Buy / Stream: https://ursl.fanlink.to/URSLINT044

https://soundcloud.com/deggideckert
https://soundcloud.com/amounttechno
https://soundcloud.com/saschahome

It all started with depression and post-punk: After immersing himself in self-pity for too long, Deckert took back control of the studio. He channeled his darkest energies and screamed, red wine in hand, at the black hole that had been sucking him in: Hajime! (Japanese for “beginning”) The New Order, immersive polka dots and joyriding bass and guitar lines come together in this two-track journey in which Deckert fights himself back to mental health and right onto the dancefloor. Hajime (Dot after Dot) comes with a balmy take on the same dark matter by Amount and a decelerated interpretation by Sascha Home.

Buy / Stream

URSLINT044 - Deckert - Hajime EP (incl. Remixes by Amount & Sascha Home)

PREMIERE: Tiempo de Maldad - 1993 [ Latido ]

Release Title:  Latido 003
Artist: Various Artists
Label: Latido
Catalogue No.: LATIDO003 
Release-Date: 23.04.2021

Buy Link: https://www.beatport.com/release/latido-003/3350056

Promotext:
Spanish label Latido - which means "heartbeat" in English - welcomes another slew of international talents for its third release. German producer Amselmoor, who crafts his sound using analog synthesizers and field recordings opens up with 'Knocked Out The Box', a dark disco slow burner with an overall mystical atmosphere. Mexican producer and live artist Tiempo De Maldad's '1993' stays on the synth-heavy side, with playful arpeggios making for delightful melodies. Belly Dance Services alum Fat&Bald serves up a slice of dynamic electro-infused disco, complete with glitched out vox and whirlwind synth loops. Rounding off the release is the duo Depresion Tropical who combine tropical rhythms, wistful vocals and synths on 'The Last Song For The Rave', a fitting closer.


✘ Tiempo de Maldad (Mexico City / Mexico)

soundcloud.com/tiempodemaldad
Facebook.com/tiempodemaldad

✘ Latido (Granada / Spain)

soundcloud.com/latidorecords
Facebook.com/latidorecords

PREMIERE: Tiempo de Maldad - 1993 [ Latido ]

under what is forbidden, we find our freedom.

@kiyatori
@the_soulcatcher
@mimoton

shita

download / stream

ki ya tori - shita

PREMIERE: Morgen Wurde & Tis- Deutet (Deep Edit) [Jazz-o-Tech]

Release Title: Deutet
Artist: Morgen Wurde & Tis
Label: Jazz-o-Tech
Catalogue No.:  JOT021
Release-Date: 24.09.2021

 

Buy Link: https://jazz-o-tech.bandcamp.com/album/deutet-ep


Promotext:

Jazz-o-Tech presents another forward looking techno-jazz project straight from Berlin's fertile scene. It's an intriguing collaboration between German producers Morgen Wurde and Tis. For 2 tracks Japanese avantgarde trumpet player Tetsuroh Konishi joins the duo. This EP has an intensely evocative almost spiritual soul, thanks to Konishi's inspired trumpet playing which cuts across the deep and dark grooves set by Wurde and Tis, giving the tracks a real sense of trascendence.

Morgen Wurde devotes himself to setting the unfathomable wonder of the Dasein to emotive music, creating the „Morgen Wurde" form of haunting lyric soundscapes: the majestic and threatening ambivalence of the forces of nature, set to dark romantic fusions of ambient and neo-classical music. Since 2015, six Morgen Wurde album CDs appeared on Off Rec. (Brussels), Time Released Sound (Alameda) and Frozen Light (Moscow), plus EPs, remixes, and contributions to recent episodes of the iconic annual Pop Ambient compilation series on Kompakt Records, curated by Wolfgang „Gas"Voigt.
Intense psychedelic soundscapes also characterize the sound of Tis. Rooted in the minimal techno genre, he doesn't dwell on standard synthesizer sounds but sets him- self apart from the crowd, drawing upon a rich spectrum of electroacoustic sounds, driven by irresistible grooves. The work of the Hamburg-based artist has taken on epic proportions under various project names on his own labels, formerly Verform Records and now Roo Records.


✘ Artist: Morgen Wurde & Tis (Germany)
FB: https://www.facebook.com/MorgenWurde/
SC https://soundcloud.com/MorgenWurde
SC https://soundcloud.com/tistunes

✘ LABEL: Jazz-o-Tech (Milan/Berlin, Italy/Germany)
 
WEB https://www.jazzotech.com/
FB https://www.facebook.com/jazzotech/
SC: https://soundcloud.com/jazz-o-tech

Deutet

PREMIERE: Morgen Wurde & Tis- Deutet (Deep Edit) [Jazz-o-Tech]

Steering his dance label, Frank Music, all the way through the last decade, Johannes Albert would like to welcome a bunch of new and old friends for its 10 years anniversary. Berlin’s Amount steers the ship into contemporary disco waters with his „Dphrase". All hands on deck please! The Captain Of Your Heart is more than a good friend. He is the boss from Zürichsee actually. We „L.ove“ his Synth Pop all the way. Darmstadt’s finest Levitation Venue are back with the calm yet groovy „Everything’s Good“. Now we set sail for the flipside. High waves and a storm comes up on the floor when Johannes drops his „Dynamo“. A very 90s informed rave affair! Sir Iron Curtis takes over the realm and shows a little respect for classic Electro. We travel to „Münster West“. The sea calms again with the bittersweet symphony of Max Lessig’s „Make me cry“. We reach safe havens. To the next 10!

