The new album WHAT WENT DOWN featuring "London Thunder," "A Knife In The Ocean," "Mountain At My Gates" & "What Went Down", is out now: foals.co.uk

Mountain at My Gates

Out now! 

flutter (w. hen demo)

An excerpt of "Seismic" by Chemtrails.
CD / Digital:  https://sequel-label.bandcamp.com/album/seismic
Photography by Siân Wright

[SQ03] Chemtrails - "Seismic" (excerpt)

2nd Single from the new Woods album, City Sun Eater in the River of Light, out April 8, 2016 on Woodsist.

Pre-order at iTunes: https://itunes.apple.com/us/album/city-sun-eater-in-river-light/id1072915934
Pre-order CD and Vinyl: http://hyperurl.co/ytovyl

"Woods have always been experts at distilling life epiphanies into compact chunks of psychedelic folk that exists just outside of any sort of tangible time or place. Maybe those epiphanies were buried under cassette manipulation or drum-and-drone freakouts, or maybe they were cloaked in Jeremy Earl’s lilting falsetto, but over the course of an impressive eight albums, Woods refined and drilled down their sound into City Sun Eater in the River of Light, their ninth LP and second recorded in a proper studio. It’s a dense record of rippling guitar, lush horns, and seductive, bustling anxiety about the state of the world. It’s still the Woods you recognize, only now they’re dabbling in zonked out Ethiopian jazz, pulling influence from the low key simmer of Brown Rice, and tapping into the weird dichotomy of making a home in a claustrophobic city that feels full of possibility even as it closes in on you. City Sun Eater in the River of Light is concise, powerful, anxious—barreling headlong into an uncertain, constantly shifting new world." -Sam Hockley-Smith



WOODS - CAN'T SEE AT ALL

Pre order here - http://www.ridingeasyrecs.com/product/slow-season-westing/


"The album’s fantastic, Jane’s Addiction-esque lead cut 'Y’wanna' signals new growth for Slow Season both as songwriters and recordists and these are by far their finest songs to date." -- Consequence of Sound 

Contrary to the band’s name, downtime is a rarity for Slow Season. Sandwiched between summer 2015’s extensive tour with their RidingEasy labelmates Mondo Drag and Electric Citizen, plus several short west coast jaunts, the hard-working quartet also found time to hammer out its most powerful and ambitious album yet. Written, engineered, produced and mixed themselves on their own equipment, entirely on analog tape, Westing is a hard-hitting and powerful reminder of how at one time a rock ’n’ roll band could be a transcendent experience.

While Slow Season’s sound continues to effortlessly nod to the great bands of the 60s-70s, Westing is truly the sound of a band coming into their own. The songwriting is tight, howling and hypnotic. The sound is classic, yet refreshingly new. 

“It's a different album,” says drummer and primary recording engineer Cody Tarbell. “But we never have wanted to find a particular sound or any one thing and be attached to it permanently. A big part of our records is experimenting.” The Visalia, CA band -- Daniel Rice (vocals, guitar), David Kent (guitar), Hayden Doyel (bass), and Cody Tarbell (drums) --  has recorded all of their albums on reel-to-reel at Tarbell's home studio in a cornfield. This affords them the time to experiment getting sounds, while maintaining focus on the most important notion that performance is key. As with previous albums, recording was pretty immediate, tracked between January 15th and the beginning of February 2016 to 16-track tape and mixed to 2-track tape. 

Equally as ambitious as the band’s self-sufficient production is the sprawling lyrical theme to the album.  Thematically picking up where the Slow Season’s previous full length Mountains left off, Westing tackles some heady issues.

“Westing follows a loose narrative about our nation's loss of innocence as it explores its frontiers,” vocalist Daniel Rice explains. “Re-contextualized in a story about an unnamed protagonist faced with choosing between different ideological allegiances and his own social identity.” From song to song, the album follows what Rice explains as, “the unholy trinity of greed+power+violence, the injustice wrought from this, persisting in willful ignorance, and reaping what is sown.” A deep conceptual arc, for sure, and one that adds further weight to the Slow Season’s intensity. 

Album opener “Y’Wanna” erupts from the speakers as if the band couldn’t even wait for the tape to start recording. it’s a full-throttle rocker reminiscent of Zep’s “Immigrant Song” with sly reference to “Four Sticks”, all groove and pummel. “Flag” keeps things rolling along with its bouncing, stop-n-go guitar riff. The 6/8-time blues sway of “The Jackal” echoes early Sabbath malefic boogie, while “Saurekonig” is a cavernous and volcanic mass driven by huge drums, ringing slide guitar and ominous drone. “Damascus” is a rollicking anthem driven by Tarbell’s syncopated hi-hat/snare interplay and Rice’s explosive wail proving just how much of a dynamic powerhouse Slow Season has become. Throughout, Westing is a smart and snarling rocker that sounds like rock ’n’ roll records should: massive, infectious and inviting repeat listens.

Westing will be available on LP, CD and download via RidingEasy Records on July 8th, 2016. 

Slow Season - Y'WANNA

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flutter (w. hen demo)

Urb[&]Robert

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