If ever heard this in night time in a very dark forest I’d get a heart attack

reminds me of yume nikki's ost a bit, especially like this one part I forgot the name of

WE ARE GETTING BRICKS SHOVED INTO OUR THROATS IN THIS ONE

WE ARE GETTING DARED TO GO INTO A CABIN BY TWO FRIENDS FOR A HOUR

Scared ambient

Level 0 Backrooms Ambience

(All these songs and art do NOT belong to me)

Phonty Phonograph Chase Theme

Entirely Beloved.

for ANALOG HORROR - FACES
https://youtu.be/yzh70WbQ4YI

b e n e a t h

for ANALOG HORROR - THE LIGHTHOUSE
https://youtu.be/4alkh58sLUk

b r e a t h

for ANALOG HORROR - IN THE WALLS
https://youtu.be/p45-aM5hOJU

w a l l s

for ANALOG HORROR - THE CLUE
https://www.youtube.com/watch?v=KnAVR02F7Ko

p i p e s

for ANALOG HORROR - MEAT
https://youtu.be/7wiZCY6yGBs?si=3-dkkKhZwDq7fQL7

m e a t

KinitoPET OST - Deep Below The Code

c a g e s

sonic exploration of a failed civilization part 3

Underestimated the Savagery of the Locals and Paid the Ultimate Price

I had been moving toward this moment for four years.
Dear Stephan Micus, please forgive me for releasing this unofficial version. In my opinion, it turned out truly worthy. I worked on it almost surgically and was endlessly inspired by the original. I tried to reach out to you, but unfortunately, I received no response.
Listening to this composition now, I realize that only after several years it has gained even more flavor and depth for me. I have indeed accumulated a lot of material in my musical archives. I feel that this edit needed time to mature, and now the moment has finally come to present it.
When I began working on this piece, I understood exactly what bass instrument I was looking for. It was the Moroccan bass instrument sintir.
When I recorded the keyboards, I was going through a breakup. It was the very first days after the separation. Every time I listen to this work, I instantly return to that moment.
Enjoy the musical journey.

w a l l s

Moonkid

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William Afton

aba_nana

Dude the Guy

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