day 6

Splendid

Jeffrey Brodsky - March On [Bass Boost]

Mystery Mine Music - Dollywood

Party Hard -AC Revelations

Tell me pretty lies,
Look me in the face,
Tell me that you love me,
Even if it's fake,
'Cause I don't fucking care, at all

You've been out all night,
I don't know where you've been,
You're slurring all your words,
Not making any sense,
But I don't fucking care, at all

'Cause I have hella feelings for you,
I act like I don't fucking care,
Like they ain't even there,
'Cause I have hella feelings for you,
I act like I don't fucking care,
'Cause I'm so fucking scared

I'm only a fool for you,
And maybe you're too good for me,
I'm only a fool for you,
But I don't fucking care, at all, oh

(Ooh yeah,)

Tell me pretty lies,
Look me in the face,
Tell me that you love me,
Even if it's fake,
'Cause I don't fucking care, at all

You've been out all night,
I don't know where you've been,
You're slurring all your words,
Not making any sense,
But I don't fucking care, at all

'Cause I have hella feelings for you,
I act like I don't fucking care,
Like they ain't even there,
'Cause I have hella feelings for you,
I act like I don't fucking care,
'Cause I'm so fucking scared

I'm only a fool for you,
And maybe you're too good for me,
I'm only a fool for you,
But I don't fucking care, at all, oh

Blackbear - IDFC (piano solo cover)

Guitar: James Neligan LIS-A (Standard tuning)
Equipment: Microsoft Lumia 650, Tascam DR-22WL

Jonathan Morali – Golden Hour (Life Is Strange OST) (acoustic guitar cover)

A cover of "Walkin' in Hawkins" from the Stranger Things season 2 soundtrack.  I love this song so I remade It and made it longer than the album version. Hope you enjoy it too!

B-sides

Walkin' in Hawkins (Extended cover)

String Orchestra (Grade 3.5)
Publisher:  The FJH Music Company, Inc.
Composer:  Soon Hee Newbold

Arabian Dreams

"Trilogi, Fredrik's second full-length outing, is so named because its contents were originally issued as a series of the three limited-edition EPs, self-released by the band on 3" CDs with handmade origami packaging. Despite some flowery language in the accompanying press release about "contemporized viewpoints of the Lovecraftian dream passage," the knowledge that this music was at one point presented in three discrete installments in no way alters the effect of hearing it as a single 50-minute whole -- there are no appreciable musical distinctions to be made between the three segments, which were all recorded in the same six-month span. However, the image of those few delicate, distinctive objects that were initially created to hold these songs does resonate nicely with the particular character of Fredrik's music: intimate, tactile, small in scope, and lovingly crafted with careful attention to detail. These qualities, which made their debut album, Na Na Ni, such a charming and unassuming surprise, are very much still present on Trilogi, which treads similarly evocative sonic territory, blending a cornucopia of organic musical (and non-musical) sounds with sparse electronic touches to create a creaky, ancient-sounding, surreal sort of folk music. This time, though, the tone is notably darker -- right from the eerie, mildly menacing opening notes of "Vinterbarn" -- and the songs, while typically gorgeous and affecting sonically, aren't quite as memorable. It's hard to put a finger on what exactly has shifted, but the deft balance between melody and atmosphere that Fredrik  achieved so exquisitely their first time out is not quite as compelling here, with only the uplifting, quietly anthemic "Flax" standing out as a clear highlight."

allmusic.com 

Jeffrey Brodsky - March On [Bass Boost]

MissArysn

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