Here's a little experiment I did - I took a baroque sonata by Giovanni Zamboni and recorded it twice - once in my home recording studio and then in a high-end studio facility here at University of music in Vienna.
To follow the experiment, please visit my blog - blog.urosbaric.com.

Recording Classical Guitar: Hi-End-Studio vs. Home Studio

In this sample several stereo techniques on a classical guitar recording are presented to give you an overview how each of them sounds like. The techniques used were: AB, XY, ORTF and MS.The microphones are my Oktavas Mk-012 modded by Michael Joly with cardioid and omni capsules. The composition on this track is Manuel Maria Ponce's Sonata III - 2nd movement, played by me on my spruce Bernd Holzgruber guitar. d = distance between the microphones and the guitar; h = height of the microphones' position. To follow the entire experiment, please visit my blog - blog.urosbaric.com!

How to record Classical Guitar - Stereo Techniques

My rendition of Agustín Barrios' piece País de Abanico (Country of the Fan), recorded in my home studio in 2011.

A. Barrios: País de Abanico

Dowland: Frog Galliard (Lute)

Giovanni Zamboni: Sonata VI. - Gavotta

Giovanni Zamboni: Sonata VI. - Sarabanda

Giovanni Zamboni: Sonata VI. - Giga

Giovanni Zamboni: Sonata VI. - Allemanda

Hyeronimus Kapsberger: Toccata VI.

A popular song - Kakor zvezdi na nebu (M. Tomassini - V. Kreslin - M. Tomassini/G. Gjurin/V. Kreslin) - as performed by Slovenian singer-songwriter Vlado Kreslin and Neisha.

Music composed by Miro Tomassini, lyrics by Vlado Kreslin. Played and transcribed for classical guitar by me, sheet music available ASAP.

Published with authors' permission.

http://urosbaric.com
http://www.kreslin.com

Vlado Kreslin: Kakor zvezdi na nebu

My latest studio recording of Heitor Villa-Lobos' famous classical guitar piece - Prelude number 1.
Played on a 2001 Michele Della Giustina classical guitar (http://urosbaric.com/instruments), sound recorded using a pair of Oktava Mk-012 and a Rode NT1 mic, all modded by Michael Joly, run through Metric Halo ULN-2 preamps and converters.
http://urosbaric.com

Heitor Villa-Lobos: Prelude n. 1

My latest studio recording of Leo Brouwer's famous classical guitar piece - Danza Caracteristica.
Played on a 2006 Bernd Holzgruber classical guitar (http://urosbaric.com/instruments), sound recorded using a pair of Oktava Mk-012 and a Rode NT1 mic, all modded by Michael Joly, run through Metric Halo ULN-2 preamps and converters.
http://urosbaric.com

Leo Brouwer: Danza Caracteristica

http://urosbaric.com/tico-tico  |  Famous Brazilian choro Tico-Tico no Fubá. Delightful arrangement for three guitars by Edson Lopes. Recorded in November 2012 at 2d Recording Studio (http://urosbaric.com/studio).

Played on a 2001 Michele Della Giustina classical guitar (http://urosbaric.com/instruments), an older Mirko Hotko guitar and a Camps.

Sound recorded using a pair of Oktava Mk-012 and a Rode NT1 mic, all modded by Michael Joly, run through Metric Halo ULN-2 preamps and converters.

http://urosbaric.com

Zequinha de Abreu: Tico-Tico no Fubá

Slovenian guitarist performing classical, world, latin & pop music. Blogger, music producer running my own recording studio, web & film enthusiast.

urosbaric

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