Hey Ananda man, love this what you did here! The vocal samples work so well in establishing a catchy lyrica/vocal element to this one. Dope beats, too, and a head bobbing groove really add some power to it, too. Hey my friend, awesome work here!

Magnificent production..marvelous soundtrack..passionate execution.. brilliant percussion! captivating & mesmerizing..perfectly executed synthesizer work..brilliant effects..sumptuously infectious vocal track!..excellent mix & recording production!

What's wrong with these people is that they don't get a suitable account...lol

Great tune buddy! A question I ask myself everyday! Still haven’t found a good answer 🤷🏻‍♂️🌍✌🏻

Fair point well put with a magnificent use of the f stutter

Subtitle: What is wrong today, was wrong yesterday and will be wrong tomorrow (unfortunately) - nice track!

Demotrack...Thoughts of a seeker... contemplative, naturebound, a  short conversation with the inner self!
Hubert Stytz:          Music
Pee Gee       :          Lyrics

Good To Know

I´ve always been a seeker
A  lonesome seeker after truth
I´m a believer now
And I believe in youth 

Farewell to all those temptors
The preachers of hot air
I´m no longer worried
Cos I ...I ...don´t care

It´s true I´m getting older
But I´m still young at mind
And it´s good..to know

As I row down the river
Sliding down real slow
Sweet memories appear
And it´s good...so good..to know...

Good to know

Don Quichotte à Dulcinée is a song cycle by Maurice Ravel based on the story of Don Quixote. It was composed between the years of 1932 and 1933. The text was written by the librettist Paul Morand.

Piano by Helen Roberts

Lyrics

Chanson Romanesque

Si vous me disiez que la terre
À tant tourner vous offensa,
Je lui dépêcherais Pança:
Vous la verriez fixe et se taire.

Si vous me disiez que l'ennui
Vous vient du ciel trop fleuri d'astres,
Déchirant les divins cadastres,
Je faucherais d'un coup la nuit.

Si vous me disiez que l'espace
Ainsi vidé ne vous plaît point,
Chevalier dieu, la lance au poing.
J'étoilerais le vent qui passe.

Mais si vous disiez que mon sang
Est plus à moi qu'à vous, ma Dame,
Je blêmirais dessous le blâme
Et je mourrais, vous bénissant.

Ô Dulcinée.

English

Romantic song

Were you to tell that the earth
Offended you with so much turning,
I'd dispatch Panza to deal with it:
You'd see it still and silenced.

Were you to tell me that you are wearied
By a sky too studded with stars -
Tearing the divine order asunder,
I'd scythe the night with a single blow.

Were you to tell me that space itself,
Thus denuded was not to your taste -
As a god-like knight, with lance in hand,
I'd sow the fleeting wind with stars.

But were you to tell me that my blood
Is more mine, my Lady, than your own,
I'd pale at the admonishment
And, blessing you, would die.

O Dulcinea.


Artwork by Zurab Martiashvili

Chanson Romanesque (Don Quichotte à Dulcinée - Maurice Ravel - with Helen Roberts)

Romantic〔Lylics by Romi   Composed by Romi   Arrenged by Romi , Red＆Blue〕

Nostalgia

An electronic/industrial piece, with some fusion elements. Out of my comfort zone here! Maybe it reflects the tempest of the times.

Cosmic Call

This Is A HybridTrack..  First track made with FL25 And Suno...  

What Is Wrong With The World

In 2018, I did a SoundCloud collaboration with @clive-hawkins after one of his tracks inspired me to write lyrics over his haunting instrumental 'After the Bomb'.

Clive had posted the line "let us not forget the consequences............of unleashing weapons of mass destruction!", and that comment, coupled with listening to his moody track, had me writing the complete lyrics inspired by his music in about 1.5 hours.

In 2025, I am currently working with accomplished keyboard player and Prog Rock enthusiast @Dee-Zee (Dave Zeitlin), to create an Ethno-Prog album 'Beyond the Veiled Horizon'. 

https://soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

So when I recently re-heard the old collaboration I wondered if Dave's keyboard wizardry could add a whole new dimension to the lyrics. The message in the lyrics has perhaps has even more urgency in 2025. 

The Doomsday Clock currently stands at 89 seconds to midnight. 
https://thebulletin.org/doomsday-clock/2025-statement/

Using Clive's harmonic rhythm that inspired the melody, that inspired the lyrics, I basically gave Dave a blank slate to see what he could come up with as parts. As usual he delivered some amazing ideas and playing and this left me re-assembling this Redux version of the collaboration. Once again, I made use of the Alto vocal talents of 'Mrs Bouzouki' in a vocal harmony section and as part of some harmony stacks. Towards the end, the additional female backing lines are from the Soundiron 'Voices of Gaia' collection featuring the vocal talents of Linda Strawberry.

