Song Context: Style of this song is Synthwave, 80s retro or can be considered Cyber Punk. Additionally, the song has a cinematic influence. 

D/\F on youtube: https://www.youtube.com/channel/UC1XkJvAGwOaF-dRgrxwI-Jw

Rich Oblivion

Ask The Dust

The Gun

thanks for listening<3 i hope you'll check out more of my music like this song.
this song + all my ambient tracks on my spotify playlist here
spotify version: https://open.spotify.com/playlist/4IB4U1ieSUcEor3LQkOAIy
soundcloud: https://soundcloud.com/tidecruz/sets/my-head-is-ambient
\\\\\\ BTW!!! i've been writing for "nothing is real, part XXI, so im sorry if im late to reply on here, instagram, tiktok etc; - i hope to make this next NIR a special one, akin to the first in the series, back to the root sound of the series. <3

ambient playlist

this will destroy me

playlist

loss of self

Song Context: This remix to, Puscifer's - Vagina Mine, is a more cinematic version, which also features the inclusion of another remix of Vagina Mine from "D is for Dubby - Vagina Version". The overall vibe to this song has an aggressive progression and bombastic style.

- Additional Consideration: Puscifer's lead singer, Maynard James Keenan is also the lead singer of, A Perfect Circle and Tool. 

- All rights to the original music are reserved for the band, Puscifer and Alchemy Recordings, LLC / BMG Rights Management, as well as D is for Dubby. 

- Original song to, Puscifer - Vagina Mine: https://soundcloud.com/puscifer-music/vagina-mine
- Original remix to, Puscifer - Vagina Mine (Vagina Version): https://soundcloud.com/puscifer-music/vagina-mine-vagina-version

- See D/\F on Youtube: https://www.youtube.com/@daf8516

I create songs of various musical genres/styles and hopefully some folks will enjoy them.

Puscifer - Vagina Mine (Cinematic Remix by D/\F)

Song Context: This song features ambient qualities like rain, thunder, wind, piano and ethereal sounds. The overall vibe or feeling is warm and sentimental based not just on the overall melody, but also because this was created for my first born son. 

Additionally, the primary and inspirational purpose of the rain and vocal "Shh'ing" (asmr) are because they are white-noises that calmed my son to sleep. Moreover, between minute 1:30-1:49 there are two sound layers that may appear as mechanical and rotational, which are in fact edited recordings of the breast pump and heartbeat monitor after his birth, which were included for sentimental value and complementing musical layers. 

- This song is dedicated to the new love of my life, my son Eamon (Name Pronounced: "Ay-mon or Ay-muhn")

- D/\F on Youtube: www.youtube.com/channel/UC1XkJvAGwOaF-dRgrxwI-Jw
- Youtube handle: @daf8516

I create songs of various musical genres/styles and hopefully some folks will enjoy them.

Eamon's Song

Song Context: This remix to, Nine Inch Nails - Where Is Everybody is a deconstructed and reconfigured version that generally maintains the primary soul of the original. This version also features less vocals compared to the original. 

Music Making Note: There was no additional music layers or sounds added to this remix, but instead all original sounds were used but reconfigured and manipulated, then put together to form this version. 

- All rights are reserved to Nine Inch Nails for their original music. 
- Original version of, Where Is Everybody: https://soundcloud.com/nineinchnails/where-is-everybody-album 

- See D/\F on Youtube: www.youtube.com/@daf8516 

I create songs of various musical genres/styles and hopefully some folks will enjoy them.

Nine Inch Nails - Where Is Everybody? (Deconstructed Remix by D/\F)

Written as a commission, to make a song that may scientifically help make babies happier! All a bit odd but was fun to do. Scout was integral to the making of the song of course! There's a little making of doc arriving soon for an insight. For now, here are the lyrics. I've decided to officially release Tiny Human on the same day (as I never actually released it anywhere other than on my website and put the video on YouTube). I like the idea that these two songs, one of the trials of early motherhood and the other, a song to sing with your little one for better times go together. Almost like an old fashioned A and B side. You can decide what would be the A or the B side! Here are the lyrics. Inspired by Scout as she LOVED transport and learned how to say helicopter when she was staying in London with us, as I composed the Harry Potter and the Cursed Child play music. Hope you and any little ones you may have or know LOVE it and that it has the intended effect. 

