@user-861132903 yeah i just peeped gam great stuff! 🖤

@user-146721874 just did fam super different :)

@user-427850718 yeah i did keep grinding ! You got this!

"Gotham" OUT NOW <3

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Gotham

stew & galloway

TAKE ME HOME TO HEAVEN
OR GIVE ME MY TRUE DREAM REALITY LIFE
by Brent James Schoning

Take Me Home to Heaven or Give Me My True Dream Reality Life is an album born from longing—the honest, human desire to belong somewhere that feels safe, meaningful, and real. It is not a demand, not a prayer for escape, and not a declaration of entitlement. It is a question asked through music: What does home truly mean, and how do we recognize it when we feel it?

At its heart, this album explores “heaven” as a state of coherence, not a distant place. Heaven here represents moments of peace, clarity, love, and purpose—those rare intervals when life feels aligned and the inner noise quiets. The “true dream reality life” is not fantasy, but the version of existence where creativity, dignity, and connection are allowed to flourish without constant resistance.

This album lives in the space between exhaustion and hope. It acknowledges the weight of effort, the feeling of being out of place, and the deep wish for relief—not through disappearance, but through arrival. The music does not deny struggle; it holds it gently, allowing it to soften rather than harden.

Sonically, the album is expansive, emotional, and cinematic. Warm pads and evolving textures create a sense of open sky and distant horizons. Melodies rise slowly, carrying vulnerability without collapse. Rhythms are measured and steady, grounding the listener while leaving room to breathe. Basslines provide reassurance rather than pressure, like a steady hand guiding you forward.

The album unfolds like a journey inward. Early tracks carry yearning—spacious, reflective, and tender. There is a sense of searching, of calling out into the unknown. Mid-album compositions introduce movement and structure, suggesting choice and intention returning to the body. Later tracks open into luminous soundscapes that feel resolved without finality. This is not an ending—it is a resting place.

Production throughout the album emphasizes softness, depth, and space. Silence is used as comfort rather than absence. Transitions are fluid, reinforcing the idea that home is not reached through force, but through gradual alignment. Nothing shocks. Nothing rushes. The music trusts the listener to arrive in their own time.

Symbolically, Take Me Home to Heaven or Give Me My True Dream Reality Life speaks to the universal need for belonging. It reframes “home” as an inner condition created through honesty, self-respect, and connection. The album suggests that when reality feels hostile or unreal, the task is not to disappear—but to reclaim authorship of one’s life, one breath, one moment at a time.

There is tenderness in this work. It allows vulnerability without collapsing into despair. It allows hope without denying complexity. The music stands beside the listener rather than pulling them somewhere else. It does not promise salvation. It offers companionship.

This album adapts to moments of quiet listening, reflection, night-time contemplation, or emotional processing. It is music for those who are tired of pretending they are fine, and ready to feel what is true without judgment.

Take Me Home to Heaven or Give Me My True Dream Reality Life does not ask for miracles.
It asks for alignment.

Music as refuge.
Music as truth.
Music as a place to rest and remember who you are.

This is not an escape.
It is a return—
to feeling,
to presence,
to the possibility that home is something we build
by staying.

Ascend (18)

suffocating cyber-nightmare of glitchcore, digital hardcore, and voidwave decay. Detuned synths stutter like corrupted prayers under layers of tape hiss and distant emergency sirens. The kick drags itself forward, crushed and half-time, as if wounded. Fractured 8-bit arps flicker and collapse, swallowed by tectonic sub-bass that rattles bone. A trip-hop beat sets the stage with lush orchestral strings and atmospheric pads, building a cinematic intro. Trap hi-hats and 808s drive a deep, punchy Memphis groove. Southern rap verses flow with orchestral stabs, while explosive, gospel-tinged choruses break into dubstep drops and choral swells. Ghostly, soulful baritone vocals command, blending the grit and intimacy of a live gospel revival with dark R&B edge, layering live crowd responses and organ runs to evoke a world-changing, electrifying experience.

#136[single] "parking lot pimpin" [EDM]

#s.o.l. ft. Jammabands (prod. gabriel jin)

Made Me! (prod. WiLLd)

The main focus early on is to stay on your grind no matter what you are pushing towards.  As an artist it is my goal and dream to be able to make a living off of my music, while becoming an influence towards how people think and feel.  On our own paths there will be many obstacles along the way, which are discussed and focused on in the lyrics.

Going Up

Going Up (prod. Valious)

You’re In My Head

Rewind 
Matt Marie
Mix mastered engineered solely
ig - itsmattmarie

Rewind

HZN and 44romance the once already collaborators have come together again to make “Float Off”.

@HAZENSEND 
hehe :) you found one of my legacy desciptions where i released this again on 6/20/23) 
(@hazensend legacy description in tact nothing was touched when re released)

Float Off (feat. 44romance) - Single

Float Off

@hazensend - Float Off (feat. @44romance)

Safe To Say

To thy own self be true. 
IG: @urstruly.77
email: urstrulymanagement@gmail.com

You’re In My Head

urstruly

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