I feel the addition of a church organ really added to the track. As a result I removed a choir part I added in the original collaboration and added some low strings to add some weight to the bottom end in places. Besides piano, Dave also added some synth pads to keep things interesting during what is quite a long track. I hope that people can hear why I enjoy working with Dee Zee. I think he's done a fantastic job with this track.

I decided to keep my original vocal takes from 2018 but I feel the track has benefited from my improved mixing and production techniques. 

I feel that once again this track is a great example of how music can be created using the SoundCloud platform. A collaboration can build on a collaboration to create something bigger than the sum of the parts. Thanks @clive-hawkins for being the catalyst for this and @dee-zee for your compositional skill and playing. 

As a follow-up to this song you can watch this movie on the Internet Archive, produced in 1969 about the Hiroshima-Nagasaki bombs of 1945. Some of the imagery is not for the faint-hearted.

archive.org/details/hiroshimanagasakiaugust1945
=======================================================
Lyrics

After The Bomb - P Goodrich 22/01/2018

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Just What Have We Done

Dead Streets, Dead Lives
Dead Seas, Dark Skies
We've Gone, Too Far
Ohhhh We've Lost It All

(C)
And The People Cried As One
With The Firing Of A Gun
Too Late For Second Thoughts
Too Late For All Of Us

No Race, No Faith,
No News, No Lies
Past Ways, Past Lives
They're Over and Done

Dark Days, Dark Times
Dark Deeds, Dark Minds
No Hope, All Gone
We've Nowhere To Run

C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

(organ instrumental)

No Rest, No Sleep
No Love, Just Hate
Dull Hearts, Dead Minds
The Future It’s Gone

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Oh What Have We Done

(C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

One World, One Tribe
(Ad Lib)
We’ve Nowhere To Run
(Final Whispered) After The Bomb ... After The Bomb

After The Bomb - Redux 2025 (89 Seconds To Midnight)

Vocals https://soundcloud.com/couch-king-presents

Production https://soundcloud.com/rizlix


Here's a collab with the soundcloud legend https://soundcloud.com/couch-king-presents


You can hear his original work here;

https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums




Couch King Presents x RiZLiX - This One Goes

Step into a moonlit river of sound. Session XIX — Lanterns Over the Water drifts through the heart of Japan’s shrine and lantern traditions, weaving non‐lexical shrine chorus hums, shakuhachi sighs, koto glissandi, and taiko heartbeat pulses into a deep, meditative lounge journey.
Inspired by Kyoto’s Gion nights, coastal lantern festivals, and the still elegance of Shinto shrine waters, this session captures a ritual calm where fireflies, incense smoke, and floating lights move as one.

▸ REGION: Japan — Shinto shrine ambience, lantern festivals, Gion street nights
▸ VOCALS: nonverbal shrine chants, breath vowels (“aaa–ooo–eee”), whispered blessings (“mizu,” “tsuki,” “kokoro”)
▸ INSTRUMENTS: shakuhachi, koto, taiko, suzu bells, temple woodblock, night cicadas, water ripple field recordings
▸ MOOD: moonlit stillness • ritual elegance • drifting light on water

🎧 For meditative evenings, incense-lit moments, or midnight walks by water.

#LanternsOverTheWater #JapaneseChill #ShintoAmbient #BuddhaBarVibes #DowntempoBeats #WorldFusion #ZenChill #AmbientLounge #RitualMusic #GlobalLounge #TaikoBeats #KotoMusic #ShakuhachiFlute #LanternFestival #Ætherflux #ChilloutMusic #OpiumLounge #SlowBPM

Kawa no Hikari

Neon Ghosts is our little detour into a completely different world – away from the dark realms, diving into a synthetic ocean of neon lights, retro beats, and cyberpunk melancholy. This synthwave–electro–ambient album is a passion project by Raphaela Hartmann, Sascha Häusler, and Thomas Kaiser – all devoted fans of synthwave and cyberpunk culture.

We simply couldn’t resist exploring this genre ourselves – painting glitch-stars across the digital sky and creating soundscapes that feel like neon rain, chrome dreams, and distant cityscapes.

This is just our first step – an experiment, a side project made with love and pure fun.
If you enjoy our little venture and the feedback is positive, we’ll continue building and expanding this journey.

Welcome aboard – the city never sleeps, and neither do we.

Zero

Universe K

Experimentalist Artist.  I like to play with a varity of different genre´s
I dont have more space in here so i hope you will listen to some of my new music on youtube under the same name.  and i will be glad for subscribes.. 

i find my inspiration, by listen to:  Andromeda, Time In Motion, Reefer Decree, Shpongle, Younger Brother, Etc..   And other various genre´s I also like music like Imogene  Heap , Jean Michell Jarre , Yelawolf , Pretty Lights, Floozies and many other´s   but Recently i Haved found a lot of inspiration in ThrillMonkey And FlexHead..   Wich i think really got something that inspire me..    im still one a journey , to the unknown i get new inspiration every day.  Especially In Here On SC.

What Is Wrong With The World

AnandaTuk

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FlexHead

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