Published by Megaphonic and Felt Music
Record label - Megaphonic Records
copyright 2016
for information on use of sync please contact info@imogenheap.com 
-----------------------------------------------------------------------------------------------------------
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Lyrics 

Bring bring on the bicycle 
Beep beep in the car
Ping ping a submarine 
phew phew helicopter
A choo choo train an aeroplane 
Or whee down the slide

I just adore 'dore 'dore you every day more 
Wherever we are

So up in the sky
And deep in the ocean 
Through valleys and hills 
Away we go

Bring bring on the bicycle 
Beep beep in the car
Ping ping a submarine 
Phew phew helicopter
A choo choo train an aeroplane 
A rocket to the stars! 

There’s a dance dance dance going on in my heart
Wherever we are

So up in the sky
And deep in the ocean 
Through valleys and hills 
Away we go

You oo oo little monkey who’s staying up late
Who purrs like a cat when they get their own way
Who then turns into a lion and let’s out a 
ROAR!!!

I love love love you every day more
Whatever’s in store

Wooo up in the sky
And deep in the ocean 
Through valleys and hills 
Away we go


Recording Credits 
Written, arranged, performed, produced and mixed by Imogen Heap 
Inspired by Scout and other babies

Imogen Heap – Vocals, programming, synths, clarinet, guitar, mbira, field recording
Florence “Scout” Heap-Lebor - Percussions, toys, giggles, roars and wows
Commissioned by Cow & Gate
Inspired by and direction from Scout and other babies and Goldsmith University Scientists 

Michael Lebor - Whistling and backing vocals
Mary-Anne Paterson - Backing vocals
Erica Doerr - Backing vocals 
Lesley Abrey - Backing vocals
Alexis Michallek - Backing vocals
Assistant engineer - Alexis Michallek
Studio Manager - Alexis Michallek 
Recorded at The Hideaway, London 
Mastering - Simon Heyworth
Artwork Credits 
Sleeve design – Andy Carne 
Front cover image of Scout - Michael Lebor
Illustration - Imogen Heap
 



Recording details : 
Vocals, clarinet, mbira, guitar, drums: 
Microphone: Neuman TLM 103 
Pre-amp: Avalon Vt-737SP
Sounds: 
Abigale’s Horn (1955 Morris Oxford) recorded by Imogen Heap.
Scout’s giggles and vocalisations recorded by Imogen Heap.
Linda the cat purring recorded by Alexis Michallek.
Rocket launch sound from US Govt agency.
Bike Bell While Riding recorded by Iwan Gabovitch.
Lily the Grumpy pomeranian recorded by Robert Ponto.
Fiji the cat, meowing recorded by Chocktaw.
Hair dryer, monkey, hiccups and sneezes collected by parents of panel babies.
Propeller airplane (Cessna), Helicopter and trains from Digiffects library.

 
Software Instruments and DAW :
Avid Pro-Tools 
Ableton Live 
Plugins from Waves Gold Bundle and Focusrite D2/D3 
Box Of tricks by Sonic Couture (Glockenspiel, Cocktail Kit, Whirly Tubes, Body Percussions, Vibraphone)
Native Instrument’s Action Strings

Thanks 
Liz Williams and all at Felt Music

The Happy Song

Part of my score for The Heart of Man.

Strings: Recorded at Slovenský Rozhlas in Bratislava, Slovakia
Engineer: Peter Fuchs
Conductor: Johannes Vogel
Music Supervisor & Orchestrator: Brandon Collins
Copyist: Paul Nelson
Pro Tools: Josh Auer, Chad Wahlbrink & Jordan Critz
Orchestral String Mix: Satoshi Noguchi
Vocals: Timbre Cierpke

Album Art designed by Austin Eidson: austineidson.com

The Heart of Man

Morning's Wings

The Bomb (Original Motion Picture Soundtrack)

Propaganda

Texas Sun

I create songs of various musical genres/styles. My most identifiable music style for a lot of my songs may be cinematic, industrial, dark & moody, but you be the judge. D/\F or D/AF are simply my initials.

Each Album/Playlist is identified by color: (1.) Yellow for, HipHop (2.) Black for, Cinematic (3.) Red for, Electronic (4.) Brown for, Ambient (5.) White for, EDM (6.) Grey for, Rock. 

I love all kinds of music and its various genres, ranging from Electronic, Rock, Symphonic/Cinematic, EDM, Ambient, HipHop, Soul, TripHop and etc...and all of their related Sub-Genres. Hopefully, others can simply enjoy these demo tracks as much as me, but if not, then no worries, because music is however based on personal/subjective tastes. 

Personal Influences: Nine Inch Nails (And Trent Reznor), A Perfect Circle , Massive Attack, Thievery Corporation, REZZ, Run The Jewels, Lorn, UNKLE, Robert Koch, Rob Dougan, Boards Of Canada, Zero7, Hans Zimmer, Clint Mansell and Thomas Newman.

Rich Oblivion

D/\F

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