Achim Vogel Muranyi

Composed by acimo, © & ® Element113, Germany, 2021.

“Not only the polyrhythmic, the sensual perception of the shifts of rhythm, is extremely attractive. The acoustic sounds of Peter Vogel's "Grosse Trommel" are patterns to improvise and to remix in an area of tension between coincidence and necessity.”
https://vogelmuranyi.de
https://petervogel-heritage.de

Shadow Remix - Grosse Trommel

Digital Sound Installation, 2016, 215 cm x 6 cm x 4 cm, 8 light-sensors, 8 LEDs, wood, plexiglas, aluminium, 2 loudspeakers, amplifier, computer. Pd-programmed music-installation with 8 various mallet instruments in form of dynamic samples − each individually triggered by shadows − offer ways to shape a pre-composed minimal music structure.

8MALLETS II - The Minimal-Music Instrument

For Piano and Viola.
Viola: Lea Muranyi.
Piano: Achim Vogel Muranyi.
Recorded in Atelier Freiburg, 30. July 2021.
Dedicated to Susanne & Pit.

Silver

Conceptually inspired by György Ligeti's "Poème Symphonique for 100 Metronomes", in which each metronome has its own metric, the appeal lies in creating music that plays with this concept of unquantized polyrhythms (e.g. raindrops) and does not seem exhausting, but is exciting to listen to.

Capsule

Each instrumenmt has its own metric. The appeal lies in creating music that plays with this concept of unquantized polyrhythms (e.g. raindrops) and does not seem exhausting, but is exciting to listen to.

Starmilk

Buy Digital: acimo.bandcamp.com/album/shadow-remix-2

Audiovisual Experiment on the Schattenorchester I (1989), courtesy Peter Vogel Heritage.
Camera, Editing, Directing: Konradin Köchling,
Video Engineer: Daniel Lonzano,
Music: Acimo

Shadow Orchestra I from 1989 consists of an ensemble of electronic and mechanical instruments that can be activated via a control desk of 11 light sensors. Especially the first version of the three-part orchestra work series plays with the interaction of coincidental and static rhythms. The ensemble of the instruments is enlarged on a wall as a silhouette and creates an atmospheric experience of space.

“Not only the polyrhythmic, the sensual perception of the shifts of rhythm, is extremely attractive. Also the acoustic sounds are very characteristic and just made for being used in a digital way. The pictures and sounds of the Shadow Orchestra are patterns to improvise and to remix acoustically and visually in an area of tension between coincidence and necessity.” (Acimo)

https://www.vogelmuranyi.de
https://www.instagram.com/dreamwave_visuals/
https://www.petervogel-heritage.de/

Shadow Remix - SOI - Track I

Buy Digital: acimo.bandcamp.com/album/shadow-remix-2

Audiovisual Experiment on the Schattenorchester I (1989), courtesy Peter Vogel Heritage.
Camera, Editing, Directing: Konradin Köchling,
Video Engineer: Daniel Lonzano,
Music: Acimo

Shadow Orchestra I from 1989 consists of an ensemble of electronic and mechanical instruments that can be activated via a control desk of 11 light sensors. Especially the first version of the three-part orchestra work series plays with the interaction of coincidental and static rhythms. The ensemble of the instruments is enlarged on a wall as a silhouette and creates an atmospheric experience of space.

“Not only the polyrhythmic, the sensual perception of the shifts of rhythm, is extremely attractive. Also the acoustic sounds are very characteristic and just made for being used in a digital way. The pictures and sounds of the Shadow Orchestra are patterns to improvise and to remix acoustically and visually in an area of tension between coincidence and necessity.” (Acimo)

https://www.vogelmuranyi.de/​
https://www.instagram.com/dreamwave_visuals/
https://www.petervogel-heritage.de/

Shadow Remix - SOI - Track II

Achim Vogel Muranyi.
Contemporary Artist & Composer.

Achim Vogel Muranyi

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