Various Artists - 10 Years Frank Music

https://ursl.fanlink.to/URSLINT044

https://soundcloud.com/deggideckert

It all started with depression and post-punk: After immersing himself in self-pity for too long, Deckert took back control of the studio. He channeled his darkest energies and screamed, red wine in hand, at the black hole that had been sucking him in: Hajime! (Japanese for “beginning”) The New Order, immersive polka dots and joyriding bass and guitar lines come together in this two-track journey in which Deckert fights himself back to mental health and right onto the dancefloor. Hajime (Dot after Dot) comes with a balmy take on the same dark matter by Amount and a decelerated interpretation by Sascha Home.

Hajime

The People Pleaser

URSLNT044 I Deckert - The People Pleaser

https://ursl.fanlink.to/URSLINT044

https://soundcloud.com/deggidecker
https://soundcloud.com/saschahome

It all started with depression and post-punk: After immersing himself in self-pity for too long, Deckert took back control of the studio. He channeled his darkest energies and screamed, red wine in hand, at the black hole that had been sucking him in: Hajime! (Japanese for “beginning”) The New Order, immersive polka dots and joyriding bass and guitar lines come together in this two-track journey in which Deckert fights himself back to mental health and right onto the dancefloor. Hajime (Dot after Dot) comes with a balmy take on the same dark matter by Amount and a decelerated interpretation by Sascha Home.

Hajime (Dot after Dot) (Sascha Home Remix)

URSLINT044 I Deckert - Hajime (Sascha Home Remix)

Buy / Stream: https://ursl.fanlink.to/URSLINT044

https://soundcloud.com/deggideckert
https://soundcloud.com/amounttechno

It all started with depression and post-punk: After immersing himself in self-pity for too long, Deckert took back control of the studio. He channeled his darkest energies and screamed, red wine in hand, at the black hole that had been sucking him in: Hajime! (Japanese for “beginning”) The New Order, immersive polka dots and joyriding bass and guitar lines come together in this two-track journey in which Deckert fights himself back to mental health and right onto the dancefloor. Hajime (Dot after Dot) comes with a balmy take on the same dark matter by Amount and a decelerated interpretation by Sascha Home.

Hajime (Dot after Dot)(Amount Remix)

URSLINTO44 I Deckert - Hajime (Amount Remix)

Buy / Stream: https://ursl.fanlink.to/URSLINT044

https://soundcloud.com/deggideckert

It all started with depression and post-punk: After immersing himself in self-pity for too long, Deckert took back control of the studio. He channeled his darkest energies and screamed, red wine in hand, at the black hole that had been sucking him in: Hajime! (Japanese for “beginning”) The New Order, immersive polka dots and joyriding bass and guitar lines come together in this two-track journey in which Deckert fights himself back to mental health and right onto the dancefloor. Hajime (Dot after Dot) comes with a balmy take on the same dark matter by Amount and a decelerated interpretation by Sascha Home.

Hajime (Dot after Dot)

URSLINT044 I Deckert - Hajime (Dot After Dot)

Neon Palm Trees

«Arche006» conjures a cataclysm. Heavy freight loaded on steel machinery, rolling at a slow and steady pace unto nowhere. Oblivious Humanity. Metempsychosis. Zurich-based drone project Rakun draws foggy acoustical landscapes in A-Major & Minor for some time now, hence we are proud to present their debut recording on Arche. 

Long-time musical role model Marco Repetto aka Bigeneric accentuates the spiritual, celestial elements of «Arche006» in his large format remake, freely wandering between spiral soundscapes and IDM-esque drum & synth arrangements. 

Arche Musik’s very own Markus Kenel rounds off the release with a mechanical acid techno remake, driving the synth deep into overdrive while surfing the wave of drone layers.

3 Rakun - Arche006 (Markus Kenel Remake)

Premiere: FLXXX - Beastie Wave [​Innisfallen Records]

BANG LOOSE
2nd track from Keope's upcoming Triangulo LP drops 💥
Available now and vinyl pre-order: https://lnk.to/bigamo6

Triangulo

Bang Solo — KEOPE

SBB63 - Pudell&Blank- Ride It (Original Mix)

@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music
www.facebook.com/kasparjonathan
www.soundcloud.com/jonathankaspar
www.instagram.com/jonathankaspar/
www.youtube.com/jonathankaspar
twitter.com/jonathan_kaspar
www.residentadvisor.net/dj/jonathankaspar
www.beatport.com/artist/jonathan-kaspar/468783
open.spotify.com/artist/0R3hsihsVWcPQq5H898UP0

Next up on Nico Stojan and Acid Pauli’s Ouïe label is the Tia EP by Cologne-based producer Jonathan Kaspar. 

Fitting perfectly into the label’s roster, as the 2018 predecessor Mera, this is three tracks of tricky, leftfield dance music that will appeal to the more adventurous electronic music aficionados.  

Lead track Tia is a brooding epic, unfolding in unexpected ways as the rougher edges give way to dreamy pads and a tight, loopy groove keeps things in motion. 

Bigna shares a similar aesthetic - an intricate percussive groove provides the foundation for some minimalistic synth explorations and textures. 

Elin rounds off the digital release, a slow burning heater with live percussion, thick bass and atmospheric pads and blasts of noise.

URSLNT044 I Deckert - The People Pleaser

URSL

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