Additional Membranes

Track from the upcoming GREEN MANSIONS album on Repo Man Records.

Catalog-number : RMR09
Release-date : March 1st 2015

Cyclone Rodney

Inutili - Elves,red sprites,blue jets 

AGO090
Release Date March 11th 2016
     Elves, red sprites, blue jets is the new album from Inutili.  Emerging from the vibrant rock scene in Teramo, Italy they continue to change, without completely abandoning their peculiar character.


Inutili  - Turn Off The Television

From the upcoming 'Arrive Alive' LP out June 10 through Tenth Court.

View film clip here: https://www.youtube.com/watch?v=QKYT3EVOmY8

Wireheads- Arrive Alive

Teleporters: Travellin' Without Movin' part 1

"Bill's Block" off K9 Sniffies' "Master's Touch" LP available now!

www.urinalcakerecords.com

K9 Sniffies- Bill's Block

128GONE
Spray Paint FEEL THE CLAMPS 
Out June 3, 2016

2015's quick succession of two full-length albums by Austin, TX, trio Spray Paint - 'Punters On A Barge' in June on Australia’s Homeless Records followed by 'Dopers' via Austin's Monofonus Press –  showed the band repeatedly visiting some proverbial “next level” relative to the steady developmental trajectory framed by their preceding 2012 – 2014 arrival and vision-quest phase (itself a three album and three 7” chunk of catalog not appropriate for dismissal). At the risk of corniness in conveying the sterling truth, the brand new 'Feel the Clamps' (Spray Paint’s sixth full-length in the space of 3.5 years and first for Goner Records) could be considered to represent drummer Chris Stephenson, guitarist Cory Plump and other guitarist George Dishner arriving at a “next-level”, but next after what? They appear to have skipped a few.

Who knows what this really is. To call any band’s music “post-punk” has a descriptive clarity akin to stating, “This band makes music.” Spray Paint have now shed a great deal of previously identifiable present and past influences to reinvent their own modern version of American noise-rock. The band’s most signifying lift from yore has always been guitars that recall Sonic Youth’s 1983 – 1986 attempt to throw a No-Wave after party. On 'Feel the Clamps', it’s as if Spray Paint are saying to the forefathers in question, “We’re going to do THIS with those sheets of down-stabbed sound and put them to much better use.”

There couldn’t be a better choice for a preemptive warning shot than “Burn Barrel”, a perfect amalgam of the preconception-shattering refinements that is 'Feel the Clamps'. A tightly-wound rhythmic underpinning of building tension interspersed with repeated dynamic upshifts as everyone locks together and fills spaces that shouldn’t be there with an instrumental critical mass as drums interlock with guitar stabs, riffs, and throbs, reaching what could be a new summit of density and intensity for this band. “Burn Barrel” appears to be a lyrical string of scenes that tell a disjointed, nonlinear narrative of unsavory social observation (disclaimer: this is speculation), and this exemplifies Spray Paint’s refreshing embracement of thematic nuance and implied front page BAD news that’s much creepier and impactful than beating one over the head with depravity.

Because Spray Paint’s musical trajectory has followed a linear path of development and inspiration, it would be remiss to call 'Feel the Clamps' the band’s “definitive” document because it only “defines” where the band is at this stage and the impressive distance between right now and the trio’s genesis moment less than five years ago. Spray Paint is hyper-prolific because these guys know they have something that needs to stay up in the world’s grill. A rapid-fire output is sometimes confused with “worth a shit”. You know why the world is choked with aggressively mediocre music? Because the aggressively mediocre are really, really prolific and have amazing work ethics. But Spray Paint is no relation to the stylistic transients who couch-surf sub genres in what should be a new movement coined as “try-too-hardcore”, as they have been pushed along a linear path of inspiration that suggest there won’t even be a language to describe what the trio is making five years from now. 'Feel the Clamps' will be the Spray Paint album that clears the fence of any remaining solitary butts and if not, it’s recommended said body part be checked for its owner’s head.   (Andrew Earles, 2016)

FEEL THE CLAMPS Tracklist
01 Don't Get Sick
02 Burn Barrel
03 ATXHC (Dangly Earring)
04 Shoveling
05 Country Thumbs
06 Styrofoam Garbage
07 Feel the Clamps
08 Brat Beater
09 Bin Man Dreams
10 Heaps of Ice
11 George Finally Shows Up

www.sprayingpaint.biz
www.facebook.com/spraypaintisourname

www.goner-records.com

Feel The Clamps

Burn Barrel

Spray Paint "Burn Barrel" || 'Feel The Clamps' [Goner Records]

NOTS // COSMETIC
131GONE
Release Date: 9/9/16

Second full-length statement from Memphis' NOTS, Cosmetic fearlessly attacks the rough edges between desire, deceit, appearance and reality. Not chanting down Babylon, Natalie Hoffmann screams straight into its face. In this Game Of Death, Nots run through the maze of mirrors with sledgehammers. Oh, the sound of mirrors smashing. Let's smash some more.

