard-herman-e208/

Gerard Herman blubbered his way through a trench 
of clay-like melodies that cluttered down the sole of
his run-down sandal and his worn-out shoe. Upon 
arriving he sneezed, and Entr’acte opened the door.

gerardherman.be
trampolinegallery.com/gerard-herman

Edition of 200 copies
Mastered by Jacques Beloeil

Gerard Herman—B side (E208; 2017)

After The Moutains

Stefano Tamburini is the great absentee of Italian culture, chemical ghost of Italian media laboratories, where they create myths for the present generations, ready to be parcelled up in astonishing series to be included in national newspapers or TV shows that breastfeed the thousands of Millenniums depressed by cerebral onanism caused by encephalic absence.
Stefano Tamburini was, but he especially wasn’t. Incessant denial. But not as an act of disobedience. That attitude belongs to the winners, the Italian race par excellence, devoted to the constant and servile adoration for the “strong” and to the constant scorn for the weak. Instead Tamburini dedicated himself to the narration of constant disavowal, creating an extremely personal code of No! always and anyways: not to conquer spaces of recognition, but to lose his conscience and presence right in those very spaces, to recreate a reality that’s denial of the present, so more true than the truth.
Stefano Tamburini was many things: comics author with the marvellous invention of Ranxerox (a monumental screenplay on Frigidaire entrusted to the Michelangelesque pencils of Tanino Liberatore: the synthetic chav Ranx with his teenage girl Lubna in a grim cyberpunk Rome) and Snake Agent (absolutely revolutionary for the time, created using Xerox Art techniques and the
use of détourment inherited from Situationist International). Creator of magazines, graphic designer and non-musician.
A kinetic vortex that united the New York of Mars and Contortions with Mario Schifano, Tano Festa and Franco Angeli. The Throbbing Gristle and Cabaret Voltaire with Residents and Aldo Piromalli, Pere Ubu with Alberto Grifi and Victor Cavallo.
Stefano Tamburini wrote a column on Frigidaire entitled RedVynile. In this column, Tamburini played the part of a ruthless music critic, precisely RedVynile, who inevitably tore to pieces any musical proposal, using a rude style that bordered on obscene language. Because of this column, many upcoming musicians started to send their tape-recorded music to Tamburini asking for his opinion and advice. Tamburini, submerged by tapes and annoyed by their poor quality, decided to create a musical collage by cutting and destructuring the tracks he received. He published the result under the pseudonym Mongoholy-Nazy, playing the part of an imaginary Hungarian musician. This was the genesis of Thalidomusic for youngbabies, which was released on cassette in just a few dozen copies.
But what is Thalidomusic for youngbabies? First of all it’s Italy’s biggest “no wave” work, in fact anti-wave work, The Apotheosis of No! But even more importantly Thalidomusic for youngbabies is the most true and sincere (so crude, violent, dirty, but unbearably romantic) narration of Italy in the very early 1980s. Try to read Thalidomusic for youngbabies with your ears and you will suddenly be catapulted into the most harrowing generational film ever made in Italy. Yes, because Thalidomusic for youngbabies should be lived like a visual story, but made one’s own and experimented on one’s own skin. A non-fiction work about the lost generation that emerged from the 1970s devastated. Suburbs, blood, shit, love and hormonal cataclysm. An escape route towards closed and oppressing spaces. Destroy and don’t rebuild. Getting lost. Have a good journey towards nowhere with Thalidomusic for youngbabies.

Mongoholy Nazy - Thalidomusic For Young Babies

Stefano Tamburini: Mongoholy Nazy - Thalidomusic For Young Babies (extract)

Ilta Hämärä
Saivo
Sloowax 006 – LP

Out of the twilight emerges this debut offering by Ilta Hämärä, the duo of Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) and Timo van Luijk (Af Ursin, Elodie, La Poupee Vivante). An imaginary source that combines Bart’s hazy psychedelic antics and Timo’s subtle and abstract sound manipulations in otherworldly spheres of cosmic dimensions, like a spectral veil covering an odoriferous botanical garden. The gates are open to golden clouds… Limited to 300 copies.

Ilta Hämärä

This recording is from around 1998, when Elvio Bissolati (白いノイズ, ＜ＤＩＲ＞  ＲＩＣＨＴＥＲ, Les Laplaciens) was 10-11 years old and Flavio Bissolati (Starving GOGO, 白いノイズ), the main storyteller here, was 6-7 years old. Digital mono rip made in 2017 from the original cassette tape right after Flavio found it hidden inside a box under the bed, where it stayed for almost two decades.
Language: Italian

[BMD-01] BissoMultimedia - The Lost Tapes 1 (1998)

Cuacochi in Nahuatl language  means “to sleep in a tree”. 
As a wind player myself I have always been particularly fascinated by the sound of the air through my instruments. As a performer and improviser I have developed a big palette of wind sounds, mixing them with related sounds such as static radio noise and white noise. 
The „cuachochi“ series are pieces about air and noise.... and sleeping 

The Tree weights the nest
The wind weights the tree
and fate the rest
(Burkhard Stangl)


Cuacochi I 
For 9 players or 9 groups of players of any wind instruments
plus at least 9 radios and 3 tubular bells
commissioned by DAR and AIR Krems for The Representative Wind Orchestra of the Lithuanian Ministry of the Interior
Live recording of the Premiere on August 26 2016 at the Vilnius Culture, Entertainment and Sports Palace, in Vilnius, Lithuania.

Cuacochi II (a mirror) 
Composed, mixed and mastered in Vienna (2017)


Thanks to Egidija Medeksaite, Jo Aichinger,  The Representative Wind Orchestra of the Lithuanian Ministry of the Interior, Liz Racz, Martin Leitner and Burkhard Stangl

Angelica Castello - Cuacochi I (UDR 18)

algorithm

Limited editions label based in Rome.
cd-r - tapes - vinyls

OUT SOON

- UDR14 - FILTRO "Riflesso" C30
- UDR15 - NASTRO "Gastro" C30




contacts:
upside.down.recordings@gmail.com

Angelica Castello - Cuacochi I (UDR 18)

Upside Down Recordings

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