𝘗𝘭𝘦𝘢𝘴𝘦 𝘯𝘰 𝘋𝘔𝘴 𝘰𝘯 𝘩𝘦𝘳𝘦, 𝘵𝘩𝘦𝘺 𝘥𝘰𝘯'𝘵 𝘨𝘦𝘵 𝘳𝘦𝘢𝘥.

Steve Rachmad and STERAC's upcoming gigs:

Fri 08, Dec 23
Sterac @ Synoid, RSO.BERLIN, DE

Sat 09, Dec 23
STERAC @ Bike Jesus, Prague, CZ

Fri 29, Dec 23
Steve Rachmad @ Aether Special, AETHER Club, Budapest, HU

Sun 31, Dec 23
STERAC @ BASIS / NYE, Utrecht, NL

Sun 31, Dec 23
STERAC @ 20 Years AD goes FURTHER / NYE, Radion, Amsterdam, NL

Mentioning releases, remixes, or labels on which Steve Rachmad has shown his craftsmanship is pointless and time-consuming. So is boasting about the clubs and festivals on which he has left his mark. It would just make for another list of names, places, and brands…. Let’s not do that. Feel free to visit the usual channels (Discogs, Soundcloud, Beatport) and take your pick from numerous productions and DJ sets. They all come from three decades of dedication, sweat, and polishing a one of a kind talent.

Because as Miles had his horn and Pablo took to canvas, Steve has an unequalled gift for (almost physically) connecting with every thinkable drum machine and synthesizer out there. If the man had kids, boys would listen to Roland or Robert (Moog), and a girl would surely be named Linn, after the machine made famous by Prince and others in the 80’s. Some claim it’s analogue machine telepathy, others say he was born with all the right connectors and inputs hidden somewhere underneath his trademark curly hairdo.

This ability has established Steve as one of those artists that simply last because of quality. New generations of artists from different genres recognizes his signature and therefore play his work.

As a DJ he is constantly reinventing himself. Set firmly in the best that techno and house have to offer at the moment, Rachmad draws inspiration from his love for high quality disco and electro from the past. As words can never truly describe music, we’ll end with advising you to go check him out and hear for yourself what Steve is all about.

WOLS IS SLOW.

Booking Request
日本
wolsbooking@gmail.com

WORLDWIDE
STANDA 
email:anti@uclub.sk 




HATE promotes the best electronic, techno-oriented releases.

HATE on Soundcloud is all about exclusive Podcast Series & Premieres Cycle.

Mix series, born in October 2016, includes works from artists who are involved in the development of our channel and provide the tone of HATE Collective for a long time. Past records from them you can find on our YouTube channel.

After only one year from its birth, HATE podcast series was mentioned by Telekom Electronic Beats as one of "10 Techno Podcasts Every Techno Head Should Know": http://www.electronicbeats.net/the-feed/10-techno-podcasts-every-techno-head-hear/
 
Follow us here:
https://www.youtube.com/c/HATE
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

Contact us here:
hatemusic1@gmail.com

BOOKINGS: 
bookings@underblackhelmet.com
maxime@resilience-am.com
********************************************
Since releasing his Mute EP in 2015, his distinct sound has garnered support from esteemed labels such as MORD, BPitch Control, FLASH Records, EMERALD, GRÜV. His DJ performances have placed him alongside leading artists at some of the world's most respected venues and events, including Berghain, Tresor, RSO, Awakenings, FUSE, and Boiler Room, to name a few. A long-standing resident of the Kablys Club family, with millions of online streams and an established international profile, Under Black Helmet stands out as one of the defining artists in contemporary techno.

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

CEO&founder at SoundFactory https://www.facebook.com/electronicmusicsoundfactory/
more videos ->> https://www.youtube.com/c/SoundFactoryZG
No1 at GJURO2 nightclub Zagreb Croatia,
https://www.facebook.com/G2undergroundmusicevents/?fref=ts
 No1 at KHALA beachClub Zrće/Pag, https://www.facebook.com/khalabeach/?fref=ts
EX event manager AQUARIUS Zagreb,  EX event manager BOOGALOO club Zagreb, EX event manager at Taboo club Zagreb
Genre; techno,  house, deep house, dub-techno, electro, EBM, darkwave, dark disco, deep-tech,  minimal, disco, funk, breakbeat, DnB

Krešo Leboš
još kao mlad pokazao je interes za glazbu. U osnovnoj školi pohodio je pjevački zbor ali njegov talent je ubrzo primijećen te je udaljen. Nakon toga, po kazni isto kao u prvom slučaju, pridružuje se instrumentalnoj sekciji gdje zadužuje mandolinu. I tu njegov talent nailazi na zapažanje te ga nakon 6 mjeseci izbacuju i iz te družine. Iz tog ranog doba izdvojili bi uspješno nadglasavanje jugoslavenske himne kada je zvučnicima postavljenih na prozoru prekinuo školsku priredbu koja se odvijala preko puta njegove kuće a sve u svrhu break-dance borbe gdje pritom glasno reproducira skladbu "Grandmaster Melle Mel & The Furious Five - Beat Street". 
Kasnije počinje intezivnije bavljenje glazbom i organiziranja partya gdje su dakako vrlo brzo spazili njegov talent i izbacivali ga i kažnjavali kad god je to bilo u moći pravodobnih službi.
Izumitelj je kluba SoundFactory gdje ujedno radi i ponekad pusti koju traku.

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