Nots are still a wild guitar band, but above and below the guitar, bass and drum pound, Alexandra Eastburn's analog synth blurps melodies and nonsense, teasing squiggles of freedom which defy the false grid of modern life. Cosmetic? Emetic? "Monotone Lust" indeed. With Hoffmann on guitar & vocals, Eastburn on synth, Charlotte Watson beating drums, and Meredith Lones steering a solid path through the chaos on bass, Nots are neither content with the smug "stare at your shoes" approach of bands from both coasts, nor an Earth-hugging "we need to get back to nature" hippie copout. There might not be any answers here. That might be the point. Nots have arrived at the next level of their attack with a confidence and a music that lays waste to the wasteland without romantic attachment to a thing.

Recorded with Keith Cooper and Andrew McCalla in Memphis. Mastered by Jason Ward at Chicago Mastering. Album Art by Natalie Hoffmann.

FB - https://www.facebook.com/memphisnots
IG & Twitter - @notsmemphis

http://goner-records.com/

Cosmetic

Entertain Me

NOTS "Entertain Me" || 'Cosmetic' [Goner Records]

NOTS // COSMETIC
131GONE
Release Date: 9/9/16

Second full-length statement from Memphis' NOTS, Cosmetic fearlessly attacks the rough edges between desire, deceit, appearance and reality. Not chanting down Babylon, Natalie Hoffmann screams straight into its face. In this Game Of Death, Nots run through the maze of mirrors with sledgehammers. Oh, the sound of mirrors smashing. Let's smash some more.

Nots are still a wild guitar band, but above and below the guitar, bass and drum pound, Alexandra Eastburn's analog synth blurps melodies and nonsense, teasing squiggles of freedom which defy the false grid of modern life. Cosmetic? Emetic? "Monotone Lust" indeed. With Hoffmann on guitar & vocals, Eastburn on synth, Charlotte Watson beating drums, and Meredith Lones steering a solid path through the chaos on bass, Nots are neither content with the smug "stare at your shoes" approach of bands from both coasts, nor an Earth-hugging "we need to get back to nature" hippie copout. There might not be any answers here. That might be the point. Nots have arrived at the next level of their attack with a confidence and a music that lays waste to the wasteland without romantic attachment to a thing.

Recorded with Keith Cooper and Andrew McCalla in Memphis. Mastered by Jason Ward at Chicago Mastering. Album Art by Natalie Hoffmann.

FB - www.facebook.com/memphisnots
IG & Twitter - @notsmemphis

www.goner-records.com

Inherently Low

NOTS "Inherently Low" || 'Cosmetic' [Goner Records]

"Born To Be Wine" by Protomartyr

Download this track for FREE at adultswim.com/singles

Get the t-shirt / art print here: http://bit.ly/2edZufz

2016 Adult Swim Singles Program

Protomartyr - Born To Be Wine

From Stef Chura's debut album, Messes, out 1/27 on Urinal Cake Records.

Lyrics:
Sick and tired
I always admired
You from afar
You from where you are

Box it up
Send it around
Is it enough?
Give it a sound

You

Origin of What

TYVEK - Origin of What

"Brickwall" is taken from Fred Thomas' new album, Changer, out 1/27/17.

Pre-order LP/Tape/Digital: http://plyvnyl.co/FT-Changer

Fred Thomas - Brickwall

"Echolocation" is taken from Fred Thomas' new album, Changer, out 1/27.

Order here: http://plyvnyl.co/FT-Changer

Fred Thomas - Echolocation

all i wanted from you
spotted gold
turned black and blue
it gave me something 
to hold onto 
you've been reckless for so long
you've been reckless on a marathon

but if you wanted to walk away
you could do that

it all goes in a gust
i don't want to make a fuss
and i don't make you wear a leash
and i wont bring you things you don't need
if you gotta go 
i understand if you feel the breeze

but if you wanted to walk away
you could do that

i can feel a lift 
i can sense a shift
i can feel the grip release
i know you're here with me

but if you wanted to walk away
you could do that

Spotted Gold

Times of chaos rings the bells for newest sea-bottom R&B sound lurch from radical sonic artists WOLF EYES. The U$A’s longest-running homemade primitive electronic poetry & vibes trio launches another scotched taped nuclear audio radioactive front on humanity.

This is the title track of the new WOLF EYES studio album which will be release March 24 2017.

http://wolfeyes.net/

K9 Sniffies- Bill's Block

Urinal Cake Records

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