please wear a fucking bra and cover those nipples people need decency to come off normal and with respect for their body

павер твой плейлист прекрасен не надо ляля

asterisk to asterisk

Sincere Apologies

hey, no-one had this uploaded on soundcloud so i thought i would upload it myself. all credits go to the original creator "teethe". i did not make this song.

TEETHE upside down

Chocolate and Mint

her whisper

new song ok
spotify!
apple music!
all that!

out of line

junk shop - helvetia

Molly Nilsson   I Hope You Die

Junk Shop - Helvetia

i know ive heard this one before
but i feel theres something more
i cant put my finger on

and when i think, it rings a bell
one that i once knew quite well
but will never ring the same

but maybe im feeling
a part of my subconscious mind

or maybe this feeling’s
an amalgamation
of all my memories

i swear i’ve heard this one before
and it’s opened up a door
to a memory i cant reach

and when the record starts to play
i can hear it clear as day
with an unfamiliar tinge

i feel it in my bones
coursing through my soul
i can’t escape
all of this change
its not the same

its bleeding through my eyes
colouring the skies
purple and red
what’s in my head
what’s in my head

well maybe im feeling
a part of my subconscious mind

or maybe this feeling’s
an amalgamation
of all my memories

its always in my head
it sleeps under my bed
it wont go away
wont let me change
im going insane

its bleeding through my walls
colouring it all
purple and black
please take me back
please take me back

memory

I wrote this in 1986 for Eleven Pond after I read some magazine article about Europeans who used to have their extra-marital affairs in Portugal... no paparazzi, miles of desolate beaches, old romantic architecture, lots of available cheap rooms to rent... " I asked you twice, now I say to go, find sweat romance, down in Portugal.... LETS GO!" -jeff gallea

Portugal  (1986)

Molly Nilsson - (Won't somebody) Take me out tonight

Lift Off

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

was listening to a lot of buckethead when i wrote

bucket

Imágenes Violentas

SPOTIFY LINK: https://open.spotify.com/track/0VQKl5ZTF4ruGGvHgaRdLo

So far, this is the most complex electronic piece I have ever made, taking about 5 months to assemble. 

 I suppose this piece is in A quarter sharp & quarter flat minor. To explain, every instrument is moving up and down in pitch slowly, at different speeds. These slow vibrati give a strange, enriching vibrancy to the harmony, especially when interacting with another instrument.

 The piece was composed and constructed using FL Studio, Adobe Audition and Audiosculpt 3.0. After literally hundreds of crashes, the piece was split into 12 parts to save on CPU usage, then stitched back together.

buy this piece?

solitariat

i hope we die at the exact same time!!☆

junk shop - helvetia

destintic

Recent comments

Deftones02

jonah

real?

real?

Related tracks