in meinen Augen der geilste Master meine Sonne

why do i (ESX RMX)

Hier gibt’s eine ältere ESX Aufnahme in 190BPM.

Wie immer alles Selfmade.
Bei Fragen und Kritik könnt ihr mir gerne über Instagram schreiben<3

Ein letztes Mal ESX

Zerrix-was ist los mit der Szene?

REDMANN- Mach das Leise lauter Paul oNE pATTRrn Mbia Cut

Hier mein Intro für Gera
Eins meiner vielen neuen Projekte für Gera
Hoffe es gefällt euch
Damit ein schönes Wochenende gewünscht ❤️

Intro Hart am Limit @Gera Musichall [190 BPM]

"THE SECOND WAVE" Is a album with a mix of new and old tracks and collabs that gives you a glimpse of ijgenweis's uptempo sound!

MORE DISTORTION

REDMANN - An MaNcHEn TaGeN

KonZeQuenT - ONE PATTERN ESX [170BpM]

Hypnotize

CYBORG PROJECT – Elektro Simbolism
Technical and Conceptual Description of the Process
CYBORG PROJECT is a sonic performance and experimental DJ set that intersects high-BPM electronic music, advanced time manipulation, and deep listening practices. My work does not rely on traditional beatmatching, but rather on sculpting sound as living matter, approaching the set as a process of continuous transformation rather than a linear sequence of tracks.
The approach I develop is called Elektro Simbolism: a methodology in which frequency, timbre, and the perception of time operate simultaneously as symbolic and technical devices.
Technical Process of the Set
I work primarily with Pioneer RX3, Elektron machines, and external/pre-processed sound through a DAW. The set often begins with a hi-tech or psycore track pushed to the maximum BPM allowed by the system (up to ~666 BPM). Instead of using this BPM as a functional rhythmic speed, I treat it as a point of rhythmic dematerialization, where the beat ceases to be perceived as pulse and starts operating as texture.
From this extreme state, I perform an inverse process of temporal carving:
progressive BPM reduction,
micro pitch adjustments,
exploration of digital artifacts,
until the audio is brought into liminal zones between rhythm, noise, and oscillation.
Use of Loops and Granularity
A central technique within Elektro Simbolism is the simultaneous use of pre-set loops on the RX3 across both decks, treated in a mirrored manner. On one deck, the track is looped from wide loops down to microscopic loops, progressively reducing their length. On the other deck, I perform the inverse process, moving from micro-loops toward longer loop structures.
This crossing generates phenomena akin to granular synthesis within a DJ context, where extremely short fragments of audio are isolated based on timbre, texture, or internal resonance, and transformed into rhythmic materials, drones, or oscillations. The loop ceases to function as a repetition tool and becomes a sonic microscope.
Drones, Oscillations, and Frequency
The set incorporates drones and oscillatory layers that function as a continuous field over which rhythmic events emerge and dissolve. These layers are not conceived as “ambient” elements, but as background tensions that sustain the body of the set, even at extreme BPM levels.
I consciously work with:
slow oscillations,
internal modulations (LFOs),
sub-rhythmic vibrations,
which engage in dialogue with concepts such as resonance, trance, and the bodily perception of sound (for example, frequencies close to theta states, without seeking a literal translation).
Body–Machine Relationship
Elektro Simbolism does not aim to recreate rituals or “tribal” aesthetics, but rather to investigate how technology produces specific bodily states. The body of the audience—and my own—is understood as a sensitive system that responds to:
spectral density,
extreme repetition,
sustained vibration,
the collapse of the traditional pulse.
The result is a set that oscillates between contemporary ritual, sound engineering, and performance, where error, digital artifacts, and saturation function as active elements of the discourse.
Synthesis
Elektro Simbolism is a practice in which:
BPM is used as a plastic material,
the loop functions as a tool for microscopic analysis,
the track operates as an energetic field,
and the DJ set becomes a process of real-time mutation.
I do not seek to reproduce genres, but to intervene in them from within, pushing them toward their perceptual limits.

NUNCA JAMÁS  I

~Newcomer~

Hardtekk seit April 2024

Teil der [K•M•R] Crew 

Duo Partner : StrekkeR

⬇️⬇️⬇️

Hey
Mein Name ist Leon, ich bin 17 Jahre alt und komme aus dem Harz welches sich in Sachsen Anhalt befindet. Seit April 2024 Nutze ich FL Studio für meine Musik und habe seitdem gemerkt dass dies ein fester Bestandteil meines Lebens ist. Musik bedeutet für mich mehr als nur Töne und Melodien – sie ist meine Leidenschaft, meine Art, mich auszudrücken. Ich liebe es, neue Klänge zu entdecken, kreativ zu sein und meinen eigenen Stil zu entwickeln. Jeden Tag lerne ich dazu und arbeite daran, mich musikalisch weiterzuentwickeln.


————Equipment————
 
Nano Kontrol 2

Korg electribe sampler 2

Fl Studio 21/24

Korg ESX 

Korg EMX

————Referenzen————

• Rumpelkammer Emersleben

• Music Hall Gera (Hell Kartell)

• Deja Vu Bar Halberstadt

• Forever Bar Quedlinburg

• Secret Rave

Intro Hart am Limit @Gera Musichall [190 BPM]

Dependent.Live [K•M•R]

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