Moonbeam Manor

Reiko Kudo's solo work, with Tori on piano. Short songs capture vivid moments of detail in Reiko's life - her cats, her mother, the dying plant on the windowsill. Melodies so simple and unforced, it's as if they came gently floating through her window in the nightime. Peaceful and utterly gorgeous, like a child's book of psalms. 


"when I sing I’m a like a bug before the setting sun"  - Reiko Kudo

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Reiko Kudo / vocals
Tori Kudo / piano
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Recorded on 7th of November 2009 by John Chantler. Mixed and mastered by John Chantler. Photograph by Marie Roux.

DS050 - Reiko & Tori Kudo "We May Be" (sample)

functions are form

@shapeismotion

#ShapeIsMotion

shape is motion : (ER=EPR) x CDT / CST

Neural Synthesis

Wave2Y

Enveloped Feat. Yage.Ok

Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Just as Schwitters attacked the entrenched artistic traditions of his time with his revolutionary avant-garde collages, so too would Akita challenge the contemporary concept of what is called music. Merzbow would draw further influence from the futurist movement. Not only would he embrace the futurists' love of technology and the machine civilization, he would push their fondness for noise to the very boundaries of the extreme. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise. By 1990’s, Merzbow had a significant underground reputation for creating harsh and power electronics album. Dadarottenvator was released in 1995 by the magnificent German label Praxis Dr. Bearmann in a limited edition of 175 hand-numbered copies, pressed on green vinyl, and housed in a wooden box.
The tracks fall right in-between the atmosphere of Merzbow's early 90's work and his more hyper-aggressive mid 90's power electronics work and it's a charming mix, presenting the listener with some of the best elements from each phase of his evolution. Along with Noisembryo, Venereology and Pulse Demon, it represents the top of the immense artist’s production. All tracks performed using cheap electronics and junk, no use for synthesizer and midi sampler. Remastered at Munemi House in 2019 by Masami Akita.
The record has been pressed on 140 gr black vinyl with full color label and sleeve plus poster everything housed in amazing wooden box with laser engraving. Artwork by Masami Akita.

Merzbow - Koji Tsuruta Had Big Grinder Extract (from Dadarottenvator)

Out October 30th via Noumenal Loom!

Written & Recorded by Sam Wenc in Massachusetts 2019

Sam Wenc - Pedal Steel Guitar, 6 & 12 String Guitar, Fiddle, Synthesizer and Field Recordings

Mixed & Mastered by Andrew Weathers

Layout & Illustration by Mac Pogue (macpogue.com)

Cut Into Your Own Dimension

Post Moves - Karen's Ride With Grace

[Code/Neda]- mentally ill (Demo )

Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise.
Originally released on CD in 1990 by Alchemy Records as part of the Good Alchemy Series, Rainbow Electronics marks the pinnacle of Merzbow's late 80’s noise phase. Selected and transformed from about 21 hours tape of primitive raw material recorded during three years (1987-1990) in 14 fragments lasting about 74 minutes, this monumental work is an aural trip through a cold plotted universe of intergalactic space ships and golden celestial bodies. Remastered in December 2019 and split into four parts directly by the artist for the double vinyl version it opens up with a slow, kind of creepy tempo, reaching from dirty harsh noise flows coupled with eerie reverbed screeches and scrapes of iron objects. Noise and blasts come from every angle, and all you can do is sit and take it. Then continues with solid drumbeats briefly emerging from the static and disappearing just as quickly, again long stretches of subdued electronic drones buzzing along sleepily and the occasional sudden shift of noise into something more violent, though it all happens kind of slowly and gradually. A truly mesmerizing and immersive body of sound and its intense finish is something of pure artform. 
“I don't need a lot of words about Merzbow. All you have to do is immerse yourself in the sound.” translated from Japanese liner notes of Alchemy Records CD by Toshiji Mikawa.
Double vinyl comes in only 299 copies with gatefold cover that faithfully reproduces the original art work plus a 12" size insert. If you looking for a great starter title by Merzbow, an amazing piece of art, or something to get high to, this double LP is perfect!
Out late November 2020. Please link on webstore via linktr.ee/urashima and join to our newsletter for more information and updates.

Merzbow - Part D Excerpt (from Rainbow Electronics)

Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “Japanoise” scene. Masonna’s abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for 60’s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static.
Freak is an ultra-rare cassette originally released in 1995 by Coquette in an edition of 36 copies in a special gold paper and now return for the first time in a flabbergasting vinyl format fully remastered!
This mature work is very brash, earsplitting and mad. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Sometimes pleading sobs are heard. And they are all, regularly, philologically broken, retouched, stiffened. And they mingle in the vortex. Or at most they come back to be slaughtered a little more only to be thrown back again, finally in the centrifuge. Everything is scraped, fast and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to this work.
Originally released as single side tape C30, this vinyl edition divided into two parts of about fifteen minutes each is limited to 299 copies and comes with A3 size poster with Masonna in “action pose”. Freak is an absolutely astounding piece of work by one of the great pioneers of extreme noise from Japan! This is bound to be a revelation for anyone and it can’t be missed!
Out late November 2020. Please link on webstore via linktr.ee/urashima and join to our newsletter for more information and updates.

Masonna - Part 2 Excerpt (from Freak)

Urashima

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